{"id":29152,"date":"2018-11-16T01:00:41","date_gmt":"2018-11-15T21:00:41","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=29152"},"modified":"2018-11-16T12:14:20","modified_gmt":"2018-11-16T08:14:20","slug":"gurol-delice-turk-siirinin-koclari","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=29152","title":{"rendered":"G\u00dcROL DEL\u0130CE.”T\u00dcRK \u015e\u0130\u0130R\u0130N\u0130N KO\u00c7LARI”"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Her ikisi de \u015fiirimizin ko\u00e7lar\u0131yd\u0131. Abd\u00fcrrahim Karako\u00e7’tan sonra a\u011fabeyi Bahaeddin Karako\u00e7 da y\u0131llarca mektup yazd\u0131\u011f\u0131 sevgiliye, Rahmet-i Rahman’a kavu\u015ftu. Ecel O’nu da ald\u0131. Kara toprak ba\u011fr\u0131na bast\u0131. Her iki ustadan geriye dilimize pelesenk etti\u011fimiz m\u0131sralar kald\u0131.
\nAbdurrahim Karako\u00e7’u taa \u00e7ocukluk y\u0131llar\u0131mda tan\u0131d\u0131m. “Hak Yol \u0130slam Yazaca\u011f\u0131z” \u015fiirini di\u011fer \u015fiirleri takip etti:
\n“Ben milletimin u\u011fruna adam\u0131\u015f\u0131m kendimi
\nBir do\u011frunun iman\u0131 bin e\u011friyi d\u00fczeltir
\nZul\u00fcm Azrail olsa ben Hakk’\u0131 tutaca\u011f\u0131m
\nMukaddes davalarda \u00f6l\u00fcm bile g\u00fczeldir”
\nAbdurrahim Karako\u00e7 bir \u015fairdi ama hepsinin \u00f6tesinde bir dava adam\u0131 idi. Millet memleket davas\u0131n\u0131 \u015fiirlerinin ana temas\u0131 haline getirdi. Sert mizac\u0131, ald\u0131\u011f\u0131 terbiye bunu gerektiriyordu. Fakat \u015fiirlerinde sanat\u0131 hi\u00e7 mi hi\u00e7 ihmal etmedi. Hep \u015fair kald\u0131. Geleneksel halk \u015fiiri \u015fekil \u00f6zelliklerinden hi\u00e7 taviz vermeden davas\u0131n\u0131, \u015fiirlerinde ilmik ilmik \u00f6rd\u00fc. Yeri geldi “Hasan’a mektup” yazd\u0131, yeri geldi “Tohtur Bey”den derdine ucuz bir ila\u00e7 istedi, yeri geldi “Mihriban”a seslendi.
\nBiz de bu \u015fiirlerle millet memleket davas\u0131na at\u0131ld\u0131k. \u201cVur Emri”ne uyduk. Bu mukaddes davada can ci\u011fer arkada\u015flar\u0131m\u0131z\u0131 ebediyete u\u011furlad\u0131k.
\n\u00dcniversite y\u0131llar\u0131nda dar mek\u00e2nda yapt\u0131\u011f\u0131m\u0131z edebiyat sohbetlerinde a\u011fabey Karako\u00e7’u tan\u0131d\u0131m. Hamasetin yo\u011fun ya\u015fand\u0131\u011f\u0131 y\u0131llarda Bahaeddin Karako\u00e7’un \u015fiirleri \u00f6nceleri ruhumuzda pek aks-i sad\u00e2 b\u0131rakt\u0131\u011f\u0131n\u0131 s\u00f6yleyemem. Kavga g\u00fcnlerinde biraz fantazi gibi geldi. Sohbetler ilerledik\u00e7e : “Ihlamurlar \u00c7i\u00e7ek A\u00e7maya” ba\u015flad\u0131.
\n“Gelece\u011fim diyorum, takvim sorma bana
\nIhlamurlar \u00e7i\u00e7ek a\u00e7t\u0131\u011f\u0131 zaman”
\n\u015eiirinde \u00fcstad sevgiliye, ben bilmem, sen ne zaman \u00e7a\u011f\u0131r\u0131rsan o zaman gelece\u011fini s\u00f6ylerken \u015fiirimizde hi\u00e7 kullan\u0131lmayan imgeleri en g\u00fczel \u015fekilde kullanarak T\u00fcrk \u015fiirine s\u0131cac\u0131k bir soluk getirmi\u015f, i\u00e7imizi \u0131s\u0131tm\u0131\u015ft\u0131. Can\u0131n cananla vuslat\u0131n\u0131 Yunus gibi, Mevlana gibi m\u0131sralara d\u00f6km\u00fc\u015f, \u00e7a\u011f\u0131m\u0131z\u0131n Yunus’u olmu\u015ftu. Hissiyat ve fikriyat gelenekten, dil ve \u00fcslup \u015eair’imiz dendi. A\u015fk\u0131, vuslat\u0131, gurbeti, \u00f6l\u00fcm\u00fc bazen heceyle, bazen serbest tarzda y\u00fcreklerimize aktarmas\u0131n\u0131 bilmi\u015fti.
\n“T\u00fcrk\u00fcm, Elbistanl\u0131y\u0131m, ad\u0131m Bahaddin…
\nDinim \u0130slam; imzam kan grubum gibi belli benim.” diyerek \u015fiirlerine imzas\u0131n\u0131 atm\u0131\u015f; inanc\u0131n\u0131, milletini, memleketini hamasetten uzak bir \u00fcslupla \u015fiir \u00e2\u015f\u0131klar\u0131n be\u011fenisine sunmu\u015ftu.
\n“Sevdas\u0131n\u0131n duman\u0131yla
\nBir kitap,
\nBir k\u0131l\u0131\u00e7,
\nBir bozkurt,
\nBir ay-y\u0131ld\u0131zl\u0131 T\u00fcrk bayra\u011f\u0131 resmi \u00e7izer.” M\u0131sralar\u0131nda as\u0131l sevdas\u0131n\u0131n ne oldu\u011funu anlat\u0131r.
\n“S\u0131rl\u0131 bir g\u00f6zeden bengisu i\u00e7er gibi
\nSenin ad\u0131nla ba\u015flad\u0131m her i\u015fe Rabbim;
\nSana s\u0131\u011f\u0131n\u0131r\u0131m nefsimin zehirli oklar\u0131ndan
\nVe albenisinden d\u00fcnyan\u0131n ar\u0131n\u0131r i\u00e7im.”
\nM\u0131sralar\u0131nda da g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi hepimizin bildi\u011fi Besmele’yi, manas\u0131n\u0131 ruhumuza s\u0131cac\u0131k aktarma ustal\u0131\u011f\u0131n\u0131 g\u00f6sterir.
\nKarako\u00e7 pek \u00e7ok \u015fiirinde, Necip Faz\u0131l \u00dcstad’\u0131n dedi\u011fi gibi ” \u015eiir Allah’\u0131 aramakm\u0131\u015f” anlay\u0131\u015f\u0131na ba\u011fl\u0131 kalarak Yaradan’\u0131; Yaradan’\u0131n verdi\u011fi dille, yetenekle, di\u011fer varl\u0131klarla tasavvuf\u00ee bir anlay\u0131\u015fla \u015fiirinin merkezine koymu\u015ftur:
\nNereye gidersen git, heybene g\u00f6n\u00fcl doldur.
\nBir kovan par\u00e7alama bir ac\u0131 bala,
\nBir g\u00f6n\u00fcl \u015fehri onar, k\u00e2inata sevgi sun.
\nHer ham s\u00f6ze sa\u011f\u0131r ol,
\nAz\u0131ks\u0131z yola \u00e7\u0131kma….
\nBu \u015fiirde de g\u00f6r\u00fcld\u00fc\u011f\u00fc \u00fczere g\u00fcnl\u00fck dilde kulland\u0131\u011f\u0131m\u0131z her kelimeyi \u015fiirlerinde ustaca yeni bir imge haline getirmi\u015f; her kelimeyi mecazla s\u00fcsleyerek kendine has bir \u015fiir dili olu\u015fturmu\u015ftur. Bu y\u00f6n\u00fcyle geleneksel halk \u015fiirinden fark\u0131n\u0131 ortaya koymu\u015f olur. O’nun \u015fiiri modern \u015fiirden de farkl\u0131yd\u0131. O halde Bahaeddin Karako\u00e7’u nereye koyaca\u011f\u0131z? sorusu hepimizin akl\u0131na gelebilir. \u00c2cizane bana g\u00f6re, Karako\u00e7, b\u00fct\u00fcn bu anlay\u0131\u015flardan istifade etmesini bilmi\u015f, ancak her zaman kendine has \u015fiiriyle orijinal olmu\u015ftur.
\nO, \u015fiirimizin “Beyaz Kartal”\u0131yd\u0131. Hep y\u00fckseklerde u\u00e7tu. Bir \u00e7ocu\u011fa,
\n“Hangi yayla ye\u015fil, nerde keklik \u00e7ok
\nGel seninle orda olal\u0131m \u00e7ocuk.
\nKayalar kayalar… S\u0131rt s\u0131rta vermi\u015f;
\nKimi yeni m\u00fcrit, kimisi ermi\u015f
\n………
\nDoruklardan doruklara sekelim,
\nBir elim g\u00f6klerde, sende bir elim;
\n\u0130kimizin y\u00fcreci\u011fi bir ats\u0131n.
\nBizi g\u00f6ren bin katarak anlats\u0131n” m\u0131sralar\u0131yla seslenerek onu \u015fahikalara g\u00f6t\u00fcrm\u00fc\u015f. Kartallarla y\u00fckseklerde u\u00e7urmu\u015ftur.
\nY\u0131llarca Mara\u015f semalar\u0131nda, mehtapl\u0131 gecelerde “Dolunay”\u0131 parlatmas\u0131n\u0131 bilmi\u015ftir. Bir Anadolu \u015fehrinde “Dolunay” adl\u0131 edebiyat dergisini yay\u0131n hayat\u0131nda tutmak kolay olmasa gerek. Bu ancak \u015fiir, edebiyat, sanat a\u015fk\u0131yla izah edilebilir.
\nAbdurrahim Karako\u00e7’u b\u00fct\u00fcn T\u00fcrk d\u00fcnyas\u0131 “Mihriban” \u015fiiriyle tan\u0131rken Bahaeddin Karako\u00e7’u bilenler bildi. Bilenler zevkle o \u015fiirleri okudu. \u015eiirleri \u015fiir gecelerinde yank\u0131land\u0131.
\nBahaeddin Karako\u00e7, \u015fiirlerini “Seyran, Ihlamurlar \u00c7i\u00e7ek A\u00e7arken, Sevgiliye Mektup” adl\u0131 kitaplarda toplad\u0131. Bu \u015fiirlerle g\u00f6nl\u00fcm\u00fczde, \u015fiir d\u00fcnyam\u0131zda taht kurdu. Her fani gibi O da h\u00fcz\u00fcn aylar\u0131ndan ekimde aram\u0131zdan ayr\u0131ld\u0131. Sevenlerini h\u00fczne bo\u011fdu. Bir \u00f6m\u00fcr mektup yazd\u0131\u011f\u0131 Canan’\u0131na kavu\u015ftu. Geriye binlerce m\u0131sra kald\u0131. O m\u0131sralar “bizim g\u00f6k kubbemizde” her zaman yank\u0131lanacak
\nAllah rahmet eylesin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Her ikisi de \u015fiirimizin ko\u00e7lar\u0131yd\u0131. Abd\u00fcrrahim Karako\u00e7’tan sonra a\u011fabeyi Bahaeddin Karako\u00e7 da y\u0131llarca mektup yazd\u0131\u011f\u0131 sevgiliye, Rahmet-i Rahman’a kavu\u015ftu. Ecel O’nu da ald\u0131. Kara toprak ba\u011fr\u0131na bast\u0131. Her iki ustadan geriye dilimize pelesenk etti\u011fimiz m\u0131sralar kald\u0131. Abdurrahim Karako\u00e7’u taa \u00e7ocukluk y\u0131llar\u0131mda tan\u0131d\u0131m. “Hak Yol \u0130slam Yazaca\u011f\u0131z” \u015fiirini di\u011fer \u015fiirleri takip etti: “Ben milletimin u\u011fruna adam\u0131\u015f\u0131m […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-29152","post","type-post","status-publish","format-standard","hentry","category-kumbet"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29152"}],"version-history":[{"count":3,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29152\/revisions"}],"predecessor-version":[{"id":29179,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/29152\/revisions\/29179"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}