{"id":36861,"date":"2021-03-02T09:18:14","date_gmt":"2021-03-02T05:18:14","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=36861"},"modified":"2021-03-02T13:27:21","modified_gmt":"2021-03-02T09:27:21","slug":"yarpuz-edebiyat-dergisinin-25-sayisi-yayinda","status":"publish","type":"post","link":"http:\/\/edebiyyat-az.com\/?p=36861","title":{"rendered":"\u201cYarpuz\u201d Edebiyat Dergisinin 25. say\u0131s\u0131 yay\u0131nda"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/edebiyyat-az.com\/wp-content\/uploads\/2021\/03\/capture-20210301-103750.png\" alt=\"\" class=\"wp-image-36860\"\/><\/figure>\n\n\n\n<p><a href=\"http:\/\/www.yarpuzedebiyatdergisi.com\/wp-content\/uploads\/2021\/03\/YARPUZ-25.SAYI_.pdf\"><strong>http:\/\/www.yarpuzedebiyatdergisi.com\/wp-content\/uploads\/2021\/03\/YARPUZ-25.SAYI_.pdf<\/strong><\/a><\/p>\n\n\n\n<p>Sanat\u00e7\u0131 kimin i\u00e7in yazar? Kendi a\u00e7mazlar\u0131na \u00e7\u00f6z\u00fcm bulmak<br>i\u00e7in mi, toplumun sorunlar\u0131n\u0131 ortaya koymak i\u00e7in mi,<br>estetik de\u011feri haiz an\u0131t olu\u015fturmak i\u00e7in mi? \u0130deolojisini yaymak,<br>ad\u0131n\u0131 gelecek ku\u015faklara b\u0131rakmak, ya da Necip Faz\u0131l\u2019\u0131n<br>\u201cAnlad\u0131m i\u015fi, sanat Allah\u2019\u0131 aramakm\u0131\u015f;\/ Marifet bu, gerisi yaln\u0131z<br>\u00e7elik-\u00e7omakm\u0131\u015f\u2026\u201d dizelerinde i\u015flenmi\u015f duyguyu &#8211; ger\u00e7ek<br>sevgiliyi &#8211; aramak, hakk\u0131 ve hakikati hayk\u0131rmak i\u00e7in mi?<br>Sanat\u00e7\u0131, her ne ama\u00e7la yazarsa yazs\u0131n, kar\u015f\u0131s\u0131nda iyi bir<br>ele\u015ftirmen varm\u0131\u015f gibi yazmal\u0131. Bu anlay\u0131\u015f; sanat\u00e7\u0131n\u0131n kendi<br>ad\u0131 i\u00e7in, edebiyat\u0131m\u0131z\u0131n geli\u015fmesi, ilerlemesi, y\u00fckselmesi i\u00e7in<br>l\u00fczumludur. \u00c7\u00fcnk\u00fc ele\u015ftirmenin iyisi, yap\u0131t\u0131n hakiki de\u011ferini<br>ortaya \u00e7\u0131kar\u0131r. Onun g\u00f6z\u00fcnden hi\u00e7bir \u015fey ka\u00e7maz. Ele\u015ftirdi\u011fi<br>yap\u0131t\u0131n t\u00fcm inceliklerini, ayr\u0131nt\u0131s\u0131n\u0131 bilir \u00e7\u00fcnk\u00fc. \u0130\u015fin kolay\u0131na<br>ka\u00e7m\u0131\u015f yazar\u0131, basmakal\u0131p s\u00f6yleyi\u015fleri, ba\u015fka kap\u0131lardan<br>yemlenmi\u015f d\u00fc\u015f\u00fcnceleri, c\u0131mb\u0131zlanm\u0131\u015f se\u00e7kin ifadeleri, okurun<br>g\u00f6z p\u0131narlar\u0131na oynayan \u015fairleri, ge\u00e7mi\u015fin koltuk de\u011fneklerini<br>kullanan intihalcileri, ikinci el s\u00f6ylemleri, hepsini\u2026 S\u00f6z<br>dizimine yeni soluk getireni de, toplumun nabz\u0131n\u0131 tutan\u0131 da,<br>hep kendini anlat\u0131yormu\u015f gibi g\u00f6r\u00fcn\u00fcp her bir yap\u0131t\u0131nda bir<br>\u00f6zge insan\u0131 g\u00f6zler \u00f6n\u00fcne sereni de\u2026 \u00c7\u00fcnk\u00fc o, ormana bak\u0131p<br>yapraklar\u0131 g\u00f6rendir. Yeri geldi\u011finde eski defterleri kar\u0131\u015ft\u0131rmay\u0131<br>da en iyi bilen, eserdeki a\u00e7\u0131k kap\u0131lar\u0131 an\u0131nda farkeden, tan\u0131d\u0131klar\u0131<br>kar\u015f\u0131s\u0131nda terazinin ayarlar\u0131yla oynamayan, fincanc\u0131<br>kat\u0131r\u0131n\u0131 \u00fcrk\u00fctece\u011fini bile bile s\u00f6yleyeceklerini makaslamayan,<br>bunu yaparken elden d\u00fc\u015fme malzemeler kullanmayan. \u00c7\u00fcnk\u00fc<br>ele\u015ftirmen, dalgalarla bo\u011fu\u015fmay\u0131 g\u00f6ze alabilecek kadar cesur,<br>inand\u0131\u011f\u0131 yolda tek y\u00fcr\u00fcyecek kadar yi\u011fittir. \u0130\u015fte t\u00fcm bu nedenlerle<br>her kalem sahibi, yap\u0131t\u0131n\u0131 trib\u00fcnleri g\u00f6z ard\u0131 etmeden iyi<br>bir ele\u015ftirmenin nazar\u0131nda tart\u0131ya \u00e7\u0131kaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnerek olu\u015fturmal\u0131d\u0131r.<br>\u201c\u0130yi bir ele\u015ftirmenin nezdinde benim yap\u0131t\u0131m\u0131n de\u011feri nedir?\u201d<br>sorusu, akreplerle dolu, dar bir yolda y\u00fcr\u00fcmek gibi bir<br>etkiye sahip olacakt\u0131r sanat\u00e7\u0131 i\u00e7in. Belki yap\u0131tlarda nicel d\u00fc\u015f\u00fc\u015f<br>ya\u015fanacakt\u0131r ama eserlerdeki nitelik artacak; sonu\u00e7ta, edebiyat\u0131m\u0131z,<br>sanat\u0131m\u0131z, k\u00fclt\u00fcr\u00fcm\u00fcz ve yap\u0131t\u0131n sahibi kazanacakt\u0131r.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Yarpuz\u2019un \u015fimdiye kadar \u00e7\u0131kan yirmi d\u00f6rt say\u0131s\u0131 ile belli bir<br>duru\u015f yakalad\u0131\u011f\u0131n\u0131 g\u00f6rmek yapt\u0131\u011f\u0131m\u0131z i\u015fteki kararl\u0131l\u0131\u011f\u0131m\u0131z\u0131 ve<br>inanc\u0131m\u0131z\u0131 art\u0131r\u0131yor. \u00dc\u00e7\u00fcnc\u00fc y\u0131l\u0131m\u0131za girdi\u011fimiz bu say\u0131m\u0131zla<br>logodan sayfa d\u00fczenine kadar bir\u00e7ok de\u011fi\u015fikli\u011fine gittik.<br>Amac\u0131m\u0131z hem bi\u00e7imsel hem de i\u00e7erik olarak her zaman en<br>iyiyi yapmak.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>Birbirinden de\u011ferli \u015fair ve yazarlar\u0131m\u0131za Yarpuz\u2019a eserleriyle<br>g\u00fc\u00e7 katt\u0131klar\u0131 i\u00e7in \u00e7ok te\u015fekk\u00fcr ediyoruz.<br>Yeni say\u0131larda bulu\u015fmak \u00fcmidi ile \u2026<br>Yarpuz Edebiyat Dergisi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>http:\/\/www.yarpuzedebiyatdergisi.com\/wp-content\/uploads\/2021\/03\/YARPUZ-25.SAYI_.pdf Sanat\u00e7\u0131 kimin i\u00e7in yazar? Kendi a\u00e7mazlar\u0131na \u00e7\u00f6z\u00fcm bulmaki\u00e7in mi, toplumun sorunlar\u0131n\u0131 ortaya koymak i\u00e7in mi,estetik de\u011feri haiz an\u0131t olu\u015fturmak i\u00e7in mi? \u0130deolojisini yaymak,ad\u0131n\u0131 gelecek ku\u015faklara b\u0131rakmak, ya da Necip Faz\u0131l\u2019\u0131n\u201cAnlad\u0131m i\u015fi, sanat Allah\u2019\u0131 aramakm\u0131\u015f;\/ Marifet bu, gerisi yaln\u0131z\u00e7elik-\u00e7omakm\u0131\u015f\u2026\u201d dizelerinde i\u015flenmi\u015f duyguyu &#8211; ger\u00e7eksevgiliyi &#8211; aramak, hakk\u0131 ve hakikati hayk\u0131rmak i\u00e7in mi?Sanat\u00e7\u0131, her ne ama\u00e7la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-36861","post","type-post","status-publish","format-standard","hentry","category-home"],"_links":{"self":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/36861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36861"}],"version-history":[{"count":5,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/36861\/revisions"}],"predecessor-version":[{"id":36872,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/36861\/revisions\/36872"}],"wp:attachment":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36861"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}