{"id":30383,"date":"2019-04-29T11:00:08","date_gmt":"2019-04-29T07:00:08","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=30383"},"modified":"2019-04-29T14:14:19","modified_gmt":"2019-04-29T10:14:19","slug":"lirik-nov","status":"publish","type":"post","link":"http:\/\/edebiyyat-az.com\/?p=30383","title":{"rendered":"Dramatik n\u00f6v"},"content":{"rendered":"

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Dramatik n\u00f6v\u00fcn ba\u015fl\u0131ca x\u00fcsusiyy\u0259ti, \u0259s\u0259rd\u0259 ba\u015f ver\u0259n hadis\u0259l\u0259rin, sur\u0259tl\u0259rin h\u0259r\u0259k\u0259ti v\u0259 dan\u0131\u015f\u0131\u011f\u0131 yolu il\u0259 canland\u0131r\u0131lmas\u0131d\u0131r. Dramatik \u0259s\u0259rl\u0259r s\u0259hn\u0259d\u0259 tama\u015faya qoyulmaq \u00fc\u00e7\u00fcn yaz\u0131l\u0131r. Bel\u0259 \u0259s\u0259rl\u0259rd\u0259 iki t\u0259rkib hiss\u0259si olur: remarka v\u0259 sur\u0259tl\u0259rin dan\u0131\u015f\u0131\u011f\u0131.<\/p>\n

Dramatik n\u00f6v\u00fcn\u00fcn a\u015fa\u011f\u0131dak\u0131 janrlar\u0131 var:<\/p>\n

Faci\u0259, Komediya, Dram<\/p>\n

Faci\u0259 \u2014 \u0259sas\u0131n\u0131 bar\u0131\u015fmaz h\u0259yat konfliktl\u0259ri, xarakter v\u0259 ehtiraslar\u0131n k\u0259skin toqqu\u015fmas\u0131 t\u0259\u015fkil ed\u0259n v\u0259 ad\u0259t\u0259n q\u0259hr\u0259man\u0131n\u0131n \u00f6l\u00fcm\u00fc il\u0259 n\u0259tic\u0259l\u0259n\u0259n dramatik \u0259s\u0259r; tragediya.[1] Attika faci\u0259si – (h\u0259rfi “ke\u00e7il\u0259rin mahn\u0131s\u0131”). Yunas\u0131tanda lirika \u00f6z\u00fcn\u00fc arxaika d\u00f6vr\u00fcnd\u0259 ifad\u0259 etdiyi kimi, e.\u0259 V \u0259sr Afina \u0259d\u0259bi, b\u0259dii yarad\u0131c\u0131l\u0131\u011f\u0131n m\u0259rk\u0259zi olanda, faci\u0259(traqediya) v\u0259 m\u0259sx\u0259r\u0259(komediya) dili il\u0259 dan\u0131\u015fd\u0131. Faci\u0259 xorla,ke\u00e7i d\u0259risi geyinmi\u015f v\u0259 Dionisin daimi yolda\u015flar\u0131n\u0131 t\u0259svir ed\u0259n “satir”lar t\u0259r\u0259find\u0259n oxunan mahn\u0131lardan, difiramlardan yaranm\u0131\u015fd\u0131. Satirl\u0259rin yaxud “ke\u00e7il\u0259rin” bel\u0259 xorlar\u0131, art\u0131q e.\u0259 VII \u0259srd\u0259, b\u00fct\u00fcn Yunan\u0131standa m\u00f6vcud idi. Pisistrat\u0131n, \u00fcmumd\u00f6vl\u0259t B\u00f6y\u00fck Dionisil\u0259r bayram\u0131n\u0131 t\u0259sis etm\u0259sinin say\u0259sind\u0259, xalq\u0131n Dionisi kultu indi art\u0131q r\u0259smi h\u00f6kum\u0259tin d\u0259st\u0259yin\u0259 arxalanma\u011fa ba\u015flad\u0131.[1]<\/p>\n

\u018fn tan\u0131nm\u0131\u015f faci\u0259 yaz\u0131\u00e7\u0131lar\u0131: Esxil, Sofokl, Evripid, Jan Rasin. Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda faci\u0259 janr\u0131n\u0131n banisi N\u0259c\u0259f b\u0259y V\u0259zirov olmu\u015fdur. H\u00fcseyn Cavid d\u0259 Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda yazd\u0131\u011f\u0131 faci\u0259l\u0259ri il\u0259 d\u0259rin iz qoymu\u015fdur.<\/p>\n

Komediya \u2014 dramatik v\u0259 \u0259d\u0259bi n\u00f6v, h\u0259m\u00e7inin kinojanr, m\u0259cazi m\u0259nada \u2013 g\u00fclm\u0259li \u0259hvalat, hoqqabazl\u0131q, oyunbazl\u0131q v\u0259 s.<\/p>\n

\u0130ctimai h\u0259yatda v\u0259 m\u0259i\u015f\u0259td\u0259ki eyb\u0259c\u0259rlikl\u0259rin, m\u0259nfilikl\u0259rin, insan xarakterind\u0259ki g\u00fcl\u00fcnc c\u0259h\u0259tl\u0259rin la\u011fa qoyulmas\u0131 komediya konfliktinin \u0259sas\u0131n\u0131 t\u0259\u015fkil edir. Komediyada g\u00fcl\u00fc\u015f, yumor v\u0259 satira xarakteri da\u015f\u0131ya bil\u0259r. Vodevil, fars (\u0259d\u0259bi janr), musiqili komediya, tragikomediya v\u0259 s. janrlar\u0131 var. Komediya s\u0259n\u0259tinin m\u0259n\u015f\u0259yi Q\u0259dim Yunan\u0131standa Dionisin \u015f\u0259r\u0259fin\u0259 ke\u00e7iril\u0259n xalq \u015f\u0259nlikl\u0259rind\u0259n v\u0259 tama\u015falar\u0131ndan ba\u015flan\u0131r. Klassik komediyan\u0131n \u0259n yax\u015f\u0131 n\u00fcmun\u0259l\u0259rini Aristofan, Menandr, Uilyam \u015eekspir, Lope de Veqa, Jan Batist Molyer, P. Bomar\u015fe, K. Qoldoni, Bernard \u015eou, Aleksandr Qriboyedov, Nikolay Qoqol, Aleksandr Ostrovski, Anton \u00c7exov v\u0259 ba\u015fqalar\u0131 yaratm\u0131\u015flar. Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda Mirz\u0259 F\u0259t\u0259li Axundovun ad\u0131 il\u0259 ba\u011fl\u0131 olan komediyan\u0131 N\u0259c\u0259f b\u0259y V\u0259zirov, C\u0259lil M\u0259mm\u0259dquluzad\u0259, \u00dczeyir Hac\u0131b\u0259yov, Sabit R\u0259hman, Mirz\u0259 \u0130brahimov v\u0259 ba\u015fqalar\u0131 inki\u015faf etdirmi\u015fl\u0259r.<\/p>\n

Dram (yun. \u03b4\u03c1\u1fb6\u03bc\u03b1, translit. drama; “h\u0259r\u0259k\u0259t”) \u2014 m\u0259tnl\u0259rd\u0259 t\u0259yin olunmu\u015f rollar \u00fc\u00e7\u00fcn \u00fcmumi termin. Bundan \u0259lav\u0259 m\u00fcsb\u0259t q\u00fcvv\u0259l\u0259rin, m\u00fct\u0259r\u0259qqi ideyalar\u0131n q\u0259l\u0259b\u0259si il\u0259 n\u0259tic\u0259l\u0259n\u0259n dram \u0259s\u0259rin\u0259 d\u0259 dram deyilir. Dram janr\u0131ndan b\u0259dii \u0259s\u0259rl\u0259rd\u0259 v\u0259 kinoda \u00e7ox geni\u015f istifad\u0259 olunur.<\/p>\n

Dramatik yarad\u0131c\u0131l\u0131\u011f\u0131n spesifik problreml\u0259rin\u0259 m\u00fcraci\u0259t ed\u0259r\u0259k, h\u0259r \u015feyd\u0259n \u0259vv\u0259l, “dram” terminin \u0259sas m\u0259nas\u0131n\u0131 m\u00fc\u0259yy\u0259nl\u0259\u015fdirm\u0259liyik. Bildiyimiz kimi, “dram” s\u00f6z\u00fcn\u00fcn m\u00fcxt\u0259lif anlamlar\u0131 vard\u0131r. Ger\u00e7\u0259klik hadis\u0259l\u0259rin m\u00fc\u0259yy\u0259n bir dair\u0259sini, m\u0259s\u0259l\u0259n, h\u0259yat\u0131n dram\u0131n\u0131, \u0259d\u0259biyyat\u0131n dramatik n\u00f6v\u00fcn\u00fcn janrlar\u0131ndan birini (XYIII \u0259srin me\u015f\u015fan dramas\u0131 )v\u0259 s\u0259hn\u0259 s\u0259n\u0259tinin apar\u0131c\u0131 n\u00f6v\u00fc olan dramatik teatr\u0131 da drama adland\u0131r\u0131r\u0131q.<\/p>\n

Dram n\u0259z\u0259riyy\u0259si
\nH\u0259r bir elmin, predmetin iki t\u0259r\u0259fi, iki c\u0259h\u0259ti vard\u0131r. Bunlardan biri onun praktiki, dig\u0259ri is\u0259 onun n\u0259z\u0259ri t\u0259r\u0259fidir. Y\u0259ni, h\u0259r hans\u0131 bir predmetin n\u0259z\u0259riyy\u0259sidir. T\u0259cr\u00fcb\u0259 g\u00f6st\u0259rir ki, n\u0259z\u0259riyy\u0259 m\u00f6vcud materialdan, praktikadan do\u011fur, onlardan ir\u0259li g\u0259lir.<\/p>\n

B\u00fct\u00fcn b\u0259dii s\u0259n\u0259tin \u00f6z\u00fcn\u0259m\u0259xsus n\u0259z\u0259ri \u0259saslar\u0131 oldu\u011fu kimi, dram\u0131n da n\u0259z\u0259ri \u0259saslar\u0131, n\u0259z\u0259riyy\u0259si m\u00f6vcuddur v\u0259 bizim sizinl\u0259 birlikd\u0259 ke\u00e7\u0259c\u0259yimiz predmet dram\u0131n n\u0259z\u0259ri \u0259saslar\u0131n\u0131 \u00f6yr\u0259nm\u0259y\u0259, m\u0259nims\u0259m\u0259y\u0259 xidm\u0259t ed\u0259c\u0259kdir..<\/p>\n

Dram janr\u0131
\nDram janr\u0131 m\u00f6vcud olandan bu g\u00fcn\u0259 kimi dram\u0131n n\u0259z\u0259ri probleml\u0259trin\u0259 dair \u00e7oxlu \u0259s\u0259rl\u0259r yaz\u0131lm\u0131\u015fd\u0131r. \u018fd\u0259biyyat\u0131n ba\u015fqa n\u00f6vl\u0259ri il\u0259 m\u00fcqayiis\u0259d\u0259 dram\u0131n n\u0259z\u0259riyy\u0259si haqq\u0131nda yaz\u0131lan elmi \u0259s\u0259rl\u0259r \u00fcst\u00fcnl\u00fck t\u0259\u015fkil edir.<\/p>\n

T\u0259kc\u0259 onu dem\u0259k kifay\u0259tdir ki, antik d\u00f6vrd\u0259n ba\u015flayaraq, XIX \u0259sr\u0259 kimi dram haqq\u0131nda t\u0259lim eyni zamanda b\u00fct\u00f6vl\u00fckd\u0259 b\u0259dii s\u0259n\u0259t haqq\u0131nda n\u0259z\u0259riyy\u0259 idi. Drama v\u0259 teatra b\u0259dii yarad\u0131c\u0131l\u0131q imkanlar\u0131n\u0131 h\u0259yata ke\u00e7ir\u0259n bir vasit\u0259 kimi bax\u0131l\u0131rd\u0131. [[Aristo”Poetika” \u0259s\u0259ri dramatik janrlardan biri olan faci\u0259nin t\u0259limin\u0259 h\u0259sr olunmu\u015fdur. Klassizm d\u00f6vr\u00fcn\u00fcn \u0259d\u0259biyyat\u0131 da dramaturgiyan\u0131n probleml\u0259rini \u00f6n plana \u00e7\u0259kirdi. Maarif\u00e7ilik d\u00f6vr\u00fcnd\u0259ki s\u0259n\u0259tin n\u0259z\u0259riyy\u0259si d\u0259 xeyli d\u0259r\u0259c\u0259d\u0259 teatr\u0131n estetikas\u0131 il\u0259 \u0259laq\u0259li idi. V\u0259 n\u0259hay\u0259t, Hegelin estetik sistemi d\u0259 dramatik s\u0259n\u0259t haqq\u0131nda anlay\u0131\u015flarla y\u00fckl\u0259nmi\u015fdir. Onun “Estetika haqq\u0131nda m\u00fchazir\u0259l\u0259r” \u0259s\u0259rind\u0259 dram s\u0259n\u0259tinin bir s\u0131ra n\u0259z\u0259ri m\u0259s\u0259l\u0259l\u0259ri i\u015f\u0131qland\u0131r\u0131lm\u0131l\u015fd\u0131r.<\/p>\n

Ke\u00e7mi\u015f \u0259srl\u0259rin dram n\u0259z\u0259riyy\u0259sini estetik fikrin b\u00f6y\u00fck n\u0259aliyy\u0259tl\u0259ri kimi qiym\u0259tl\u0259ndirm\u0259k olar. \u018fld\u0259 edilmi\u015f bu n\u0259aliyy\u0259t \u0259d\u0259biyyat v\u0259 teatr sah\u0259sind\u0259ki m\u00fcasir m\u00fct\u0259x\u0259ssisl\u0259r \u00fc\u015f\u00fcn d\u0259 \u0259h\u0259miyy\u0259tli v\u0259 qiym\u0259tlidir. V.Xalizev ” \u0414\u0440\u0430\u043c\u0430 \u043a\u0430\u043a \u044f\u0432\u043b\u0435\u043d\u0438\u0435 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 ” \u0259s\u0259rind\u0259 g\u00f6st\u0259rir ki, dram\u0131n klassik n\u0259z\u0259riyy\u0259sin\u0259 dair bir \u00e7ox m\u0259s\u0259l\u0259l\u0259r k\u00f6hn\u0259lmi\u015fdir. Ke\u00e7mi\u015f y\u00fczilikl\u0259rin n\u0259z\u0259riyy\u0259\u00e7il\u0259ri tarixi lokal t\u0259cr\u00fcb\u0259y\u0259 \u0259sasland\u0131qlar\u0131ndan onlar\u0131n m\u00fchakim\u0259l\u0259ri, m\u00fclahiz\u0259l\u0259ri s\u0259n\u0259tin sonrak\u0131 inki\u015faf\u0131na uy\u011fun g\u0259lmirdi.<\/p>\n

Bununla bel\u0259, dram\u0131n klassik n\u0259z\u0259riyy\u0259si normativ \u015f\u0259kild\u0259 idi. Onlar yaz\u0131\u00e7\u0131lar\u0131n yarad\u0131c\u0131l\u0131q imkanlar\u0131n\u0131 bir \u00e7ox hallarda m\u0259hdudla\u015fd\u0131r\u0131rd\u0131lar. Bizim d\u00f6vr\u00fcn s\u0259n\u0259ti, o c\u00fcml\u0259d\u0259n, teatral-dramatik s\u0259n\u0259t b\u00fct\u00fcn doqmatik normativl\u0259rd\u0259n uzaqla\u015fma\u011f\u0131 t\u0259l\u0259b edir. Bununla \u0259laq\u0259dar olaraq dram n\u0259z\u0259riyy\u0259\u00e7il\u0259ri ke\u00e7mi\u015fin dram n\u0259z\u0259riyy\u0259sin\u0259 t\u0259nqidi yana\u015fmaq, y\u0259ni n\u0259yin k\u00f6hn\u0259ldiyini v\u0259 hans\u0131 x\u00fcsusiyy\u0131tin bu g\u00fcn d\u0259 \u0259h\u0259miyy\u0259t k\u0259sb etdiyini ayd\u0131nla\u015fd\u0131rma\u011f\u0131 t\u0259l\u0259b edir.<\/p>\n

Dramda x\u00fcsusiyy\u0259tl\u0259r
\nDig\u0259r t\u0259r\u0259fd\u0259n d\u0259 dram\u0131n estetikada \u00fcst\u00fcnl\u00fck t\u0259\u015fkil etm\u0259si onun \u00f6yr\u0259nilm\u0259si \u00fc\u00e7\u00fcn b\u0259zi m\u0259nfi n\u0259tic\u0259l\u0259ri olmu\u015fdur. N\u0259z\u0259ri i\u015fl\u0259rd\u0259 t\u0259kc\u0259 drama deyil, habel\u0259 dig\u0259r epik \u0259s\u0259rl\u0259r\u0259 xas olan c\u0259h\u0259tl\u0259r (xarakterl\u0259rin t\u0259sviri, konflikt, s\u00fcjet, kompozisiya) \u00f6n plana \u00e7\u0259kilirdi. M\u0259hz drama m\u0259xsus x\u00fcsusiyy\u0259tl\u0259r az \u00f6yr\u0259nilirdi. Bu fikri g\u00f6rk\u0259mli teatr v\u0259 dram n\u0259z\u0259riyy\u0259si tarix\u00e7isi A.Anikstin dram n\u0259z\u0259riyy\u0259sini \u00f6yr\u0259nilm\u0259sin\u0259 dair h\u0259sr edilmi\u015f faktlarla z\u0259ngin olan bir ne\u00e7\u0259 kitablar\u0131 buna s\u00fcbut ola bil\u0259r. Dramatik s\u0259n\u0259tin n\u0259z\u0259riyy\u0259si sferas\u0131na \u0259sas etibaril\u0259 Aristoteld\u0259n tutmu\u015f bizim d\u00f6vr\u00fcm\u00fcz\u0259 q\u0259d\u0259r katarsis, tragiklik v\u0259 komiklik, f\u0259rdi v\u0259 tipiklik, xarakterl\u0259r v\u0259 konfliktl\u0259r v\u0259 s. bu kimi probleml\u0259r daxildir. Dramatik s\u0259n\u0259tin t\u0259krarolunmaz x\u00fcsusiyy\u0259tl\u0259ri bu g\u00fcn d\u0259 laz\u0131m\u0131 s\u0259viyy\u0259d\u0259 ayd\u0131nla\u015fd\u0131r\u0131lmam\u0131\u015fd\u0131r.<\/p>\n

Ke\u00e7mi\u015f \u0130ttifaq\u0131n bir \u00e7ox n\u0259z\u0259riyy\u0259\u00e7il\u0259ri, t\u0259nqid\u00e7il\u0259ri, yaz\u0131\u00e7\u0131lar\u0131 da dramaya s\u00f6z s\u0259n\u0259tinin h\u00fcdudlar\u0131ndan k\u0259nara \u00e7\u0131xan sintetik forma kimi baxm\u0131\u015flar. Onlar dram haqq\u0131nda dan\u0131\u015fark\u0259n \u00e7ox zaman rejissor t\u0259r\u0259find\u0259n tama\u015faya qoyulan v\u0259 aktyorlar t\u0259r\u0259find\u0259n oynan\u0131lan b\u0259dii teksti deyil, dramatik tama\u015fan\u0131n \u00f6z\u00fcn\u00fc n\u0259z\u0259rd\u0259 tuturlar. Bu zaman drama s\u0259n\u0259tinin pantomima s\u0259n\u0259ti il\u0259 sintezi kimi, obraz\u0131n t\u0259kc\u0259 s\u00f6z il\u0259 deyil, h\u0259m d\u0259 inc\u0259s\u0259n\u0259tin ba\u015fqa n\u00f6vl\u0259rin\u0259 xas olan b\u0259dii vasit\u0259l\u0259rl\u0259 yarad\u0131ld\u0131\u011f\u0131 \u0259s\u0259r kimi m\u00fc\u0259yy\u0259nl\u0259\u015fdirilir. Drama haqq\u0131nda bel\u0259 m\u00fclahiz\u0259l\u0259r onu \u0259d\u0259biyyat\u0131n h\u00fcdudlar\u0131ndan k\u0259nara \u00e7\u0131xar\u0131r, onu sanki teatr s\u0259n\u0259tind\u0259 \u0259ridir.<\/p>\n

V\u0259 n\u0259hay\u0259t, d\u00f6rd\u00fcnc\u00fcs\u00fc, “drama” s\u00f6z\u00fc \u0259d\u0259biyyat\u0131n n\u00f6vl\u0259rind\u0259n biri adlan\u0131r. Asristoteld\u0259n v\u0259 Platondan ba\u015flayaraq, drama s\u00f6z s\u0259n\u0259tinin n\u00f6vl\u0259rind\u0259n biri kimi n\u0259z\u0259rd\u0259n ke\u00e7irilir.<\/p>\n

Dramatik \u0259s\u0259rin x\u00fcsusiyy\u0259ti
\nDramatik \u0259s\u0259r s\u00fcjetlidir. Onlarda zaman v\u0259 m\u0259kan, c\u0259r\u0259yan ed\u0259n hadis\u0259l\u0259r g\u00f6st\u0259rilir.<\/p>\n

S\u00fcjetin s\u00f6z il\u0259 ifad\u0259 olunmas\u0131 \u00fc\u00e7\u00fcn iki \u00fcsul m\u00f6vcuddur: birincisi, \u0259vv\u0259ll\u0259r ba\u015f vermi\u015f hadis\u0259l\u0259r haqq\u0131nda “k\u0259nardan” dan\u0131\u015f\u0131ls\u0131n; ikincisi , personajlar\u0131n \u00f6zl\u0259rinin nitql\u0259ri. Bu b\u0259dii nitq aras\u0131ndak\u0131 m\u00fcnasib\u0259t epos v\u0259 dram\u0131n \u00f6z\u00fcn\u0259m\u0259xsuslu\u011funu m\u00fc\u0259yy\u0259n edir.<\/p>\n

Eposda n\u0259qletm\u0259 v\u0259 i\u015ftirak\u00e7\u0131lar\u0131n nitql\u0259ri s\u0259rb\u0259stdir. Eposun imkanlar\u0131 daha geni\u015fdir ki. bunu dram haqq\u0131nda dem\u0259k olmaz. Dram\u0131n m\u0259tni aktyorlar \u00fc\u00e7\u00fcn s\u0259hn\u0259d\u0259n deyilm\u0259k, s\u00f6yl\u0259nm\u0259k m\u0259qs\u0259dil\u0259 n\u0259z\u0259rd\u0259 tutulur.O eposa m\u0259xsus olan universall\u0131qdan m\u0259hrumdur.<\/p>\n

Dramatik \u0259s\u0259r h\u0259r \u015feyd\u0259n \u0259vv\u0259l \u00f6z h\u0259cmin\u0259 g\u00f6r\u0259 m\u0259hduddur. Bunu da teatral s\u0259n\u0259tin \u015f\u0259raiti t\u0259l\u0259b edir. Dramatik \u0259s\u0259rl\u0259r portret v\u0259 peyzaj xarakteristikalar\u0131, \u0259traf m\u00fchitin t\u0259sviri, \u0259s\u0259rd\u0259ki hadis\u0259l\u0259r i\u015ftirak\u00e7\u0131lar\u0131n s\u00f6zl\u0259rind\u0259 \u00f6z ifad\u0259l\u0259rini tap\u0131r.<\/p>\n

Dram\u0131n xarici xs\u00fcsusiyy\u0259tl\u0259ri n\u0259z\u0259riyy\u0259\u00e7i aliml\u0259rin diqq\u0259tini c\u0259lb etmi\u015fdir. Alman romantizmi d\u00f6vr\u00fcnd\u0259n etibar\u0259n dram\u0131n n\u0259z\u0259ri c\u0259h\u0259td\u0259n t\u0259hlili f\u0259ls\u0259fi koteqoriyalar\u0131n k\u00f6m\u0259yi il\u0259 apar\u0131lmal\u0131d\u0131r.M\u0259s\u0259l\u0259n, Hegel dramaya obyektivlik il\u0259 subyektivliyin sintezi kimi baxm\u0131\u015fd\u0131r.<\/p>\n

Dramatik \u0259s\u0259rin \u00f6z\u00fcn\u0259m\u0259xsuslu\u011fu h\u0259r \u015feyd\u0259n \u0259vv\u0259l onlar\u0131n nitql\u0259ri il\u0259 m\u00fc\u0259yy\u0259nl\u0259\u015fdirilir. Dram\u0131n \u0259d\u0259bi n\u00f6v\u00fc kimi xarakteriz\u0259 olunmu\u015f x\u00fcsusiyy\u0259tl\u0259ri ilkindir, ba\u015flan\u011f\u0131c\u0131d\u0131r. M\u0259hz dramatik \u0259s\u0259rl\u0259rin tan\u0131ma imkanlar\u0131 onlarla \u015f\u0259rtl\u0259nmi\u015fdir ki, onlar haqq\u0131nda g\u0259l\u0259c\u0259kd\u0259 dan\u0131\u015f\u0131lacaqd\u0131r.<\/p>\n

Dram n\u0259z\u0259riyy\u0259sin\u0259 dramatik poeziyan\u0131n sosial t\u0259bi\u0259tinin, ideya-b\u0259dii \u0259saslar\u0131n\u0131n v\u0259 x\u00fcsusiyy\u0259tl\u0259rinin, onlar\u0131n mahiyy\u0259tinin v\u0259 t\u0259yininin, y\u0259ni v\u0259zif\u0259sinin t\u0259dqiqi, dramaturji strukturan\u0131n k\u00f6k\u00fc, onun tarixi c\u0259h\u0259td\u0259n formala\u015fan v\u0259 inki\u015faf ed\u0259n janrlar\u0131n\u0131n d\u0259yi\u015fikliyi, ayr\u0131-ayr\u0131 dramaturji \u0259s\u0259rl\u0259rin qurulu\u015fu, t\u0259hlil prinsipi v\u0259 s. daxildir.[1]<\/p>\n","protected":false},"excerpt":{"rendered":"

Dramatik n\u00f6v\u00fcn ba\u015fl\u0131ca x\u00fcsusiyy\u0259ti, \u0259s\u0259rd\u0259 ba\u015f ver\u0259n hadis\u0259l\u0259rin, sur\u0259tl\u0259rin h\u0259r\u0259k\u0259ti v\u0259 dan\u0131\u015f\u0131\u011f\u0131 yolu il\u0259 canland\u0131r\u0131lmas\u0131d\u0131r. Dramatik \u0259s\u0259rl\u0259r s\u0259hn\u0259d\u0259 tama\u015faya qoyulmaq \u00fc\u00e7\u00fcn yaz\u0131l\u0131r. Bel\u0259 \u0259s\u0259rl\u0259rd\u0259 iki t\u0259rkib hiss\u0259si olur: remarka v\u0259 sur\u0259tl\u0259rin dan\u0131\u015f\u0131\u011f\u0131. Dramatik n\u00f6v\u00fcn\u00fcn a\u015fa\u011f\u0131dak\u0131 janrlar\u0131 var: Faci\u0259, Komediya, Dram Faci\u0259 \u2014 \u0259sas\u0131n\u0131 bar\u0131\u015fmaz h\u0259yat konfliktl\u0259ri, xarakter v\u0259 ehtiraslar\u0131n k\u0259skin toqqu\u015fmas\u0131 t\u0259\u015fkil ed\u0259n v\u0259 ad\u0259t\u0259n […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-30383","post","type-post","status-publish","format-standard","hentry","category-edenez"],"_links":{"self":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30383"}],"version-history":[{"count":2,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30383\/revisions"}],"predecessor-version":[{"id":30391,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30383\/revisions\/30391"}],"wp:attachment":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30383"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}