{"id":51291,"date":"2026-05-27T06:00:00","date_gmt":"2026-05-27T02:00:00","guid":{"rendered":"https:\/\/edebiyyat-az.com\/?p=51291"},"modified":"2026-05-27T09:04:20","modified_gmt":"2026-05-27T05:04:20","slug":"biri-ikisind%c9%99-sahan%c9%99-musfiqin-h%c9%99yat-s%c9%99mi-yaradiciligi-bar%c9%99d%c9%99-essesi","status":"publish","type":"post","link":"http:\/\/edebiyyat-az.com\/?p=51291","title":{"rendered":"\u201cBiri ikisind\u0259\u201d \u2013 \u015eahan\u0259 M\u00fc\u015ffiqin H\u0259yat \u015e\u0259mi yarad\u0131c\u0131l\u0131\u011f\u0131 bar\u0259d\u0259 essesi\u00a0"},"content":{"rendered":"\n
\"\"<\/a><\/figure>\n\n\n\n

\u201c\u018fd\u0259biyyat v\u0259 inc\u0259s\u0259n\u0259t\u201d portal\u0131n\u0131n v\u0259 \u201cUlduz\u201d jurnal\u0131n\u0131n birlikd\u0259 h\u0259yata ke\u00e7irdikl\u0259ri \u201cBiri ikisind\u0259\u201d layih\u0259sind\u0259 bu g\u00fcn sizl\u0259r\u0259 \u015eahan\u0259 M\u00fc\u015ffiqin H\u0259yat \u015e\u0259mi yarad\u0131c\u0131l\u0131\u011f\u0131 bar\u0259d\u0259 essesi<\/em><\/strong> t\u0259qdim edilir.<\/em><\/strong><\/p>\n\n\n\n

Layih\u0259 \u0259n yax\u015f\u0131 \u0259d\u0259bi n\u00fcmun\u0259l\u0259rin t\u0259bli\u011fin\u0259 hesablan\u0131bd\u0131r.<\/em><\/strong><\/p>\n\n\n\n

Xo\u015f m\u00fctali\u0259l\u0259r.<\/em><\/strong><\/p>\n\n\n\n

\u015eAHAN\u018f M\u00dc\u015eF\u0130Q<\/p>\n\n\n\n

H\u018fYAT \u015e\u018fM\u0130N\u0130N POEZ\u0130YA D\u00dcNYASI<\/p>\n\n\n\n

M\u00fcasir Az\u0259rbaycan poeziyas\u0131 bu g\u00fcn yaln\u0131z forma v\u0259 texnika axtar\u0131\u015flar\u0131 il\u0259 deyil, daha \u00e7ox insan\u0131n daxili al\u0259min\u0259 y\u00f6n\u0259lmi\u015f poetik d\u00fc\u015f\u00fcnc\u0259 il\u0259 s\u0259ciyy\u0259l\u0259nir. Zaman\u0131n s\u00fcr\u0259tl\u0259nm\u0259si, insan m\u00fcnasib\u0259tl\u0259rinin mexanikl\u0259\u015fm\u0259si, s\u00f6z\u00fcn g\u00fcnd\u0259lik dan\u0131\u015f\u0131qda d\u0259y\u0259r itirm\u0259si fonunda poeziya getdikc\u0259 daha s\u0259ssiz, daha i\u00e7\u0259 d\u00f6n\u00fck bir mahiyy\u0259t qazan\u0131r. Sanki bunca xaosun, qa\u00e7aqa\u00e7\u0131n i\u00e7\u0259risind\u0259 poeziya t\u0259nhala\u015f\u0131r, kims\u0259sizl\u0259\u015fir.<\/p>\n\n\n\n

Bu kontekstd\u0259 tan\u0131nm\u0131\u015f \u015fair H\u0259yat \u015e\u0259minin poeziyas\u0131 x\u00fcsusi diqq\u0259t \u00e7\u0259kir. O, s\u00f6z\u00fcn s\u0259sini qald\u0131rm\u0131r, \u0259ksin\u0259, onu s\u00fckuta yax\u0131nla\u015fd\u0131r\u0131r. Duy\u011fular\u0131n\u0131 hayq\u0131rmaq ehtiyac\u0131 duymur, onu v\u0259r\u0259ql\u0259rin qula\u011f\u0131na p\u0131\u00e7\u0131lday\u0131r. M\u0259hz bu s\u00fckutun i\u00e7ind\u0259ki s\u0259ssiz p\u0131\u00e7\u0131lt\u0131larda insan\u0131n \u0259n d\u0259rin, \u0259n k\u00f6vr\u0259k duy\u011fular\u0131 \u00fcz\u0259 \u00e7\u0131x\u0131r.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259mi poeziyada iddia il\u0259 deyil, hissl\u0259rl\u0259, duy\u011fularla m\u00f6vcuddur. Onun \u015feirl\u0259ri \u00f6z\u00fcn\u00fc s\u00fcbut etm\u0259y\u0259 \u00e7al\u0131\u015fm\u0131r, oxucunu heyr\u0259tl\u0259ndirm\u0259yi qar\u015f\u0131s\u0131na m\u0259qs\u0259d qoymur. Bu poeziya oxucuya bir \u015fey anlatmaqdan daha \u00e7ox, onunla eyni v\u0259ziyy\u0259td\u0259 dayanma\u011f\u0131, ona \u00f6z\u00fcn\u00fc, \u00f6z i\u00e7 d\u00fcnyas\u0131n\u0131 g\u00f6st\u0259rm\u0259yi \u00fcst\u00fcn tutur. \u015eair oxucunun qar\u015f\u0131s\u0131nda m\u00fc\u0259llim kimi yox, yol yolda\u015f\u0131, k\u00f6n\u00fcl sirda\u015f\u0131 kimi g\u00f6r\u00fcn\u00fcr. Bu is\u0259 m\u00fcasir oxucu \u00fc\u00e7\u00fcn olduqca \u00f6n\u0259mlidir.<\/p>\n\n\n\n

Bu m\u0259nada H\u0259yat \u015e\u0259minin bu yax\u0131nlarda i\u015f\u0131q \u00fcz\u00fc g\u00f6r\u0259n \u201c\u0130stanbul saat\u0131 il\u0259\u201d kitab\u0131 x\u00fcsusi \u00f6n\u0259m da\u015f\u0131y\u0131r. Bu kitab \u015fairin poetik d\u00fcnyas\u0131nda yeni m\u0259rh\u0259l\u0259nin ba\u015flan\u011f\u0131c\u0131 kimi oxunur. Bu kitabda m\u00fc\u0259llif oxucunu yaln\u0131z co\u011frafi bir m\u0259kana deyil, zamanla \u00f6l\u00e7\u00fcl\u0259n daxili bir yol\u00e7ulu\u011fa d\u0259v\u0259t edir. \u201c\u0130stanbul saat\u0131 il\u0259\u201d f\u0259rqli vaxt \u00f6l\u00e7\u00fcl\u0259rinin, gecikmi\u015f duy\u011fular\u0131n, \u00f6t\u00fcb ke\u00e7m\u0259y\u0259n xatir\u0259l\u0259rin poetik m\u0259kan\u0131na \u00e7evrilir. Burada zaman r\u0259smi saatlarla deyil, \u00fcr\u0259yin ritmi il\u0259 i\u015fl\u0259yir. Kitab H\u0259yat \u015e\u0259minin poeziyas\u0131nda art\u0131q formala\u015fm\u0131\u015f s\u00fckut, yaln\u0131zl\u0131q v\u0259 daxili monoloq x\u0259ttini daha da d\u0259rinl\u0259\u015fdir\u0259r\u0259k oxucunu s\u00f6zl\u0259 zaman aras\u0131nda qurulan inc\u0259, k\u00f6vr\u0259k bir dialoqa daxil edir.<\/p>\n\n\n\n

\u201c\u0130stanbul saat\u0131 il\u0259\u201d kitab\u0131nda toplanm\u0131\u015f \u015feirl\u0259rin m\u0259rk\u0259zind\u0259 insan v\u0259 onun varl\u0131qla m\u00fcnasib\u0259ti dayan\u0131r. H\u0259yat \u015e\u0259mi insan\u0131 yaln\u0131z sosial m\u00fchitin bir par\u00e7as\u0131 kimi deyil, Yaradana, d\u00fcnyaya v\u0259 \u00f6z daxilin\u0259 do\u011fru yol alan bir varl\u0131q kimi t\u0259qdim edir. Bu poeziyada insan\u0131n m\u00f6vcudlu\u011fu sual alt\u0131na al\u0131n\u0131r, h\u0259yat\u0131n m\u0259nas\u0131, taleyin \u0259dal\u0259ti, zaman\u0131n insana m\u00fcnasib\u0259ti poetik d\u00fc\u015f\u00fcnc\u0259nin \u0259sas istiqam\u0259tl\u0259rind\u0259n birin\u0259 \u00e7evrilir. \u015eair insan\u0131n h\u0259m kainat qar\u015f\u0131s\u0131nda ki\u00e7ikliyini, h\u0259m d\u0259 m\u0259n\u0259vi m\u0259suliyy\u0259tini eyni anda hiss etdir\u0259 bilir.<\/p>\n\n\n\n

Ba\u011f\u00e7am\u0131za q\u0131z\u0131lg\u00fcl q\u0259l\u0259mi \u0259kmi\u015fdim<\/p>\n\n\n\n

Gec\u0259g\u00f6zl\u00fcd\u0259\u2026<\/p>\n\n\n\n

B\u00f6y\u00fcy\u00fcb \u201cayr\u0131l\u0131q\u201d yazd\u0131 \u00f6mr\u00fcm\u0259:<\/p>\n\n\n\n

Yurdumdan\u2026<\/p>\n\n\n\n

Anamdan\u2026<\/p>\n\n\n\n

S\u0259nd\u0259n\u2026<\/p>\n\n\n\n

\u0130ndi d\u0259 \u00f6z\u00fcmd\u0259n ayr\u0131l\u0131ram.<\/p>\n\n\n\n

Ayr\u0131l\u0131ram ki, Allaha yax\u0131nla\u015f\u0131m.<\/p>\n\n\n\n

      (\u201cM\u0259nim bir sual\u0131m var\u201d)<\/p>\n\n\n\n

Kitabdak\u0131 \u015feirl\u0259rd\u0259 m\u00f6vcudluq anlay\u0131\u015f\u0131 t\u0259kc\u0259 ya\u015famaq fakt\u0131 kimi deyil, d\u0259rk prosesinin a\u011fr\u0131l\u0131 v\u0259 ziddiyy\u0259tli m\u0259rh\u0259l\u0259si kimi t\u0259qdim olunur. M\u00fcharib\u0259, ayr\u0131l\u0131q, \u0259dal\u0259tsizlik kimi m\u00f6vzular burada konkret hadis\u0259l\u0259r fonunda deyil, insan\u0131n daxili sars\u0131nt\u0131lar\u0131 prizmas\u0131ndan ifad\u0259 edilir. H\u0259yat \u015e\u0259mi bu m\u00f6vzulara publisistik s\u0259rtlikl\u0259 deyil, f\u0259ls\u0259fi-poetik t\u0259mkinl\u0259 yana\u015f\u0131r.<\/p>\n\n\n\n

E\u015fq v\u0259 sevgi anlay\u0131\u015flar\u0131 kitabda romantik idealla\u015fd\u0131rma m\u00fcst\u0259visind\u0259n \u00e7\u0131xar\u0131laraq daha \u00e7ox daxili yol\u00e7ulu\u011fun t\u0259rkib hiss\u0259si kimi t\u0259qdim edilir. Sevgi burada insan\u0131n \u00f6z\u00fcn\u00fc tan\u0131ma c\u0259hdidir, b\u0259z\u0259n kamilliy\u0259 aparan yol, b\u0259z\u0259n d\u0259 insan\u0131 \u00f6z suallar\u0131 il\u0259 t\u0259k buraxan bir hald\u0131r. \u015eair e\u015fqi n\u0259tic\u0259 kimi yox, proses kimi g\u00f6st\u0259rir v\u0259 bu prosesd\u0259 insan\u0131n d\u0259yi\u015fm\u0259sini, i\u00e7 d\u00fcnyas\u0131nda ba\u015f ver\u0259n t\u0259b\u0259dd\u00fclatlar\u0131 \u00f6n plana \u00e7\u0259kir:<\/p>\n\n\n\n

Ayr\u0131l\u0131q m\u0259ni da\u011flayar,<\/p>\n\n\n\n

G\u00f6zl\u0259rim yosun ba\u011flayar,<\/p>\n\n\n\n

Anam yox, m\u0259ni a\u011flaya,<\/p>\n\n\n\n

N\u0259 olar, g\u0259l, a\u011fla m\u0259ni…<\/p>\n\n\n\n

Qov, da\u011f\u0131ls\u0131n qara bulud,<\/p>\n\n\n\n

A\u011flama\u011f\u0131 unut, unut…<\/p>\n\n\n\n

Yum g\u00f6z\u00fcn\u00fc, bir arzu tut,<\/p>\n\n\n\n

Tut, bir d\u0259 buraxma m\u0259ni…<\/p>\n\n\n\n

(\u201cQoxula m\u0259ni\u201d)<\/p>\n\n\n\n

Kitab boyu m\u00fc\u0259llifin poetik d\u00fc\u015f\u00fcnc\u0259sind\u0259 m\u0259d\u0259ni v\u0259 m\u0259n\u0259vi co\u011frafiya da x\u00fcsusi yer tutur. F\u00fczuli\u2013Bak\u0131\u2013\u0130stanbul x\u0259tti, sad\u0259c\u0259, m\u0259kan ard\u0131c\u0131ll\u0131\u011f\u0131 deyil, d\u00fc\u015f\u00fcnc\u0259 v\u0259 ruh hal\u0131n\u0131n m\u0259rh\u0259l\u0259l\u0259ridir. F\u00fczuli klassik irs\u0259, metafizik d\u00fc\u015f\u00fcnc\u0259y\u0259 i\u015far\u0259 edirs\u0259, Bak\u0131 m\u00fcasir insan\u0131n g\u00fcnd\u0259lik reall\u0131\u011f\u0131n\u0131, \u0130stanbul is\u0259 zaman, m\u0259d\u0259niyy\u0259t v\u0259 yadda\u015f qatlar\u0131n\u0131n qovu\u015fdu\u011fu poetik m\u0259rk\u0259zi simvoliz\u0259 edir. Bu \u00fc\u00e7 m\u0259kan H\u0259yat \u015e\u0259minin poeziyas\u0131nda bir-birini tamamlayan m\u0259n\u0259vi koordinatlara \u00e7evrilir.<\/p>\n\n\n\n

\u201c\u0130stanbul saat\u0131 il\u0259\u201d toplusu oxucunu yaln\u0131z \u015feirl\u0259rl\u0259 deyil, hissl\u0259rl\u0259 qar\u015f\u0131lay\u0131r. Burada empatiya v\u0259 h\u0259ssasl\u0131q poetik m\u0259tnin \u0259sas enerjisin\u0259 \u00e7evrilir. Oxucu bu \u015feirl\u0259rd\u0259 t\u0259kc\u0259 m\u00fc\u0259llifin duy\u011fular\u0131n\u0131 deyil, \u00f6z daxili s\u0259ssizliyinin, susdurdu\u011fu suallar\u0131n, ifad\u0259 ed\u0259 bilm\u0259diyi hissl\u0259rin poetik \u0259ksini g\u00f6r\u00fcr. Bu m\u0259nada kitab oxucu il\u0259 \u015fair aras\u0131nda gizli, amma g\u00fccl\u00fc bir emosional k\u00f6rp\u00fc yarad\u0131r.<\/p>\n\n\n\n

Yax\u015f\u0131l\u0131q \u2013 insan\u0131n bu d\u00fcnyada qoyub getdiyi \u0259m\u0259li,<\/p>\n\n\n\n

h\u0259m d\u0259 \u00f6z\u00fcyl\u0259 apard\u0131\u011f\u0131 yegan\u0259 x\u0259zin\u0259dir…<\/p>\n\n\n\n

(\u201cR\u0259ssam\u201d)<\/p>\n\n\n\n

\u015eairin yarad\u0131c\u0131l\u0131\u011f\u0131nda diqq\u0259ti ilk c\u0259lb ed\u0259n c\u0259h\u0259t s\u0259mimiyy\u0259tdir. Bu s\u0259mimiyy\u0259t emosional a\u00e7\u0131lma deyil, daxili d\u00fcr\u00fcstl\u00fckd\u00fcr. H\u0259yat \u015e\u0259mi \u015feird\u0259 rol oynam\u0131r, maska taxm\u0131r. O, oldu\u011fu kimi dan\u0131\u015f\u0131r v\u0259 bu dan\u0131\u015f\u0131q b\u0259z\u0259n yor\u011fun, b\u0259z\u0259n k\u0259d\u0259rli, b\u0259z\u0259n d\u0259 sakit raz\u0131la\u015fma hal\u0131ndad\u0131r. Onun poeziyas\u0131nda s\u00fcni nikbinlik yoxdur, amma \u00fcmidsizlik d\u0259 h\u00f6km s\u00fcrm\u00fcr. Burada h\u0259yat oldu\u011fu kimidir.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259mi \u00fc\u00e7\u00fcn poeziya hadis\u0259l\u0259rin t\u0259sviri deyil, ruh hal\u0131n\u0131n \u0259ksidir. Onun \u015feirl\u0259rind\u0259 konkret s\u00fcjetl\u0259r\u0259 nadir hallarda rast g\u0259linir. \u018fv\u0259zind\u0259 hissl\u0259rin ax\u0131n\u0131, d\u00fc\u015f\u00fcnc\u0259l\u0259rin par\u00e7alanmas\u0131, daxili monoloqlar \u0259sas yer tutur. \u015eair \u00fc\u00e7\u00fcn bir an\u0131n i\u00e7ind\u0259 ba\u015f ver\u0259n psixoloji d\u0259yi\u015fm\u0259 b\u00fct\u00f6v bir roman q\u0259d\u0259r \u0259h\u0259miyy\u0259tlidir. Bu bax\u0131mdan onun poeziyas\u0131 modern psixoloji lirikan\u0131n x\u00fcsusiyy\u0259tl\u0259rini da\u015f\u0131y\u0131r.<\/p>\n\n\n\n

Zaman anlay\u0131\u015f\u0131 H\u0259yat \u015e\u0259minin poeziyas\u0131nda x\u0259tti deyil. Ke\u00e7mi\u015f, indi v\u0259 g\u0259l\u0259c\u0259k tez-tez bir-birin\u0259 qar\u0131\u015f\u0131r. U\u015faql\u0131q xatir\u0259l\u0259ri, itirilmi\u015f sevgil\u0259r, g\u0259l\u0259c\u0259k qorxular\u0131 eyni misrada yana\u015f\u0131 dayana bilir. Zaman burada \u00f6l\u00e7\u00fc vahidi yox, hiss kateqoriyas\u0131d\u0131r. \u015eair \u00fc\u00e7\u00fcn ke\u00e7mi\u015f unudulmu\u015f bir d\u00f6vr deyil, h\u0259l\u0259 d\u0259 davam ed\u0259n daxili v\u0259ziyy\u0259tdir.<\/p>\n\n\n\n

Bu poeziyada yaln\u0131zl\u0131q x\u00fcsusi f\u0259ls\u0259fi m\u0259na da\u015f\u0131y\u0131r. H\u0259yat \u015e\u0259minin yaln\u0131zl\u0131\u011f\u0131 romantik t\u0259nhal\u0131qdan f\u0259rqlidir. Bu yaln\u0131zl\u0131q insan\u0131n \u00f6z\u00fcn\u0259 qay\u0131tmaq m\u0259cburiyy\u0259tidir. \u015eair yaln\u0131zl\u0131\u011f\u0131 c\u0259za kimi yox, d\u0259rk m\u0259rh\u0259l\u0259si kimi t\u0259qdim edir. \u0130nsan yaln\u0131z qalanda \u00f6z s\u0259sini e\u015fidir v\u0259 b\u0259z\u0259n bu s\u0259s onu qorxudur, b\u0259z\u0259n is\u0259 sakitl\u0259\u015fdirir.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259minin \u015feirl\u0259rind\u0259 yaln\u0131zl\u0131q \u00e7ox vaxt s\u00fckutla m\u00fc\u015fayi\u0259t olunur. Bu s\u00fckut bo\u015fluq deyil. \u018fksin\u0259, m\u0259nayla doludur. \u015eair susur, amma bu susqunluq dan\u0131\u015fmaqdan daha \u00e7ox \u015fey deyir. Oxucu bu s\u00fckutu hiss edir v\u0259 m\u0259tnd\u0259 \u00f6z daxili s\u0259sini e\u015fitm\u0259y\u0259 ba\u015flay\u0131r:<\/p>\n\n\n\n

H\u0259r \u015fey M\u0259nim \u0259limd\u0259,<\/p>\n\n\n\n

\u00dcr\u0259yim,<\/p>\n\n\n\n

\u0259fv f\u0259rman\u0131m,<\/p>\n\n\n\n

imzam,<\/p>\n\n\n\n

qollar\u0131m…<\/p>\n\n\n\n

A\u00e7\u0131n qollar\u0131m\u0131!<\/p>\n\n\n\n

H\u0259r \u015fey S\u0259nin \u0259lind\u0259,<\/p>\n\n\n\n

Sor\u011fu-sual,<\/p>\n\n\n\n

Dur\u011fu v\u0259 duy\u011fu i\u015far\u0259l\u0259ri,<\/p>\n\n\n\n

Son c\u00fcml\u0259,<\/p>\n\n\n\n

N\u00f6qt\u0259n.<\/p>\n\n\n\n

\u00dcr\u0259yim\u0259 \u00f6l\u00fcmc\u00fcl h\u0259ml\u0259n…<\/p>\n\n\n\n

Son d\u0259f\u0259 getm\u0259k ist\u0259yim,<\/p>\n\n\n\n

\u00dcz\u00fcm\u0259 ba\u011fl\u0131 qap\u0131lar\u0131n d\u0259st\u0259yi…<\/p>\n\n\n\n

A\u00e7\u0131n qap\u0131lar\u0131!<\/p>\n\n\n\n

H\u0259r \u015fey Onun \u0259lind\u0259,<\/p>\n\n\n\n

Q\u0259l\u0259m,<\/p>\n\n\n\n

Yaz\u0131,<\/p>\n\n\n\n

Olum v\u0259 \u00f6l\u00fcm,<\/p>\n\n\n\n

A\u00e7\u0131n g\u00f6zl\u0259rinizi!<\/p>\n\n\n\n

(\u201cM\u0259n, s\u0259n, o)<\/p>\n\n\n\n

Qad\u0131n duyumu H\u0259yat \u015e\u0259mi poeziyas\u0131n\u0131n ayr\u0131lmaz hiss\u0259sidir. Lakin bu duyum \u015f\u00fcar xarakteri da\u015f\u0131m\u0131r, feminist pafosla t\u0259qdim edilmir. Bu, g\u00fcnd\u0259lik h\u0259yat\u0131n i\u00e7ind\u0259 formala\u015fm\u0131\u015f, yorulmu\u015f, amma s\u0131nmam\u0131\u015f qad\u0131n ruhunun poeziyas\u0131d\u0131r. \u015eair qad\u0131n olma\u011f\u0131 idealla\u015fd\u0131rm\u0131r, onu real v\u0259ziyy\u0259td\u0259 g\u00f6st\u0259rir.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259minin poeziyas\u0131n\u0131n \u0259sas xarakterik m\u00f6vzular\u0131ndan biri, he\u00e7 \u015f\u00fcbh\u0259siz, v\u0259t\u0259n m\u00f6vzusudur. Burada v\u0259t\u0259np\u0259rv\u0259rlik hayq\u0131rt\u0131 v\u0259 \u015f\u00fcar dili il\u0259 deyil, daxild\u0259n g\u0259l\u0259n m\u0259suliyy\u0259t v\u0259 m\u0259n\u0259vi ba\u011fl\u0131l\u0131q hissi il\u0259 ifad\u0259 olunur. Onun v\u0259t\u0259n m\u00f6vzulu \u015feirl\u0259rind\u0259 torpaq anlay\u0131\u015f\u0131 yaln\u0131z co\u011frafi m\u0259kan deyil, yadda\u015f, a\u011fr\u0131 v\u0259 \u00fcmidin c\u0259ml\u0259ndiyi m\u0259n\u0259vi varl\u0131q kimi t\u0259qdim edilir. O, yurdunun azadl\u0131q e\u015fqini poetik dill\u0259 oxucusuna bir daha hiss etdirir:<\/p>\n\n\n\n

S\u0259ni \u015f\u0259hidl\u0259r g\u0259tirdi,<\/p>\n\n\n\n

analar\u0131n \u00f6rp\u0259yi \u2013<\/p>\n\n\n\n

y\u00fcz ildir \u00fcr\u0259yimd\u0259 g\u0259zdirdiyim,<\/p>\n\n\n\n

dodaqlar\u0131m\u0131n and yeri<\/p>\n\n\n\n

\u00fc\u00e7r\u0259ngli Bayra\u011f\u0131m g\u0259tirdi.<\/p>\n\n\n\n

G\u0259tirdi<\/p>\n\n\n\n

v\u0259 m\u0259n yax\u015f\u0131 ki,<\/p>\n\n\n\n

tan\u0131d\u0131m s\u0259ni, Azadl\u0131q!<\/p>\n\n\n\n

(\u201cAzadl\u0131q\u201d)<\/p>\n\n\n\n

Qaraba\u011f m\u00f6vzusu \u015fairin poeziyas\u0131nda tarixi faktlar\u0131n sadalanmas\u0131 il\u0259 yox, insan talel\u0259rinin, itkil\u0259rin v\u0259 sars\u0131lm\u0131\u015f xatir\u0259l\u0259rin poetik dili il\u0259 ya\u015fay\u0131r. Bu \u015feirl\u0259rd\u0259 v\u0259t\u0259n a\u011fr\u0131s\u0131 t\u0259bli\u011fat xarakteri da\u015f\u0131m\u0131r, daha \u00e7ox insan\u0131n i\u00e7ind\u0259 susaraq b\u00f6y\u00fcy\u0259n bir hiss kimi t\u0259qdim olunur:<\/p>\n\n\n\n

Qaraba\u011f-ba\u011fr\u0131m\u0131n qara l\u0259k\u0259si,<\/p>\n\n\n\n

V\u0259t\u0259nin \u0259n g\u00f6z\u0259l, dadl\u0131 tik\u0259si…<\/p>\n\n\n\n

Doydur h\u0259sr\u0259tlini, doydur h\u0259r k\u0259si,<\/p>\n\n\n\n

Qoy V\u0259t\u0259n desin ki, s\u0259ns\u0259n xilaskar,<\/p>\n\n\n\n

Salam, \u0259sg\u0259r!<\/p>\n\n\n\n

(\u201cSalam, \u0259sg\u0259r!\u201d)<\/p>\n\n\n\n

\u015eu\u015fa v\u0259 azadl\u0131q m\u00f6vzular\u0131 H\u0259yat \u015e\u0259minin \u015feirl\u0259rind\u0259 x\u00fcsusi simvolik m\u0259na qazan\u0131r. \u015eu\u015fa onun poeziyas\u0131nda t\u0259kc\u0259 azad edilmi\u015f \u015f\u0259h\u0259r deyil, milli ruhun, m\u0259d\u0259ni yadda\u015f\u0131n v\u0259 m\u0259n\u0259vi dir\u00e7\u0259li\u015fin r\u0259mzidir. Azadl\u0131q is\u0259 burada yaln\u0131z siyasi anlay\u0131\u015f kimi yox, insan\u0131n daxili azadl\u0131\u011f\u0131, qorxulardan, susqunluqdan, unutqanl\u0131qdan xilas olma hal\u0131 kimi t\u0259qdim edilir. \u201cAzadl\u0131q\u201d, \u201c\u018fsg\u0259r\u0259 m\u0259ktub\u201d, \u201cQaraba\u011f \u015f\u0259hidim\u201d, \u201cO fevral\u201d, \u201c\u015eu\u015fa\u201d, \u201cXar\u0131 b\u00fclb\u00fcl\u201d, \u201c\u015eu\u015fada vurulan vertolyot\u201d, \u201cQurbanam\u201d, \u201c\u015e\u0259hidim\u201d, \u201cQaraba\u011f\u201d kimi \u015feirl\u0259rind\u0259 \u015fair bu m\u00f6vzular\u0131 pafosdan uzaq, lakin y\u00fcks\u0259k emosional g\u0259rginlikl\u0259 t\u0259qdim ed\u0259r\u0259k v\u0259t\u0259np\u0259rv\u0259rlik anlay\u0131\u015f\u0131n\u0131 insan\u0131n \u00f6z k\u00f6k\u00fc, yadda\u015f\u0131 v\u0259 m\u0259n\u0259vi m\u0259suliyy\u0259ti il\u0259 \u00fcz-\u00fcz\u0259 qoyur.<\/p>\n\n\n\n

K\u0259lm\u0259l\u0259r\u0259 t\u00f6k\u0259mmir\u0259m<\/p>\n\n\n\n

s\u0259ni…<\/p>\n\n\n\n

Sad\u0259c\u0259<\/p>\n\n\n\n

g\u00f6z\u00fcmd\u0259n ya\u015flar t\u00f6k\u00fcl\u00fcr<\/p>\n\n\n\n

misra-misra,<\/p>\n\n\n\n

ya\u015fam-ya\u015fam,<\/p>\n\n\n\n

\u015eu\u015fam!<\/p>\n\n\n\n

(\u201cXar\u0131b\u00fclb\u00fcl\u201d)<\/p>\n\n\n\n

\u015eairin \u201cRespublika Xatir\u0259 Kitab\u0131\u201dna h\u0259sr olunan, itkin v\u0259 \u0259sir d\u00fc\u015fm\u00fc\u015f v\u0259t\u0259n \u00f6vladlar\u0131ndann b\u0259hs etdiyi \u015feiri ne\u00e7\u0259-ne\u00e7\u0259 g\u00f6z\u00fc yolda qalan analar\u0131n, bac\u0131lar\u0131n a\u011f\u0131s\u0131, q\u0259lb yan\u011f\u0131s\u0131d\u0131r. O bu \u015feird\u0259 t\u0259kc\u0259 \u015fair deyil, mill\u0259tin\u0259 q\u0259lbi yanan bir el q\u0131z\u0131d\u0131r, anad\u0131r, bac\u0131d\u0131r, \u00f6vladd\u0131r. \u00d6lk\u0259mizin, mill\u0259timizin tarixi ke\u00e7mi\u015fini \u00f6z s\u0259hif\u0259l\u0259rind\u0259 q\u00fcrurla qoruyub saxlayan bir kitab\u0131n d\u0259y\u0259rini H\u0259yat \u015e\u0259mi \u00f6z\u00fcn\u00fcn poetik dili il\u0259 \u015feirin batinind\u0259, \u0259d\u0259biyyat\u0131n ruhunda hifz edir:<\/p>\n\n\n\n

Q\u0131rm\u0131z\u0131 kitab unutmam\u0131\u015fd\u0131 he\u00e7 kimi-<\/p>\n\n\n\n

qarda\u015f, bac\u0131, n\u0259n\u0259, baba, \u0259mi, day\u0131…<\/p>\n\n\n\n

H\u0259l\u0259 d\u0259 yolunu g\u00f6zl\u0259yirl\u0259r:<\/p>\n\n\n\n

\u2013 Qay\u0131t, bala, qay\u0131t!<\/p>\n\n\n\n

H\u0259l\u0259 d\u0259 yolunu g\u00f6zl\u0259yir\u0259m,<\/p>\n\n\n\n

itkin d\u00fc\u015fm\u00fc\u015f,<\/p>\n\n\n\n

\u0259sir, girov g\u00f6t\u00fcr\u00fclm\u00fc\u015f<\/p>\n\n\n\n

Soyda\u015f\u0131m,<\/p>\n\n\n\n

yeni \u00fcnvan\u0131n m\u00fcbar\u0259k!<\/p>\n\n\n\n

\u201c\u00dcmid qap\u0131s\u0131\u201d kimi a\u00e7d\u0131m kitab\u0131,<\/p>\n\n\n\n

a\u00e7d\u0131m v\u0259 saxlad\u0131m…<\/p>\n\n\n\n

V\u0259…<\/p>\n\n\n\n

\u201cV\u0259t\u0259n sa\u011f olsun\u201d deyib,<\/p>\n\n\n\n

h\u0259r \u015feyi c\u0131z\u0131q-c\u0131z\u0131q<\/p>\n\n\n\n

al\u0131n yaz\u0131s\u0131na ba\u011flad\u0131m.<\/p>\n\n\n\n

(\u201cXatir\u0259 kitab\u0131\u201dna)<\/p>\n\n\n\n

Sevgi m\u00f6vzusu H\u0259yat \u015e\u0259minin poeziyas\u0131nda x\u00fcsusi, lakin klassik \u00e7\u0259r\u00e7iv\u0259d\u0259n k\u0259nar \u015f\u0259kild\u0259 t\u0259qdim olunur. Bu sevgi \u00e7ox vaxt itirilmi\u015fdir, gecikmi\u015fdir v\u0259 ya yar\u0131m\u00e7\u0131q qalm\u0131\u015fd\u0131r. \u015eair \u00fc\u00e7\u00fcn sevgi n\u0259tic\u0259 deyil, prosesdir. B\u0259z\u0259n sevgi xatir\u0259y\u0259 \u00e7evrilir, b\u0259z\u0259n d\u0259 insan\u0131n i\u00e7ind\u0259 qalan bir bo\u015fluq olur. Amma bu bo\u015fluq da\u011f\u0131d\u0131c\u0131 yox, d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fcd\u00fcr:<\/p>\n\n\n\n

H\u0259bs olunmu\u015f bir sevgi var<\/p>\n\n\n\n

d\u00f6rdkameral\u0131 q\u0259lbimd\u0259.<\/p>\n\n\n\n

Ham\u0131s\u0131nda o yat\u0131r…<\/p>\n\n\n\n

H\u0259yat \u015e\u0259mi sevginin pafosundan qa\u00e7\u0131r. Sevgi burada daha \u00e7ox s\u0259ssiz raz\u0131la\u015fma, taleyl\u0259 bar\u0131\u015fma, i\u00e7d\u0259n g\u0259l\u0259n q\u0259bul hal\u0131d\u0131r. Bu is\u0259 m\u00fcasir insan\u0131n emosional v\u0259ziyy\u0259tin\u0259 daha uy\u011fundur:<\/p>\n\n\n\n

Bax\u0131r hey arxanca g\u00f6z\u00fcm,<\/p>\n\n\n\n

G\u00f6z\u00fcmd\u0259 mirvari d\u00fcz\u00fcm,<\/p>\n\n\n\n

Do\u011fulmayan k\u00f6rp\u0259mizin<\/p>\n\n\n\n

ad\u0131n\u0131 s\u0259n qoy.<\/p>\n\n\n\n

Bu q\u0259d\u0259rmi\u015f\u2026 bitdi oyun,<\/p>\n\n\n\n

Bo\u011faz\u0131mda sevgim d\u00fcy\u00fcn.<\/p>\n\n\n\n

\u00dcr\u0259yin\u0259 \u00f6z sevdiyin<\/p>\n\n\n\n

Qad\u0131n\u0131 s\u0259n qoy.<\/p>\n\n\n\n

Ad\u0131n\u0131 s\u0259n qoy\u2026<\/p>\n\n\n\n

(\u201cAd\u0131n\u0131 s\u0259n qoy\u201d)<\/p>\n\n\n\n

\u015eairin dili v\u0259 \u00fcslubu onun poeziyas\u0131n\u0131n \u0259sas dayaqlar\u0131ndand\u0131r. H\u0259yat \u015e\u0259mi s\u00f6zl\u0259 ehtiyatla davran\u0131r. O, dili yormur, c\u00fcml\u0259l\u0259ri \u015fi\u015firtmir. Metaforalar sad\u0259dir, lakin d\u0259qiqdir. Bu sad\u0259lik poeziyan\u0131 z\u0259ifl\u0259tmir, \u0259ksin\u0259, g\u00fccl\u0259ndirir. \u00c7\u00fcnki \u015fair s\u00f6z\u00fcn emosional enerjisin\u0259 inan\u0131r.<\/p>\n\n\n\n

Onun poetik dili g\u00fcnd\u0259lik dan\u0131\u015f\u0131qla \u0259d\u0259bi dil aras\u0131nda inc\u0259 tarazl\u0131q yarad\u0131r. Bu, oxucunu m\u0259tnd\u0259n uzaqla\u015fd\u0131rm\u0131r, \u0259ksin\u0259, yax\u0131nla\u015fd\u0131r\u0131r. \u015eeirl\u0259r oxucuya \u201c\u00e7\u0259tin poeziya\u201d hissi vermir, lakin d\u00fc\u015f\u00fcnc\u0259 bax\u0131m\u0131ndan asan da deyil. Bu poeziya s\u0259bir t\u0259l\u0259b edir. H\u0259tta \u015fair g\u00fcnd\u0259lik h\u0259yat\u0131m\u0131zda ba\u015f ver\u0259n m\u00fch\u00fcm hadis\u0259l\u0259ri, dilimiz\u0259 yeni daxil olan v\u0259 s\u00fcr\u0259tl\u0259 \u00fcmumi\u015fl\u0259k s\u00f6z\u0259 \u00e7evril\u0259n k\u0259lm\u0259l\u0259ri bel\u0259 \u00f6z poeziyas\u0131na asanl\u0131qla daxil ed\u0259 bilir. Bu m\u0259nada \u201c\u0130stanbul saat\u0131 il\u0259\u201d kitab\u0131n\u0131n \u201cPandemiya \u015feirl\u0259ri\u201d hiss\u0259si xarakterikdir. Bu hiss\u0259d\u0259 \u015fair bir zamanlar b\u00fct\u00fcn d\u00fcnyan\u0131, el\u0259c\u0259 d\u0259 Az\u0259rbaycan\u0131 v\u0259 T\u00fcrkiy\u0259ni \u00f6z a\u011fu\u015funa alm\u0131\u015f pandemiya b\u0259las\u0131na inc\u0259 g\u00f6nd\u0259rm\u0259l\u0259r edir, o g\u00fcnl\u0259ri bir daha oxucuya xat\u0131rlad\u0131r. \u201c#EvdeQal\u201d, \u201cKarantind\u0259 qal indi\u201d, \u201cKoronaviruslu Bak\u0131m\u201d kimi \u015feirl\u0259rd\u0259 h\u0259min d\u00f6vrd\u0259 dilimiz\u0259 daxil olan s\u00f6zl\u0259r, \u015f\u00fcarlar b\u00f6y\u00fck ustal\u0131qla \u015feir dilin\u0259 uy\u011funla\u015fd\u0131r\u0131l\u0131b:<\/p>\n\n\n\n

Yen\u0259 k\u00f6nl\u00fcm\u0259 d\u00fc\u015fd\u00fcn,<\/p>\n\n\n\n

Varm\u0131 ba\u015fqa yol indi?<\/p>\n\n\n\n

Q\u0259lbimin k\u00f6\u015f\u0259sind\u0259<\/p>\n\n\n\n

Karantind\u0259 qal indi!<\/p>\n\n\n\n

(\u201cKarantind\u0259 qal indi\u201d)<\/p>\n\n\n\n

T\u0259bi\u0259t obrazlar\u0131 H\u0259yat \u015e\u0259minin poeziyas\u0131nda simvolik m\u0259na da\u015f\u0131y\u0131r. Pay\u0131z \u2013 t\u00fck\u0259nmi\u015flikdir, gec\u0259 \u2013 daxili dialoqdur, ya\u011f\u0131\u015f \u2013 t\u0259mizl\u0259nm\u0259 ehtiyac\u0131d\u0131r, k\u00fcl\u0259k \u2013 d\u0259yi\u015fiklik qorxusudur. T\u0259bi\u0259t burada insan\u0131n psixoloji v\u0259ziyy\u0259tinin davam\u0131d\u0131r. \u015eair t\u0259bi\u0259ti seyr etmir, onunla birg\u0259 ya\u015fay\u0131r.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259minin poeziyas\u0131nda tez-tez rast g\u0259lin\u0259n bir x\u00fcsusiyy\u0259t d\u0259 yar\u0131m\u00e7\u0131ql\u0131q effektidir. \u015eair \u00e7ox vaxt fikri tamamlam\u0131r, misran\u0131 a\u00e7\u0131q qoyur. Bu a\u00e7\u0131q qalan yerl\u0259r oxucu \u00fc\u00e7\u00fcn bo\u015fluq deyil, i\u015ftirak m\u0259kan\u0131d\u0131r. Oxucu m\u0259tni tamamlay\u0131r, onu \u00f6z h\u0259yat\u0131na uy\u011funla\u015fd\u0131r\u0131r. Bu is\u0259 poeziyan\u0131n interaktiv t\u0259bi\u0259tini g\u00fccl\u0259ndirir.<\/p>\n\n\n\n

Bu poeziya s\u00fcr\u0259tli oxu \u00fc\u00e7\u00fcn deyil. H\u0259yat \u015e\u0259minin \u015feirl\u0259ri t\u0259l\u0259sm\u0259yi sevmir. Onlar sakit oxunu\u015f, t\u0259krar bax\u0131\u015f, daxili dinl\u0259m\u0259 t\u0259l\u0259b edir. Bu poeziya oxucunu informasiyaya bo\u011fmur, hiss\u0259 apar\u0131r. X\u00fcsus\u0259n kitab\u0131n 3-c\u00fc \u2013 \u201cQ\u0131sa \u015feirl\u0259r\u201d adl\u0131 hiss\u0259sind\u0259 yer alm\u0131\u015f poeziya n\u00fcmun\u0259l\u0259rini misal g\u00f6st\u0259r\u0259 bil\u0259rik:<\/p>\n\n\n\n

Bir d\u0259li \u015feytan deyir,<\/p>\n\n\n\n

b\u0259lk\u0259, ke\u00e7diyin zaman\u0131<\/p>\n\n\n\n

geriy\u0259 do\u011fru d\u0259rk ed\u0259s\u0259n…<\/p>\n\n\n\n

\u00c7\u0131xasan qald\u0131\u011f\u0131n yerd\u0259n,<\/p>\n\n\n\n

b\u00fct\u00fcn ya\u015fad\u0131qlar\u0131n\u0131<\/p>\n\n\n\n

ikiayaql\u0131 t\u0259rk ed\u0259s\u0259n,<\/p>\n\n\n\n

\u0130stanbul!<\/p>\n\n\n\n

N\u0259tic\u0259 olaraq dem\u0259k olar ki, H\u0259yat \u015e\u0259mi m\u00fcasir Az\u0259rbaycan poeziyas\u0131nda \u00f6z\u00fcn\u0259m\u0259xsus, s\u0259ssiz, lakin t\u0259sirli poetik m\u0259kan yaradan \u015fairl\u0259rd\u0259ndir. Onun poeziyas\u0131 zamanla k\u00f6hn\u0259lmir, \u00e7\u00fcnki konkret d\u00f6vr\u00fcn hadis\u0259l\u0259rin\u0259 yox, insan\u0131n d\u0259yi\u015fm\u0259y\u0259n daxili v\u0259ziyy\u0259tin\u0259 toxunur.<\/p>\n\n\n\n

H\u0259yat \u015e\u0259minin \u015feirl\u0259ri oxucunu d\u0259yi\u015fdirm\u0259yi qar\u015f\u0131s\u0131na m\u0259qs\u0259d qoymur. O, oxucunu \u00f6z\u00fcn\u0259 qaytar\u0131r. Bu poeziya insana \u201cs\u0259n t\u0259k deyils\u0259n\u201d hissini ya\u015fad\u0131r.<\/p>\n\n\n\n

B\u0259lk\u0259 d\u0259, poeziyan\u0131n \u0259n b\u00f6y\u00fck g\u00fcc\u00fc el\u0259 insan\u0131n i\u00e7ind\u0259ki s\u0259ssizliyi s\u00f6z\u0259 \u00e7evirm\u0259yi bacarmaqd\u0131r. H\u0259yat \u015e\u0259mi bu s\u0259ssizliyin \u015fairidir.<\/p>\n\n\n\n

\u201c\u018fd\u0259biyyat v\u0259 inc\u0259s\u0259n\u0259t\u201d<\/strong><\/p>\n\n\n\n

(22.05.2026)<\/strong><\/p>\n\n\n\n

M\u0259nb\u0259:\u00a0https:\/\/edebiyyatveincesenet.az\/<\/a><\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c\u018fd\u0259biyyat v\u0259 inc\u0259s\u0259n\u0259t\u201d portal\u0131n\u0131n v\u0259 \u201cUlduz\u201d jurnal\u0131n\u0131n birlikd\u0259 h\u0259yata ke\u00e7irdikl\u0259ri \u201cBiri ikisind\u0259\u201d layih\u0259sind\u0259 bu g\u00fcn sizl\u0259r\u0259 \u015eahan\u0259 M\u00fc\u015ffiqin H\u0259yat \u015e\u0259mi yarad\u0131c\u0131l\u0131\u011f\u0131 bar\u0259d\u0259 essesi t\u0259qdim edilir. Layih\u0259 \u0259n yax\u015f\u0131 \u0259d\u0259bi n\u00fcmun\u0259l\u0259rin t\u0259bli\u011fin\u0259 hesablan\u0131bd\u0131r. Xo\u015f m\u00fctali\u0259l\u0259r. \u015eAHAN\u018f M\u00dc\u015eF\u0130Q H\u018fYAT \u015e\u018fM\u0130N\u0130N POEZ\u0130YA D\u00dcNYASI M\u00fcasir Az\u0259rbaycan poeziyas\u0131 bu g\u00fcn yaln\u0131z forma v\u0259 texnika axtar\u0131\u015flar\u0131 il\u0259 deyil, daha \u00e7ox insan\u0131n daxili […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-51291","post","type-post","status-publish","format-standard","hentry","category-pub"],"_links":{"self":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/51291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=51291"}],"version-history":[{"count":1,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/51291\/revisions"}],"predecessor-version":[{"id":51294,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/51291\/revisions\/51294"}],"wp:attachment":[{"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=51291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=51291"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=51291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}