{"id":30421,"date":"2019-05-01T01:00:28","date_gmt":"2019-04-30T21:00:28","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=30421"},"modified":"2019-05-01T08:25:55","modified_gmt":"2019-05-01T04:25:55","slug":"buludlar-goy-uzunu-gizl%c9%99yib-romantizm-gunel-eyvazli-yazir","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=30421","title":{"rendered":"Buludlar g\u00f6y \u00fcz\u00fcn\u00fc gizl\u0259yib… – Romantizm – G\u00fcnel EYVAZLI yaz\u0131r"},"content":{"rendered":"

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Buludlar g\u00f6y \u00fcz\u00fcn\u00fc gizl\u0259yib. S\u0259man\u0131n ayd\u0131nl\u0131\u011f\u0131n\u0131 m\u00fc\u015fahid\u0259 etm\u0259k indi nadir hallarda ba\u015f ver\u0259c\u0259k. A\u011faclar aynada sonuncu d\u0259f\u0259 \u00f6z cavanl\u0131q t\u0259rav\u0259tin\u0259 tama\u015fa ed\u0259n insanlar kimi \u0259l sallayacaq g\u0259ncliyin\u0259. Uzaqla\u015fan g\u00fcn\u0259\u015f ya\u015f\u0131ll\u0131\u011f\u0131n\u0131 o\u011furlay\u0131b aparacaq yarpaqlar\u0131n. Bir m\u00fcdd\u0259t \u00f6nc\u0259 s\u0259rinlik ist\u0259y\u0259n bizl\u0259r indi g\u00fcn\u0259\u015f h\u0259sr\u0259ti il\u0259 qovrulacay\u0131q.<\/p>\n

Y\u0259qin ki, Bethoven \u201cAy sonatas\u0131\u201dn\u0131 not d\u0259ft\u0259rin\u0259 qeyd ed\u0259rk\u0259n hava eynil\u0259 bel\u0259 idi. Ya\u011f\u0131\u015fl\u0131, sazaql\u0131, r\u00fctub\u0259tli, k\u00fcl\u0259kli… Bir d\u0259 torpaq qoxusu g\u0259lirdi k\u00fc\u00e7\u0259l\u0259rd\u0259n, xiyabanlardan. M\u00fcharib\u0259y\u0259, inqilaba, f\u0131rt\u0131naya b\u0259nz\u0259y\u0259n d\u0259lisov simfoniyalar\u0131n ard\u0131ndan h\u0259zin \u201cAy sonatas\u0131\u201dn\u0131 b\u0259st\u0259l\u0259m\u0259y\u0259 \u00e7al\u0131\u015f\u0131rd\u0131 b\u0259st\u0259kar. Ad\u0259ti \u00fczr\u0259 el\u0259 k\u00fc\u00e7\u0259d\u0259 ged\u0259rk\u0259n \u0259lin\u0259 n\u0259 v\u0259r\u0259q ke\u00e7\u0259rdis\u0259 daxilind\u0259 \u00e7al\u0131nan musiqini oraya yazard\u0131. H\u0259m d\u0259 d\u00fcnya k\u00fcyl\u0259rini yava\u015f-yava\u015f unudaraq s\u00fckut d\u00f6n\u0259min\u0259 ke\u00e7id\u0259 haz\u0131rla\u015f\u0131rd\u0131. \u0130ndi yol ged\u0259nd\u0259 bel\u0259 ayaq s\u0259sl\u0259ri onu s\u0259ks\u0259ndirm\u0259y\u0259c\u0259k. He\u00e7 kimi e\u015fitm\u0259y\u0259c\u0259k. \u00d6z d\u00fcnyas\u0131nda, s\u00fckuta dalm\u0131\u015f qulaqlar\u0131 il\u0259 5-ci simfoniyas\u0131n\u0131, 3-c\u00fc sonatas\u0131n\u0131 d\u00fcnyaya g\u0259tir\u0259c\u0259k.<\/p>\n

\u00c7ox g\u00fcman M\u00fc\u015ffiq b\u0259xt\u0259v\u0259r \u201cK\u00fcl\u0259kl\u0259r\u201dni q\u0259l\u0259m\u0259 alanda da eyni ab-hava h\u00f6km s\u00fcr\u00fcrd\u00fc. U\u011fultulu k\u00fcl\u0259k \u015fairin taxta p\u0259nc\u0259r\u0259sind\u0259n i\u00e7\u0259ri soxulma\u011fa \u00e7al\u0131\u015f\u0131rd\u0131. Ba\u015f ver\u0259n olaylar, real d\u00fcnyan\u0131n ac\u0131 m\u0259nz\u0259r\u0259si \u0259zab verirdi \u015fair q\u0259lbin\u0259. O is\u0259 x\u00fclyalar\u0131na qap\u0131laraq soyuq X\u0259zri k\u00fcl\u0259yini \u00f6z daxili m\u0259d\u0259niyy\u0259ti il\u0259 b\u0259st\u0259kar adland\u0131r\u0131rd\u0131. \u00dcmidl\u0259rind\u0259n var g\u00fcc\u00fc il\u0259 yap\u0131\u015f\u0131rd\u0131.<\/p>\n

Azadl\u0131q e\u015fqi il\u0259 d\u00f6y\u00fcn\u0259n \u00fcr\u0259k kimi f\u0259ls\u0259f\u0259y\u0259, klassisizm\u0259 \u0259ks olaraq Avropada t\u0259\u015f\u0259kk\u00fcl tapan Romantizm \u00f6z daxili \u00e7\u0131rp\u0131nt\u0131lar\u0131, etirazlar\u0131, inkarlar\u0131 il\u0259 inqilab edirdi. Reall\u0131\u011f\u0131n qorxunc, utancverici m\u0259nz\u0259r\u0259sini yer \u00fcz\u00fcnd\u0259n y\u0131rt\u0131b atma\u011fa \u00e7al\u0131\u015f\u0131rd\u0131. K\u0259\u015ff olunan, f\u0259ls\u0259f\u0259 il\u0259 y\u00fckl\u0259n\u0259n m\u00fcdd\u0259alar\u0131n fonunda yaranan f\u0259rqli d\u00fcnya m\u0259nz\u0259r\u0259si \u00fcmidsizlik, \u00e7ar\u0259sizlik depresiyas\u0131na \u00e7evrilirdi. Ger\u00e7\u0259klik ke\u00e7mi\u015f il\u0259 m\u00fcqayis\u0259 t\u0259r\u0259zisinin \u00fcz\u0259rin\u0259 qoyulurdu. Olimp zirv\u0259sini \u0259l\u0259 ke\u00e7ir\u0259n \u201c\u0130blis\u201d d\u0259h\u015f\u0259tli q\u0259hq\u0259h\u0259l\u0259ri il\u0259 yarad\u0131c\u0131l\u0131q d\u00fcnyas\u0131n\u0131 l\u0259rz\u0259y\u0259 g\u0259tirirdi.<\/p>\n

Romantizm…<\/p>\n

Pessimist, semtimental notlara k\u00f6kl\u0259n\u0259n c\u0259r\u0259yan olaraq 18-ci \u0259srin sonu, 19-cu \u0259srin \u0259vv\u0259ll\u0259rind\u0259 b\u00fct\u00fcn Avropa inc\u0259s\u0259n\u0259tini \u00f6z hakimiyy\u0259ti alt\u0131na alm\u0131\u015fd\u0131. Yaz\u0131\u00e7\u0131, \u015fair, r\u0259ssam, musiqi\u00e7i taleyini \u00f6z\u00fcn\u0259 b\u0259nz\u0259d\u0259n depressiv n\u0259sn\u0259 yarad\u0131c\u0131 insanlar\u0131n a\u011fl\u0131na, hissl\u0259rin\u0259, x\u0259yal al\u0259min\u0259 n\u00fcfuz etmi\u015fdi. O, \u201cQabil\u201din lal bax\u0131\u015flar\u0131n\u0131n d\u0259rinliyind\u0259 dayanan m\u0259na ya da m\u0259nas\u0131zl\u0131q kimi \u00e7\u0131x\u0131\u015f yolu axtarma\u011fa \u00e7al\u0131\u015f\u0131rd\u0131. M\u0259hv olan, yox olan l\u0259zz\u0259tin, qulaqlarda cingild\u0259y\u0259n suallar\u0131n fonunda yarad\u0131c\u0131l\u0131q estetikas\u0131na qarmaq at\u0131rd\u0131. <\/p>\n

Ham\u0131 dua etdiyi halda susan Qabil o d\u00f6vr\u00fcn lal s\u00fckutunu \u00f6z\u00fcnd\u0259 \u0259ks etdirirdi. Habilin \u201cTanr\u0131n\u0131 q\u0259z\u0259bl\u0259ndirm\u0259, q\u0259mginlik n\u0259tic\u0259 verm\u0259z\u201d s\u00f6zl\u0259rin\u0259 r\u0259\u011fm\u0259n fikrind\u0259n d\u00f6nm\u0259y\u0259n yeni insan obraz\u0131 f\u0259rqli etiraz formas\u0131n\u0131 \u0259lind\u0259 bayraq etmi\u015fdi. Daxilind\u0259 yaranan \u00e7ar\u0259sizlik, inams\u0131zl\u0131\u011f\u0131n \u00f6ht\u0259sind\u0259n Tanr\u0131n\u0131n bel\u0259 g\u0259lm\u0259y\u0259c\u0259yini d\u00fc\u015f\u00fcn\u0259n, he\u00e7 kimin qar\u015f\u0131s\u0131nda \u0259yilm\u0259k ist\u0259m\u0259y\u0259n, \u0130blisd\u0259n bel\u0259 qorxunc, d\u0259h\u015f\u0259tli azadl\u0131q car\u00e7\u0131s\u0131 olan bu obraz ke\u00e7mi\u015fd\u0259n g\u0259l\u0259n \u015f\u0259xs kimi yeni bi\u00e7imd\u0259 insanlara t\u0259qdim olunurdu. B\u0259lk\u0259 d\u0259 Qabil el\u0259 Ad\u0259m d\u00f6vr\u00fcn\u00fcn ilk etiraz\u00e7\u0131s\u0131 kimi h\u0259m d\u0259 Tanr\u0131n\u0131n sevimlisi idi?<\/p>\n

Yerin, g\u00f6y\u00fcn sirl\u0259rin\u0259 b\u0259l\u0259d olan tanr\u0131 daxilind\u0259 f\u0131rt\u0131nalar q\u00f6vr etdir\u0259n v\u0259 sonunda \u00f6z qarda\u015f\u0131n\u0131n can\u0131na q\u0131yan b\u0259nd\u0259sinin b\u0259d \u0259m\u0259lini n\u0259d\u0259n hiss etm\u0259mi\u015fdi? B\u0259lk\u0259 d\u00fcnyaya Habil q\u0259d\u0259r saf deyil, Qabil q\u0259d\u0259r t\u0259zadlarla z\u0259ngin b\u0259nd\u0259l\u0259r laz\u0131m idi? El\u0259 o s\u0259b\u0259bd\u0259n d\u0259 Qabil obraz olaraq Bayron \u00fc\u00e7\u00fcn maraql\u0131 tap\u0131nt\u0131 idi. Q\u0259rin\u0259l\u0259r \u00f6nc\u0259si yaranan q\u0259hr\u0259man\u0131n \u0259d\u0259biyyat\u0131n Romantizm eras\u0131na q\u0259d\u0259mi d\u0259 t\u0259sad\u00fcfi deyildi. H\u0259r halda, Bayron \u00fcz\u00fcn\u0259 ke\u00e7irdiyi d\u0259lisov q\u0259hr\u0259man\u0131n\u0131n maskas\u0131 il\u0259 azadl\u0131q, asud\u0259lik, s\u0259rb\u0259stlik, inqilab ba\u011f\u0131r\u0131rd\u0131.<\/p>\n

Kaspar Qari Fridrix<\/p>\n

Romantizm ruhsal u\u00e7u\u015f, uydurmalar d\u00fcnyas\u0131, ke\u00e7mi\u015f d\u00f6vr\u00fcn xiff\u0259ti idi. Dar\u0131xqanl\u0131q idi. N\u0259\u011fm\u0259l\u0259r\u0259, na\u011f\u0131llara, ke\u00e7mi\u015f ad\u0259tl\u0259r\u0259, ayinl\u0259r\u0259 qay\u0131d\u0131\u015f idi. \u018fslind\u0259 m\u00fc\u0259yy\u0259n d\u00f6vrl\u0259rd\u0259 m\u00fcxt\u0259lif adlarla z\u00fchur etm\u0259yi bacarm\u0131\u015f bir c\u0259r\u0259yan idi. Futurizm, Simvolizminin b\u0259tnind\u0259 \u00f6z estetikas\u0131 il\u0259 yenid\u0259n yaranma\u011f\u0131, n\u00f6vb\u0259ti do\u011fulu\u015fu bacarm\u0131\u015fd\u0131.<\/p>\n

Romantizm \u201c\u0130blis\u201din q\u0259hq\u0259h\u0259l\u0259ri e\u015fidil\u0259n bir d\u00f6vrd\u0259 Kaspar Qari Fridrixin qaya \u00fcz\u0259rind\u0259 dayan\u0131b aristokratik c\u0259miyy\u0259t\u0259 arxa \u00e7evir\u0259n q\u0259hr\u0259man\u0131 kimi yeni d\u00f6vr\u00fcn f\u0259ls\u0259f\u0259sini ya\u015fay\u0131rd\u0131. Yaz\u0131\u00e7\u0131lar sad\u0259 insan h\u0259yat\u0131n\u0131 yaz\u0131ya g\u0259tirirdi. Y\u00fcks\u0259k z\u00fcmr\u0259nin sifari\u015fl\u0259ri, ist\u0259kl\u0259ri il\u0259 daha \u0259d\u0259biyyat, musiqi yaranm\u0131rd\u0131. Bu janr m\u00fctali\u0259 \u00e7\u0259kisi z\u0259nginl\u0259\u015f\u0259n orta t\u0259b\u0259q\u0259nin sevimlisin\u0259 \u00e7evrilm\u0259yi bacar\u0131rd\u0131. H\u0259yat \u00fcmid, ill\u00fcziya, utopiya olaraq d\u0259rk edilm\u0259y\u0259 ba\u015flay\u0131rd\u0131. D\u0259bd\u0259b\u0259li, a\u011fayana klassika m\u00fcasir insan\u0131n t\u0259f\u0259kk\u00fcr \u00e7\u0259r\u00e7iv\u0259sind\u0259 g\u00fclm\u0259li, ironik g\u00f6rk\u0259m al\u0131rd\u0131. \u0130ndi olmu\u015flar\u0131n fonunda d\u00fcnyan\u0131 klassik d\u00fc\u015f\u00fcnc\u0259 il\u0259 d\u0259rk etm\u0259k m\u00fcmk\u00fcn deyildi. O s\u0259b\u0259bd\u0259n d\u0259 yeni d\u00fcnya car\u00e7\u0131lar\u0131 insan hissini oyatma\u011f\u0131, insana d\u00f6nm\u0259yi, ke\u00e7mi\u015fi yadda\u015flara \u00f6t\u00fcrm\u0259yi \u00f6hd\u0259sin\u0259 g\u00f6t\u00fcrm\u00fc\u015fd\u00fc. \u201c\u0130nan, haradasa bir k\u00f6y var, o k\u00f6y bizim k\u00f6y\u00fcm\u00fczd\u00fcr\u201d misal\u0131 kimi…<\/p>\n

Aysberq\u0259 \u00e7\u0131rp\u0131lan n\u0259h\u0259ng g\u0259mid\u0259n f\u0259rqli olaraq Romantizm, zaman\u0131n v\u0259r\u0259m k\u00fcl\u0259kl\u0259rin\u0259 r\u0259\u011fm\u0259n \u00f6z\u00fcn\u0259m\u0259xsus \u015f\u0259kild\u0259 etiraz\u0131n\u0131 bildirm\u0259yi bacar\u0131rd\u0131. B\u0259li, sad\u0259 inc\u0259s\u0259n\u0259t dilind\u0259. Azadl\u0131q, \u00f6z\u00fcg\u00fcrl\u00fck r\u0259mzin\u0259 \u00e7evril\u0259n janr \u00f6z ard\u0131yca yaz\u0131\u00e7\u0131, \u015fair, r\u0259ssam ordusu apar\u0131rd\u0131. Alov i\u015fi\u011f\u0131 il\u0259 m\u00fcjd\u0259 g\u0259tir\u0259n Prometey kimi insanlar\u0131n qaranl\u0131q g\u0259l\u0259c\u0259yini ke\u00e7mi\u015f\u0259 boylanmaqla ayd\u0131nlatma\u011fa \u00e7al\u0131\u015f\u0131rd\u0131.<\/p>\n

Teodor Jerikonun yaratd\u0131\u011f\u0131 \u201cMeduzan\u0131n sal\u0131\u201d r\u0259sm \u0259s\u0259rin\u0259 diqq\u0259t yetir\u0259rk\u0259n z\u0259hl\u0259 t\u00f6k\u0259n sentimentalizmim yen\u0259 yaxamdan yap\u0131\u015fm\u0131\u015fd\u0131. R\u0259sm \u0259s\u0259rind\u0259 \u00f6l\u00fcl\u0259r v\u0259 diril\u0259r d\u00f6rd t\u0259r\u0259fi su il\u0259 \u0259hat\u0259l\u0259n\u0259n d\u0259nizd\u0259 sal \u00fcz\u0259rind\u0259 birg\u0259 h\u0259r\u0259k\u0259t edirdi. R\u0259ssam\u0131n yartd\u0131\u011f\u0131 obrazlar\u0131n \u00fcz\u00fcnd\u0259n \u00e7ar\u0259sizlik sezilirdi. Klassikan\u0131n m\u00f6ht\u0259\u015f\u0259mliyi, k\u00fcbarl\u0131\u011f\u0131, aristokratlar\u0131n k\u00fcbar \u0259lbis\u0259l\u0259rd\u0259 oturaraq portretl\u0259r\u0259 k\u00f6\u00e7m\u0259si zaman\u0131 art\u0131q \u00e7ox gerid\u0259 qalm\u0131\u015fd\u0131. Daha d\u0259bd\u0259b\u0259li insan portretl\u0259ri g\u00f6z\u0259 d\u0259ymirdi. Ortada insan faci\u0259si, insan hissl\u0259ri, \u00e7\u0131rp\u0131nt\u0131lar\u0131 var idi. Etiraz var idi.<\/p>\n

\u0130ndi \u00e7a\u011fda\u015f d\u00fcnyan\u0131n yeni qayda-qanunlar\u0131, m\u00fcharib\u0259, g\u00f6z ya\u015f\u0131 fonunda XXI \u0259sr ixtiralar\u0131 sevinc g\u0259tir\u0259 bilmir. \u201cMeduzan\u0131n sal\u0131\u201dna b\u0259nz\u0259r rezin qay\u0131qlarda can\u0131n\u0131 qurtarma\u011fa \u00e7al\u0131\u015fan k\u00fctl\u0259 yeni d\u00fcnyan\u0131n k\u00f6\u00e7 f\u0259ls\u0259f\u0259sini d\u00fcnya tarixi s\u0259hif\u0259l\u0259rin\u0259 yazmaqdad\u0131r. Y\u0259qin ki, bir zamanlar ba\u015f vermi\u015f real hadis\u0259ni \u00fcr\u0259k a\u011fr\u0131s\u0131 il\u0259 k\u0259tan \u00fcz\u0259rin\u0259 k\u00f6\u00e7\u00fcr\u0259n Jeriko indi salamat olsayd\u0131 k\u0259tan \u00fcz\u0259rin\u0259 g\u00f6zl\u0259rind\u0259n s\u00fcz\u00fcl\u0259n g\u00f6z ya\u015flar\u0131n\u0131 h\u0259kk ed\u0259r\u0259k \u201cD\u00fcnyan\u0131n yeni k\u00f6\u00e7 seli\u201d adland\u0131rard\u0131 yeni yaranan r\u0259sm \u0259s\u0259rini.<\/p>\n

El\u0259 o d\u00f6vrl\u0259rin yarad\u0131c\u0131 insanlar\u0131 kimi bu d\u00fcnyan\u0131n v\u0259h\u015f\u0259tin\u0259 g\u00f6z yumub ke\u00e7mi\u015f \u0259yyamlar\u0131n s\u0259fas\u0131 il\u0259 \u00fcr\u0259k ovundurmaq ke\u00e7ir insan k\u00f6nl\u00fcnd\u0259n. N\u0259 g\u00f6z\u0259l olard\u0131 x\u0259yal etm\u0259k. Yeni zaman\u0131n d\u0259h\u015f\u0259tini, m\u00fcharib\u0259l\u0259rini, x\u0259st\u0259likl\u0259rini g\u00f6rm\u0259m\u0259k ya da g\u00f6rm\u0259zlikd\u0259n g\u0259lm\u0259k. N\u0259\u011fm\u0259l\u0259r\u0259, na\u011f\u0131llara, ke\u00e7mi\u015f ayinl\u0259r\u0259 qay\u0131tmaq.<\/p>\n

Romantizm XX \u0259srd\u0259 Q\u0259rb estetikas\u0131 il\u0259 birg\u0259 Az\u0259rbaycan areal\u0131na daxil olmu\u015fdu. Yenic\u0259 p\u00f6hr\u0259 ver\u0259n janr yet\u0259ri sayda ard\u0131c\u0131llar\u0131n\u0131 yeti\u015fdir\u0259 bilmi\u015fdi.<\/p>\n

Yaranan b\u0259zi m\u0259tbu orqanlar\u0131 sad\u0259 xalq anlaya bilmirdi. Yenilik\u00e7i orqanlar h\u0259r v\u0259chl\u0259 qam\u00e7\u0131lan\u0131rd\u0131. Utopik m\u0259nz\u0259r\u0259 is\u0259 \u00fcmumiyy\u0259tl\u0259 q\u0259bul olunmurdu. D\u0131rnaqaras\u0131 xo\u015fb\u0259xtlik sa\u00e7an sovet insan\u0131 q\u0259hr\u0259manlar\u0131 Romantizmin q\u0259hr\u0259manlar\u0131 il\u0259 m\u00fcqayis\u0259d\u0259 daha i\u015f\u0131ql\u0131, laz\u0131m olunan, sovet z\u0259hm\u0259tke\u015fi is\u0259 \u0259d\u0259bi \u0259s\u0259rl\u0259r daxilind\u0259 daha cazib\u0259dar hesab edilirdi. Bu q\u0259d\u0259r real obraz, haz\u0131r material oldu\u011fu halda fantaziyalar al\u0259min\u0259 dal\u0131b, utopik q\u0259hr\u0259manlar\u0131 \u0259s\u0259rl\u0259r\u0259 d\u0259v\u0259t etm\u0259k n\u0259y\u0259 laz\u0131m idi ax\u0131…<\/p>\n

H\u0259r \u015fey\u0259 r\u0259\u011fm\u0259n H\u00fcseyn Cavid s\u00fcrg\u00fcn aqib\u0259ti il\u0259 \u00fcz-\u00fcz\u0259 dayansa bel\u0259 \u201c\u0130blis\u201di yarada bilir. \u0130st\u0259kl\u0259ri, daxilind\u0259 \u00e7\u0131\u011f\u0131ran, \u00fcsyan ed\u0259n hissl\u0259ri il\u0259 onu dill\u0259ndirm\u0259yi bacar\u0131r. \u018fsl s\u0259n\u0259t d\u0259 el\u0259 budur, el\u0259 deyilmi? \u201c\u00d6lm\u0259k \u00f6lm\u0259kdir, x\u0131r\u0131ldamaq n\u0259 dem\u0259kdir\u201d…<\/p>\n

P\u0259nc\u0259md\u0259 d\u0259mad\u0259m \u0259zilib q\u0131vr\u0131lacaqs\u0131n,
\nDaim ayaq alt\u0131nda s\u00f6n\u00fcb m\u0259hv olacaqs\u0131n.
\nB\u0259nsiz d\u0259, \u0259min ol, siz\u0259 r\u0259hb\u0259rlik ed\u0259n var:
\nQan p\u00fcsk\u00fcr\u0259n, at\u0259\u015f savuran kinli krallar,
\n\u015eahlar, ulu xaqanlar, o \u00e7\u0131l\u011f\u0131n d\u0259r\u0259b\u0259kl\u0259r,
\nAlt\u0131n v\u0259 qad\u0131n d\u00fc\u015fg\u00fcn\u00fc divan\u0259 b\u0259b\u0259kl\u0259r.
\nBin hiyl\u0259 quran tilki siyasil\u0259r, o h\u0259r an
\nM\u0259zh\u0259b \u00e7\u0131qaran, yol ay\u0131ran xadimi-\u0259dyan;
\nOnlarda b\u00fct\u00fcn fitn\u0259v\u00fc \u015f\u0259r, z\u00fclm\u00fc x\u0259yan\u0259t,
\nOnlar duruyork\u0259n b\u0259ni t\u0259hqir\u0259 n\u0259 hac\u0259t?!
\nOnlar, \u0259v\u0259t onlar sizi \u00e7ign\u0259tm\u0259y\u0259 kafi,
\nKafi, sizi q\u0259hr etm\u0259y\u0259, m\u0259hv etm\u0259y\u0259 kafi…<\/p>\n

M\u0259nb\u0259: http:\/\/www.edebiyyatqazeti.az<\/p>\n","protected":false},"excerpt":{"rendered":"

Buludlar g\u00f6y \u00fcz\u00fcn\u00fc gizl\u0259yib. S\u0259man\u0131n ayd\u0131nl\u0131\u011f\u0131n\u0131 m\u00fc\u015fahid\u0259 etm\u0259k indi nadir hallarda ba\u015f ver\u0259c\u0259k. A\u011faclar aynada sonuncu d\u0259f\u0259 \u00f6z cavanl\u0131q t\u0259rav\u0259tin\u0259 tama\u015fa ed\u0259n insanlar kimi \u0259l sallayacaq g\u0259ncliyin\u0259. Uzaqla\u015fan g\u00fcn\u0259\u015f ya\u015f\u0131ll\u0131\u011f\u0131n\u0131 o\u011furlay\u0131b aparacaq yarpaqlar\u0131n. Bir m\u00fcdd\u0259t \u00f6nc\u0259 s\u0259rinlik ist\u0259y\u0259n bizl\u0259r indi g\u00fcn\u0259\u015f h\u0259sr\u0259ti il\u0259 qovrulacay\u0131q. Y\u0259qin ki, Bethoven \u201cAy sonatas\u0131\u201dn\u0131 not d\u0259ft\u0259rin\u0259 qeyd ed\u0259rk\u0259n hava eynil\u0259 […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-30421","post","type-post","status-publish","format-standard","hentry","category-pub"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30421"}],"version-history":[{"count":1,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30421\/revisions"}],"predecessor-version":[{"id":30429,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/30421\/revisions\/30429"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}