{"id":29042,"date":"2018-11-14T00:30:59","date_gmt":"2018-11-13T20:30:59","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=29042"},"modified":"2018-11-14T09:28:56","modified_gmt":"2018-11-14T05:28:56","slug":"sinan-ayhan-felaketin-kapisini-aralayan-el","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=29042","title":{"rendered":"Sinan AYHAN.”FEL\u00c2KET\u0130N KAPISINI ARALAYAN EL”"},"content":{"rendered":"

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\u0130nternet ve kapitalizm iki, i\u00e7 i\u00e7e d\u00f6ng\u00fc haline geldi ve ayn\u0131 zamanda b\u00fct\u00fcn insanl\u0131k \u00fczerine tasarlanm\u0131\u015f (matru\u015fka)dan k\u00f6t\u00fc niyetleri modern zihinlerde besleyen, \u00e7a\u011f\u0131n iki u\u00e7 noktas\u0131 oldu\u2026 Ve sonu\u00e7ta, sadece end\u00fcstri hammaddesine d\u00f6n\u00fc\u015fen madd\u00ee, manev\u00ee her \u015fey\u2026<\/p>\n

\u00c7okluk, haysiyete galip geldi\u2026<\/p>\n

Adorno\u2019nun 1936 y\u0131l\u0131nda Walter Benjamin\u2019e yazd\u0131\u011f\u0131 mektupta ge\u00e7en ifadeler\u2026<\/p>\n

\u201cY\u00fcksek sanat da, s\u0131na\u00ee bi\u00e7imde \u00fcretilmi\u015f t\u00fcketici sanat\u0131 da, \u201ckapitalizmin damgas\u0131n\u0131 ta\u015f\u0131r, ikisi de d\u00f6n\u00fc\u015f\u00fcm unsurlar\u0131 i\u00e7erir\u2026 Bu ikisi, bir araya geldiklerinde yetemedikleri tam bir \u00f6zg\u00fcrl\u00fc\u011f\u00fcn birbirinden ayr\u0131lm\u0131\u015f iki yar\u0131s\u0131d\u0131r.\u201d(Adorno, Theodor W. .: K\u00fclt\u00fcr End\u00fcstrisi-K\u00fclt\u00fcr Y\u00f6netimi, \u0130leti\u015fim Yay., \u00c7ev. Nihat \u00dcnler-Mustafa T\u00fczel-El\u00e7in Gen, 6. Bsk, syf. 11, 2011)<\/p>\n

Bir hilkat garibesi olmaya do\u011fru giden \u201cmodern insan\u201d, yani o kadar teknolojik hadise ve icat kar\u015f\u0131s\u0131nda makyaj\u0131 d\u00f6k\u00fclen ve c\u00fczaml\u0131 y\u00fcz\u00fc ortaya \u00e7\u0131kan insanl\u0131k, son merhale olarak art\u0131k \u00f6zg\u00fcrl\u00fc\u011f\u00fc kaybetti\u011fini, t\u00fckenmek \u00fczere oldu\u011funu itiraf etmekte; her icatta oldu\u011fu gibi bat\u0131 zihniyetiyle \u201cidea\u201d t\u0131ls\u0131m\u0131n\u0131 iptal etmi\u015f internet de, art\u0131k b\u00fcnyede cerahatle\u015fmenin kronik timsali olarak bat\u0131\u015f sahnesinde yerini almaktad\u0131r\u2026 <\/p>\n

BATIYI \u00d6L\u00dcME G\u00d6T\u00dcREN \u0130\u015eARETLER VE RUH YANGINI
\n\u201cYakmak bir zevkti.<\/p>\n

Bir \u015feylerin yendi\u011fini g\u00f6rmek, karard\u0131\u011f\u0131n\u0131 ve de\u011fi\u015ftirildi\u011fini g\u00f6rmek \u00f6zel bir zevkti. Pirin\u00e7 hortum ba\u015f\u0131 yumruk olmu\u015f ellerindeyken, bu b\u00fcy\u00fck piton zehirli kerosenini d\u00fcnyaya t\u00fck\u00fcr\u00fcrken, kendisinin ba\u015f\u0131 kanla zonklarken ve tarihin pa\u00e7avralar\u0131 ile k\u00f6m\u00fcrle\u015fmi\u015f kal\u0131nt\u0131lar\u0131n\u0131 ala\u015fa\u011f\u0131 eden elleri tutu\u015fturman\u0131n ve yakman\u0131n t\u00fcm senfonilerini \u00e7alan muhte\u015fem bir orkestra \u015fefinin elleri gibiyken. Hissiz ba\u015f\u0131nda 451 numaral\u0131 sembolik kask\u0131yla ve g\u00f6zleri \u015fimdi olacaklar\u0131n d\u00fc\u015f\u00fcncesiyle turuncu alevlere b\u00fcr\u00fcnm\u00fc\u015fken ate\u015fleyiciyi \u00e7al\u0131\u015ft\u0131rmas\u0131yla birlikte ev ak\u015fam g\u00f6\u011f\u00fcn\u00fc k\u0131rm\u0131z\u0131, sar\u0131 ve siyaha boyayan obur bir ate\u015fle havaya s\u0131\u00e7rad\u0131.\u201d (Bradbury, Ray .: Fahrenheit 451, \u0130thaki Yay., \u00c7ev. Dost K\u00f6rpe, 1. Bask\u0131, syf. 23, Mart 2018)<\/p>\n

Fahrenheit 451\u2019in \u00e7\u0131\u011fl\u0131\u011f\u0131; kitap d\u00fczleminde yerle bir edilen insanl\u0131k verimleri\u2026 Benzeti\u015f art\u0131k hakikattir; yang\u0131n her yan\u0131 sarm\u0131\u015ft\u0131r\u2026<\/p>\n

Ve \u201cYanan ve Yak\u0131lan Kitab\u0131n\u201d duman\u0131ndan internet ve dijital d\u00fcnya, bir bak\u0131ma sihirbaz bir ejderha do\u011fmu\u015ftur\u2026 \u015eifa yeri de\u011fil, daha \u00e7ok zebanilerin insanl\u0131\u011f\u0131 kar\u015f\u0131lad\u0131\u011f\u0131 cehennem kap\u0131lar\u0131 gibi insanl\u0131\u011f\u0131n akl\u0131na, belle\u011fine ve duru g\u00f6r\u00fcs\u00fcne, \u00e7ok katmanl\u0131 bir vir\u00fcs i\u015ftah\u0131 \u00e7\u00f6reklenmi\u015ftir\u2026 Lakin burada k\u00fcllerinden do\u011fan bir \u201canka ku\u015fu\u201d yok, sa\u00e7\u0131ndan ayak t\u0131rna\u011f\u0131na kadar izzeti, seciyesi ve f\u0131trat\u0131 yok edilen bir insanl\u0131k var\u2026 <\/p>\n

KONFORLU TUZAK
\n2016 y\u0131l\u0131nda, \u201cEl Pais\u201d gazetesine verdi\u011fi m\u00fclakatta sosyolog, filozof Zygmunt Bauman internetin ve sosyal medyan\u0131n nas\u0131l bile\u015fke oldu\u011funu ortaya koyuyor\u2026 Konforun ate\u015fledi\u011fi isyan\u2026 Ama sadece, insan\u0131n kendi kutlu varolu\u015funa mal olan isyan\u2026<\/p>\n

SORU: \u201c\u0130nsanlar\u0131n sosyal medya arac\u0131l\u0131\u011f\u0131yla yapt\u0131klar\u0131, \u201cklavye aktivizmi\u201d denen protestolara kar\u015f\u0131 hep \u015f\u00fcphecisiniz ve internetin bizi ucuz e\u011flenceyle aptalla\u015ft\u0131rd\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyorsunuz. Sosyal a\u011flar\u0131n insanlar\u0131n yeni afyonu oldu\u011funu s\u00f6yleyebilir miyiz?\u201d<\/p>\n

CEVAP: \u201cKimlik do\u011fdu\u011fun bir \u015fey olmaktan \u00e7\u0131kt\u0131 ve bir g\u00f6reve d\u00f6n\u00fc\u015ft\u00fc: Kendi cemaatini kendin olu\u015fturmak zorundas\u0131n. Ama cemaatler yarat\u0131lmaz; bir z\u00fcmreye ya aitsindir, ya de\u011filsindir. Sosyal a\u011flar\u0131n yaratabilece\u011fi \u015fey bir alternatif (ikame). Cemaat ile a\u011f aras\u0131ndaki fark \u015fu: sen bir cemaate aitsindir, ama a\u011f sana aittir. Dizginler elindeymi\u015f gibi hissedersin. Dilersen arkada\u015f eklersin, dilersen silersin. \u0130li\u015fkin olan \u00f6nemli insanlar\u0131n kontrol\u00fc senin elindedir. Sonu\u00e7 olarak insanlar kendilerini biraz daha iyi hisseder, \u00e7\u00fcnk\u00fc bireyci \u00e7a\u011f\u0131m\u0131z\u0131n b\u00fcy\u00fck korkusu yaln\u0131zl\u0131k, terk edilmi\u015fliktir. Ancak internette arkada\u015f ekleyip \u00e7\u0131karmak o kadar kolayd\u0131r ki, insanlar soka\u011fa \u00e7\u0131kt\u0131klar\u0131nda, i\u015fe gittiklerinde, mant\u0131kl\u0131 bir etkile\u015fime girmeleri gereken \u00e7ok say\u0131da insan\u0131 bir arada bulacaklar\u0131 herhangi bir yerde gerekli ger\u00e7ek sosyal becerileri edinmeyi ba\u015faramazlar. \u2026Esas diyalog sizinle ayn\u0131 \u015feylere inanan insanlarla konu\u015fmak de\u011fildir. Sosyal medya bize diyalog kurmay\u0131 \u00f6\u011fretmiyor, \u00e7\u00fcnk\u00fc anla\u015fmazl\u0131ktan ka\u00e7\u0131nmak \u00e7ok kolay. Ancak insanlar\u0131n \u00e7o\u011fu sosyal medyay\u0131 bir araya gelmek veya ufuklar\u0131n\u0131 geni\u015fletmek i\u00e7in de\u011fil, tam tersine, kendilerine kendi seslerinin yank\u0131lar\u0131 olan sesleri duyacaklar\u0131, kendi y\u00fczlerinin yans\u0131mas\u0131 olan y\u00fczleri g\u00f6recekleri bir konfor alan\u0131 yaratmak i\u00e7in kullan\u0131yor. Sosyal medya \u00e7ok kullan\u0131\u015fl\u0131 ve keyifli bir tuzak.\u201d (Vesaire, https:\/\/vesaire.org\/zygmunt-bauman-sosyal-medya-bir-tuzak\/, 01.09.2018) <\/p>\n

\u0130NTERNET, D\u0130J\u0130TAL D\u00dcNYA, SOSYAL MEDYA KURGULARI
\n\u201cSadece otuzd\u00f6rt katl\u0131 yerden bitme gri bir bina. Ana giri\u015fin \u00fczerinde \u015fu s\u00f6zc\u00fckler, LONDRA MERKEZ KULU\u00c7KA VE \u015eARTLANDIRMA MERKEZ\u0130 ve \u00fczeri kaplanm\u0131\u015f olan D\u00fcnya Devleti’nin slogan\u0131, CEMAAT, \u00d6ZDE\u015eL\u0130K, \u0130ST\u0130KRAR.\u201d (Huxley, Aldous .: Fahrenheit 451, \u0130thaki Yay., \u00c7ev. \u00dcmit Tosun, 3. Bask\u0131, 2002)<\/p>\n

\u201cCesur Yeni D\u00fcnya\u201d kitab\u0131na b\u00f6yle ba\u015flar, Huxley\u2026 Alfa, Beta, Delta, Gama, Epsilon t\u00fcrlerinden m\u00fcrekkep bir insanl\u0131k, k\u00f6\u015feye s\u0131k\u0131\u015ft\u0131r\u0131lm\u0131\u015f bir insanl\u0131k olarak i\u015faretlenmekte ve hikmet levhas\u0131nda kabaran manzara insanl\u0131\u011f\u0131 k\u00f6t\u00fc bir sonun bekledi\u011fini ona telkin etmekte\u2026<\/p>\n

Bir soru\u2026 \u0130nsanl\u0131\u011f\u0131n f\u0131trat\u0131n\u0131n bozulmas\u0131 ba\u011flam\u0131nda, \u201cinternet\u201d ve onun etraf\u0131nda k\u00fcmelenen yeni bilgi uzay\u0131, acaba \u201cd\u00fcnyan\u0131n tek devlet olmas\u0131\u201d i\u00e7in bir alg\u0131 manip\u00fclasyonu arac\u0131 olarak m\u0131 kullan\u0131lmakta\u2026<\/p>\n

Bizce, \u015fer odaklar\u0131 bu devrede her \u015feyi y\u0131kma ve kendi \u015fer d\u00fczenlerini ortaya koymakta zirve yapm\u0131\u015f durumda\u2026 Ve internet, dijital d\u00fcnya ve yapay zek\u00e2 hatlar\u0131, \u015fer niyetin kendini amans\u0131zca sergiledi\u011fi en kuvvetli kanal, buna bir dur demenin zaman\u0131 geldi de ge\u00e7iyor\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130nternet ve kapitalizm iki, i\u00e7 i\u00e7e d\u00f6ng\u00fc haline geldi ve ayn\u0131 zamanda b\u00fct\u00fcn insanl\u0131k \u00fczerine tasarlanm\u0131\u015f (matru\u015fka)dan k\u00f6t\u00fc niyetleri modern zihinlerde besleyen, \u00e7a\u011f\u0131n iki u\u00e7 noktas\u0131 oldu\u2026 Ve sonu\u00e7ta, sadece end\u00fcstri hammaddesine d\u00f6n\u00fc\u015fen madd\u00ee, manev\u00ee her \u015fey\u2026 \u00c7okluk, haysiyete galip geldi\u2026 Adorno\u2019nun 1936 y\u0131l\u0131nda Walter Benjamin\u2019e yazd\u0131\u011f\u0131 mektupta ge\u00e7en ifadeler\u2026 \u201cY\u00fcksek sanat da, s\u0131na\u00ee bi\u00e7imde […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-29042","post","type-post","status-publish","format-standard","hentry","category-kardelendergisi"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29042"}],"version-history":[{"count":1,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29042\/revisions"}],"predecessor-version":[{"id":29052,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29042\/revisions\/29052"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}