{"id":3430,"date":"2013-07-09T06:15:07","date_gmt":"2013-07-09T06:15:07","guid":{"rendered":"http:\/\/edebiyyat-az.com\/?p=3430"},"modified":"2013-07-09T06:15:07","modified_gmt":"2013-07-09T06:15:07","slug":"hasan-akar-turkiye-cumhuriyyeti-tokat-makale","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=3430","title":{"rendered":"Hasan AKAR (T\u00fcrkiye C\u00fcmhuriyyeti, Tokat).Makale"},"content":{"rendered":"

\"\"<\/a>\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

T\u00dcRK HALK EDEB\u0130YATINDA VEYSEL
\n\u201cDa\u011flar \u00e7i\u00e7ek a\u00e7ar,Veysel dert a\u00e7ar\u201d<\/p>\n

Halk\u0131 onun ba\u011fr\u0131ndan do\u011farak yeti\u015fenler yans\u0131t\u0131rlar.tarih ve edebiyat\u0131 inceledi\u011fimizde halk adam\u0131 h\u00fcviyeti ta\u015f\u0131yanlar\u0131n,halk\u0131n billur kaynaklar\u0131ndan ald\u0131klar\u0131 ham maddeyle tad\u0131na doyamad\u0131\u011f\u0131m\u0131z birer p\u0131nar olduklar\u0131n\u0131 g\u00f6r\u00fcr\u00fcz .
\nVeysel,Sivas\u2019\u0131n dumanl\u0131 Tecer\u2019in ,Y\u0131ld\u0131z Da\u011f\u0131n\u0131n, yaylalar\u0131n yaz-k\u0131\u015f erimeyen karlar\u0131 aras\u0131nda Pir Sultan\u2019dan, Yunus Emre\u2019ye uzanan,21 Martlarda halk\u0131n\u0131n g\u00f6nl\u00fcnde solmayan bir nevruz \u00e7i\u00e7e\u011fidir.Bu t\u00fcr \u015fahsiyetler halkla beslenip onlar\u0131n \u00f6zlerini ,k\u00fclt\u00fcrlerini yans\u0131tt\u0131\u011f\u0131 m\u00fcddet\u00e7e gelecek ku\u015faklar taraf\u0131ndan sonsuza ta\u015f\u0131narak halk\u0131n engin ve doyumsuz zengin kaynaklar\u0131n\u0131n derinliklerinde daima ya\u015farlar.
\nBen onun i\u00e7in Veysel\u2019i, 21 Martta kaybettik demiyorum ,aksine ge\u00e7mi\u015ften nihayete uzanacak uzanan zaman evresinde T\u00fcrk D\u00fcnyas\u0131n\u0131n saz\u0131n\u0131n tellerine ,bitmeyen uzun ince bir yolun sonsuzlu\u011funa akortlad\u0131k diyorum .
\nA\u015f\u0131k Veysel g\u00fcn gelecek t\u00fcm ger\u00e7ekli\u011fiyle yaratt\u0131\u011f\u0131 de\u011ferine \u00f6zg\u00fcn bir yere oturtulacakt\u0131r. Halk\u0131n\u0131n ve onun k\u00fclt\u00fcrel de\u011ferlerini tan\u0131madan \u00e7o\u011falan ve ona sayg\u0131da kusur edenlerin artt\u0131\u011f\u0131 s\u00f6zde halk sanat\u00e7\u0131lar\u0131n\u0131n \u00f6tesinde halk\u0131n\u0131n asil,co\u015fkun duyarl\u0131l\u0131\u011f\u0131n\u0131 bir ayna gibi yans\u0131tan ,yedi ya\u015f\u0131nda eline verilen oyuncak bir saza zaman\u0131n\u0131n \u015feklini vererek halk \u00e7e\u015fmesinde g\u00fc\u00e7 alan \u2018yeti\u015fmek i\u00e7in menzile gidiyorum g\u00fcnd\u00fcz gece \u2018diyen Veysel\u2019i bu millet daima ya\u015fatacakt\u0131r.
\nO bir halk \u015fairi olmas\u0131na ra\u011fmen b\u00fct\u00fcn T\u00fcrk d\u00fcnyas\u0131n\u0131 etkilemi\u015f \u015fahsiyettir.Berrak bir dille yazd\u0131\u011f\u0131 \u015fiirleri SSCB d\u00f6neminde bile T\u00fcrk toplumlar\u0131nca dinlenip s\u00f6ylenmi\u015ftir.Hatta Glastnost \u00f6ncesinde Nahc\u0131van\u2019da A\u015f\u0131k Veysel\u2019le ilgili bir film yap\u0131lm\u0131\u015f ,ancak o d\u0131\u015fa kapal\u0131 d\u00f6nemde filmin g\u00f6sterimine izin verilmemi\u015ftir.
\nOnun hem\u015fehrisi ,\u015eair Yavuz B\u00fclent Bakiler, Orta Asya, T\u00fcrkistan gezilerinde Veysel\u2019in \u015fiirlerinin \u00d6zbekistan ve di\u011fer T\u00fcrk b\u00f6lgelerinde de bilindi\u011fini ,hatta K\u0131r\u0131m\u2019da bir tepeye Veysel ad\u0131n\u0131n verildi\u011fini s\u00f6ylemektedir.
\nAzerbaycan\u2019\u0131n \u00fcnl\u00fc \u015fairi Prof. Dr. Bahtiyar Vahapzade ise Veysel i\u00e7in \u015funlar\u0131 s\u00f6ylemi\u015ftir .\u2019Yunus Emre\u2019den yedi y\u00fczy\u0131l sonra T\u00fcrk halk\u0131n\u0131n ba\u011fr\u0131ndan A\u015f\u0131k Veysel\u2019in sesi y\u00fckseldi .20 yy. A\u015f\u0131k Veysel\u2019in dilinde,Yunus Emre konu\u015fmaya ba\u015flad\u0131 .
\n13 .yy.da Yunus Emre ile ba\u015flay\u0131p,17.yy.da Karacao\u011flan\u2019da 19.yy.da Dadalo\u011flu\u2019nda ortaya \u00e7\u0131kan a\u015f\u0131kl\u0131k gelene\u011finin son halkas\u0131 olarak toplumsal olu\u015fum Veysel\u2019i kendi yeti\u015fti\u011fi \u015fartlar\u0131 ve yetenekleri \u00f6l\u00e7\u00fcs\u00fcnde T\u00fcrk D\u00fcnyas\u0131na arma\u011fan etmi\u015ftir.
\nO,ilk \u015fiirlerini ve t\u00fcrk\u00fclerini ba\u015fkalar\u0131ndan s\u00f6ylemi\u015ftir. Bunlardan o y\u0131llarda en \u00e7ok me\u015fhur olan\u0131 Ali \u0130ZZET\u0130\u2019nin \u201cMecnunum, leyla\u2019m\u0131 g\u00f6rd\u00fcm\u201d \u015fiiri ile yine anonim bir t\u00fcrk\u00fc olan \u201cb\u00fclb\u00fcl\u201dd\u00fc.
\nVeysel\u2019i ,as\u0131l \u015fiir d\u00fcnyam\u0131za 1930 y\u0131l\u0131nda Sivas \u2018ta Maarif M\u00fcd\u00fcrl\u00fc\u011f\u00fc yapan Ahmet Kutsi Tecer tan\u0131\u015ft\u0131rd\u0131 .5 Ocak 1931\u2019de tertip edilen \u201cSivas A\u015f\u0131klar Bayram\u0131\u2019na \u00e7a\u011f\u0131r\u0131lan Veysel\u2019in 7 ya\u015f\u0131nda \u00e7i\u00e7ek hastal\u0131\u011f\u0131ndan kapanarak a\u00e7\u0131lmayan g\u00f6zlerine Anadolu\u2019nun yollar\u0131 a\u00e7\u0131ld\u0131 .O d\u00f6nemde Cevat Dursuno\u011flu, Ahmet Kutsi Tecer, Sebahattin Ey\u00fcpo\u011flu gibi yarat\u0131c\u0131 ayd\u0131nlar\u0131n giri\u015fimiyle halk evlerinde,k\u00f6y enstit\u00fclerinde onun gibi ozanlara a\u00e7\u0131lan kap\u0131, \u00fclke d\u00fczeyinde olmu\u015f halk\u0131n ozanlara kar\u015f\u0131 ilgi ve sevgisini de \u00f6nemli bir \u00f6l\u00e7\u00fcde yeniden ye\u015fertip s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr.
\nHer ozan\u0131n \u015fiirlerinde az \u00e7ok kendi ya\u015fant\u0131s\u0131 da yer al\u0131r .\u00d6zellikle halk ozanlar\u0131nda bu durum daha da yo\u011funla\u015f\u0131r .Veysel\u2019in \u201cGen\u00e7 ya\u015f\u0131mda felek vurdu ba\u015f\u0131ma,Uzun ince bir yolday\u0131m, Dostlar beni hat\u0131rlas\u0131n\u201d dizeleri ile ba\u015flayan \u015fiirlerinde \u00f6b\u00fcr halk ozanlar\u0131m\u0131z\u0131n kinden \u00e7ok daha ger\u00e7ek\u00e7i,ac\u0131 ve ilgin\u00e7 bir ki\u015fisel ahlak g\u00f6r\u00fcr\u00fcz.
\nOnun Sivas\u2019tan \u00e7\u0131k\u0131\u015f\u0131 hatta \u015fiir yaz\u0131\u015f\u0131 1933\u2019ten sonraya rastlar. Ahmet Kutsi Tecer 1933\u2019ten sonra Sivas\u2019tan ayr\u0131lm\u0131\u015f, o s\u0131rada Sivas lisesinde musiki \u00f6\u011fretmeni olan halk t\u00fcrk\u00fcleri derleyicisi ,Yurttan Seslerin kurucusu Muzaffer Sar\u0131s\u00f6zen,ozanlar\u0131 Devlet Konservatuar\u0131 ar\u015fivinde de\u011ferlendirdi\u011fi gibi ba\u015fta Veysel,Ali \u0130zzet ve Talibi olmak \u00fczere Sivasl\u0131 ozanlar\u0131 Ankara\u2019ya ula\u015ft\u0131rm\u0131\u015ft\u0131r.Bir yandan konservatuar\u0131n halk bilim y\u00f6n\u00fcnden oldu\u011fu gibi,T\u00fcrk k\u00fclt\u00fcr\u00fcn\u00fcn birer oca\u011f\u0131 olan halkevlerinin de etkinli\u011finin s\u00fcrd\u00fcr\u00fclmesinde bu ki\u015filerden yararlan\u0131lm\u0131\u015ft\u0131r .Daha sonraki y\u0131llarda K\u00f6y Enstit\u00fclerinin geli\u015ftirilmesi d\u00f6neminde \u00fcst\u00fcn \u00e7al\u0131\u015fmalar\u0131 olan M.E.B.Talim ve Terbiye Kurulu \u00fcyesi olan Sebahattin Ey\u00fcbo\u011flu ,Veysel\u2019e b\u00fcy\u00fck ilgi g\u00f6stererek Arifiye, Hasano\u011flan ,\u00c7ifteler, G\u00f6lk\u00f6y ,Pamukp\u0131nar gibi K\u00f6y Enstit\u00fclerinde Halk Bilimi \u00d6\u011fretmenli\u011fi yapmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r.
\nS\u00fcrekli bir geli\u015fim i\u00e7inde gittik\u00e7e g\u00fczel \u015fiirler yazmay\u0131 s\u00fcrd\u00fcren Veysel,1940 \u2018tan sonraki bu gezici \u00f6\u011fretmenlikleriyle ayd\u0131n e\u011fitimcilerle ,sanat\u00e7\u0131larla ili\u015fki kurarak ba\u015far\u0131lar\u0131n\u0131 daha da artt\u0131rm\u0131\u015ft\u0131r .1946 y\u0131l\u0131nda izin alarak bu g\u00f6revini b\u0131rakan Veysel, tekrar do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc Sivrialan topraklar\u0131na d\u00f6nm\u00fc\u015ft\u00fcr .
\n1950\u2019li y\u0131llar Veysel i\u00e7in yeni ,canl\u0131 bereketli ve umut y\u00fckl\u00fc y\u0131llard\u0131r.Art\u0131k \u015f\u00f6hreti vatan sath\u0131nda boydan boya tutmu\u015f,verilen konserlerden sat\u0131lan plaklardan, \u015fiir kitaplar\u0131ndan madden rahatl\u0131\u011fa kavu\u015fmu\u015ftur.1952 y\u0131l\u0131nda halk\u0131n g\u00f6nl\u00fcnde taht kuran ozan\u0131n \u0130stanbul\u2019da b\u00fcy\u00fck bir kat\u0131l\u0131m\u0131n oldu\u011fu jubilesi yap\u0131lm\u0131\u015ft\u0131r .T\u00fcrkiye\u2019de ya\u015fayan bir halk \u015fairi i\u00e7in ilk film \u201cKaranl\u0131k D\u00fcnya \u201cismiyle onun k\u00f6y\u00fcnde \u00e7ekilmi\u015ftir.
\nT.B.M.M. Veysel i unutmam\u0131\u015f 1965 y\u0131l\u0131nda \u201cAna dilimize ve milli birli\u011fimize yapt\u0131\u011f\u0131 hizmetlerden dolay\u0131\u201d yurda hizmet tertibinden maa\u015f ba\u011flanm\u0131\u015ft\u0131r.
\nVeysel \u015fiire geleneksel a\u015f\u0131k tarz\u0131n\u0131 \u00f6rnek alm\u0131\u015f, \u00f6nce ona ilham veren \u00fcstatlar\u0131n\u0131n \u015fiirlerini s\u00f6yleyerek K\u0131z\u0131l\u0131rmak\u2019\u0131n bulan\u0131k sular\u0131na do\u011fru akm\u0131\u015f daha sonra kendi \u015fiirleri ile ko\u015farak co\u015fmu\u015f, g\u00fcn\u00fc geldi\u011finde de yata\u011fa s\u0131\u011fmayan K\u0131z\u0131l\u0131rmak gibi ta\u015fm\u0131\u015ft\u0131r.
\nO,tabiat\u0131 yans\u0131tma bak\u0131m\u0131ndan halk \u015fiiri gelene\u011finden olduk\u00e7a ayr\u0131l\u0131klar g\u00f6sterir. \u00d6l\u00e7\u00fc ve niteli\u011fi az \u00e7ok farkl\u0131 olmakla birlikte, halk ozanlar\u0131m\u0131z\u0131n \u00e7o\u011funlu\u011fu tabiata bak\u0131\u015flar\u0131ndaki soyutlukta benzetme betimlemelerdeki kal\u0131pla\u015fmada divan ozanlar\u0131m\u0131z\u0131n etkisi alt\u0131ndad\u0131r. Veysel ise ona bak\u0131\u015f\u0131nda ve baz\u0131 ayr\u0131nt\u0131larda divan \u015fairlerimizden olduk\u00e7a uzak bulunmaktad\u0131r.<\/p>\n

\u201c Yine mektup ald\u0131m g\u00fcl y\u00fczl\u00fc yardan
\nG\u00f6zletme yollar\u0131 ,gel deyi yazm\u0131\u015f
\nSivrialan k\u00f6y\u00fcnden bizim diyardan
\nDa\u011flar mor menek\u015fe g\u00fcl deyi yazm\u0131\u015f\u201d<\/p>\n

Dizelerinde ,k\u00f6y\u00fcn\u00fc, hasret duydu\u011fu yerleri teker teker sayarken \u00e7ok daha ger\u00e7ek\u00e7idir.
\n\u015eiirlerinde genellikle 6+5, 4+4 veya 4+3 veznini kullanan ozan\u0131m\u0131z yar\u0131m ve tam kafiyeleri ko\u015fmalar\u0131na ustal\u0131kla yerle\u015ftirmi\u015ftir.
\nB\u00fct\u00fcn \u00f6zellikleriyle ve g\u00fczelim T\u00fcrk\u00e7esi ile bizim k\u00fclt\u00fcr d\u00fcnyam\u0131z\u0131n bir s\u00f6z sultan\u0131 oldu\u011fu i\u00e7in yazd\u0131klar\u0131yla hep halk\u0131n\u0131n duygular\u0131n\u0131 millet,halk,yurt,toprak,birlik,cumhuriyet ve Atat\u00fcrk\u2019\u00fc Sivrialan\u2019da anas\u0131ndan emdi\u011fi s\u00fct kadar temiz bir s\u00f6yle\u015fiyle dile getirmi\u015ftir.
\nG\u00f6zleri g\u00f6rmeyen, fakat g\u00f6n\u00fcl g\u00f6z\u00fcyle ger\u00e7ek g\u00fczellikleri \u00e7ok kimseden daha iyi g\u00f6ren,sezen,anlayan Veysel;<\/p>\n

\u201cCan kafeste durmaz u\u00e7ar
\nD\u00fcnya bir han konan g\u00f6\u00e7er
\nAy dolan\u0131r y\u0131llar ge\u00e7er
\nDostlar beni hat\u0131rlas\u0131n\u201d diyerek tasavvufi d\u00fc\u015f\u00fcnceye \u00f6zg\u00fc duygular\u0131n\u0131 Yunus Emre\u2019nin;<\/p>\n

\u201cBiz d\u00fcnyadan gider olduk
\nKalanlara selam olsun\u201d m\u0131sralar\u0131yla birle\u015ftirir.<\/p>\n

Yine Yaradan\u2019\u0131n insanlar\u0131 bu d\u00fcnyay\u0131, d\u0131\u015f d\u00fcnyay\u0131 g\u00f6rs\u00fcn diye yaratt\u0131\u011f\u0131 g\u00f6zlerden yedi ya\u015f\u0131nda mahrum olunca g\u00f6n\u00fcl g\u00f6z\u00fc ile ger\u00e7ekleri hepimizden daha iyi g\u00f6rebilecek vahdet-i v\u00fccudun a\u015fk \u015farab\u0131n\u0131 \u015f\u00f6yle tasvir etmi\u015ftir:<\/p>\n

\u201cHayyam\u2019a g\u00f6r\u00fcn\u00fcr kadehte meyde
\nNeyzen\u2019e g\u00f6r\u00fcn\u00fcr kam\u0131\u015fta neyde
\nVeysel\u2019e g\u00f6r\u00fcn\u00fcr mevcut her\u015feyde
\nNe sen var, ne ben var, bir tane gaffar\u201d<\/p>\n

Ate\u015fin hamuru \u00e7i\u011flikten, g\u00fcne\u015fin meyveyi haml\u0131ktan kurtard\u0131\u011f\u0131 gibi s\u0131k\u0131nt\u0131lar, dertler de insanlar\u0131 olgunla\u015ft\u0131r\u0131r. G\u00fcn \u0131\u015f\u0131\u011f\u0131na hasret d\u00fcnyas\u0131nda kendi kendine bir \u00e7ok d\u00fc\u011f\u00fcmleri \u00e7\u00f6zen Veysel\u2019in;<\/p>\n

\u201cDa\u011flar \u00e7i\u00e7ek a\u00e7ar Veysel dert a\u00e7ar
\nDerdine d\u00fc\u015ft\u00fc\u011f\u00fcm yar benden ka\u00e7ar
\nGer\u00e7ek a\u015f\u0131k olan kendinden ge\u00e7er
\nDerdini aleme yayar iniler\u201d<\/p>\n

M\u0131sralar\u0131yla hayati incelenerek kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131\u011f\u0131nda bu ger\u00e7ek kendini apa\u00e7\u0131k g\u00f6sterir.
\nVeysel\u2019in \u00e7o\u011fu \u015fiirinde, tabiattan izlenimler, renkler,sesler yans\u0131r. Bunlar\u0131n i\u00e7inde ba\u015f yap\u0131t say\u0131labilecek Toprak \u015fiirinin;<\/p>\n

\u201cDost dost diye nicesine sar\u0131ld\u0131m
\nBenim sad\u0131k yarim kara toprakt\u0131r
\nBeyhude doland\u0131m bo\u015fa yoruldum
\nBenim sad\u0131k yarim kara toprakt\u0131r.\u201d<\/p>\n

M\u0131sralar\u0131nda \u00e7ileke\u015f Anadolu insan\u0131n\u0131n bir par\u00e7as\u0131 olan topra\u011f\u0131n maddi unsurlar\u0131n\u0131n yan\u0131nda yarat\u0131lm\u0131\u015fl\u0131\u011f\u0131 yans\u0131tan mana unsurlar\u0131 da g\u00f6ze \u00e7arpar.
\nVeysel bizim i\u00e7in, bal\u0131n \u00f6z\u00fcd\u00fcr, bal\u0131n \u00f6z\u00fc olarak gelmi\u015f, bal\u0131n \u00f6z\u00fcn\u00fc tatt\u0131rm\u0131\u015f ve bu \u00f6z\u00fc bilinerek bu fani d\u00fcnyadan gitmi\u015ftir. O bir b\u00fct\u00fcnl\u00fc\u011f\u00fcn ballanmas\u0131 i\u00e7in \u00e7i\u00e7ek \u00f6zlerini toplam\u0131\u015f, harmanlam\u0131\u015f, yo\u011furmu\u015f ve pi\u015firmi\u015ftir. Baz\u0131 yanda\u015flar\u0131 gibi bir tak\u0131m kar\u0131\u015f\u0131kl\u0131klardan medet uman partilerin sesi, yanda\u015f\u0131, maddecilerin \u00e7\u0131\u011f\u0131rtkan\u0131 olmam\u0131\u015f; ba\u011f\u0131rtkanl\u0131\u011f\u0131na yana\u015fmam\u0131\u015f. O hep bal\u0131n \u00f6z\u00fcn\u00fc anlatm\u0131\u015f, y\u00fcre\u011fini aynas\u0131nda yans\u0131tm\u0131\u015f, sevgiye, yurtseverli\u011fe, T\u00fcrk\u2019\u00fcn par\u00e7alanmamas\u0131na \u00e7al\u0131\u015fm\u0131\u015f, \u00e7a\u011f\u0131rm\u0131\u015ft\u0131r.<\/p>\n

\u201cT\u00fcrk\u2019\u00fcz, T\u00fcrkler yolda\u015f\u0131m\u0131z
\nHesaba gelmez ya\u015f\u0131m\u0131z
\nNerde olsa sava\u015f\u0131m\u0131z
\nT\u00fcrk\u2019\u00fcz, T\u00fcrk\u2019\u00fc \u00e7a\u011f\u0131r\u0131r\u0131z\u201d<\/p>\n

m\u0131sralar\u0131yla hem gerekenlere gerekli cevab\u0131 vermi\u015f, hem de Anadolu\u2019dan Asya\u2019ya T\u00fcrk \u015fiir gelene\u011finin kaynaklar\u0131na uzanm\u0131\u015ft\u0131r,
\nO T\u00fcrk insan\u0131n\u0131 \u00e7ok seviyordu. Bu sevgisini birka\u00e7 bin y\u0131ll\u0131k bir T\u00fcrk-\u0130slam irfan\u0131n\u0131 sadece ve sadece T\u00fcrk-\u0130slam irfan\u0131n\u0131 Ehl-i Beyt oca\u011f\u0131nda yanm\u0131\u015f ate\u015finde s\u00fcz\u00fclerek y\u00fcreklenmi\u015f sesiyle s\u00f6yl\u00fcyordu.<\/p>\n

\u201cAsl\u0131m T\u00fcrk\u2019t\u00fcr,Elhamd\u00fclillah M\u00fcsl\u00fcman
\n\u015e\u00fck\u00fcr Ament\u00fcy\u00fc etmi\u015fiz iman
\nKalbimize yara\u015fmaz \u015firk ile g\u00fcnah
\nKalbimiz nur ile dolu say\u0131l\u0131r\u201d<\/p>\n

Veysel\u2019i anlamak o kadar de\u011fil ama zor…Onun \u015fiirlerinin en \u00f6nemli taraf\u0131 birle\u015ftirici b\u00fct\u00fcnle\u015ftirici olmas\u0131d\u0131r. O, y\u0131llard\u0131r Alevi-S\u00fcnni diye birbirine d\u00fc\u015f\u00fcr\u00fclmek istenen insanlar\u0131n bu yurdun \u00f6z evlatlar\u0131 oldu\u011funu anlatm\u0131\u015ft\u0131r, b\u00f6lmeye, b\u00f6l\u00fcnmeye kar\u015f\u0131 \u00e7\u0131km\u0131\u015ft\u0131r.
\nOnun bir de 1955 y\u0131l\u0131nda Sivas\u2019ta oturdu\u011fu Ali Baba Mahallesinde bir arkada\u015f\u0131yla \u0130\u011fneci Ali\u2019nin evinde ziyarete giden Yavuz B\u00fclent Bakiler\u2019in a\u011fz\u0131ndan dinleyelim:
\n\u201cIsrarla haz\u0131r olan sofraya otururken yemekte haz\u0131r olanlardan biri Veysel\u2019i uyarmak istedi
\n-Aman A\u015f\u0131k dikkat et, bu gelenler bizden de\u011fil, ikisi de S\u00fcnni ona g\u00f6re konu\u015f ha!
\nVeysel\u2019in \u00e7i\u00e7ek bozu\u011fu surat\u0131 sarard\u0131, sofrada bir sessizlik oldu, eline ald\u0131\u011f\u0131 ka\u015f\u0131\u011f\u0131 siniye atar gibi b\u0131rakt\u0131. Ba\u015f\u0131 bir s\u00fcre g\u00f6\u011fs\u00fcne d\u00fc\u015ft\u00fc. Elleri, \u00e7aresizlik i\u00e7in de birka\u00e7 defa d\u00f6nd\u00fc durdu. Sonra k\u0131zg\u0131n, k\u0131rg\u0131n bir sesle \u00f6fkesini bo\u015faltt\u0131:<\/p>\n

-Yahu ne demek bunlar bizden de\u011fil s\u00f6z\u00fc?
\nYahu ne demek Alevilik? Ne demek S\u00fcnnilik?
\nH\u00e2l\u00e2 m\u0131 siz bu kavgadas\u0131n\u0131z?<\/p>\n

Bu gelenler T\u00fcrk m\u00fc? T\u00fcrk! M\u00fcsl\u00fcman m\u0131? M\u00fcsl\u00fcman! \u0130nsan m\u0131? \u0130nsan!Daha var m\u0131 \u201cBizden de\u011fil, sizden de\u011fil\u201d kavgas\u0131?Allah a\u015fk\u0131na b\u0131rak\u0131n bu kafay\u0131! Ben ho\u015flanm\u0131yorum bu ikilikten.Nitekim Veysel bunu;<\/p>\n

\u201cYezid nedir, ne k\u0131z\u0131lba\u015f
\nDe\u011fil miyiz hep bir garda\u015f
\nBizi yakar bizim ata\u015f<\/p>\n

S\u00f6nd\u00fcrmek tek \u00e7aresi\u201d m\u0131sralar\u0131nda yans\u0131t\u0131r.Onu \u201cSaz\u0131ma\u201d \u015fiirinin m\u0131sralar\u0131yla hep hat\u0131rlayaca\u011f\u0131z.<\/p>\n

\u201cBen gidersem saz\u0131m sen kal d\u00fcnyada
\nGizli s\u0131rlar\u0131m\u0131 a\u015fikar etme
\nLal olsun dillerin s\u00f6yleme ya da
\nGarip b\u00fclb\u00fcl gibi ah \u00fc zar etme\u201d<\/p>\n

26 y\u0131l sonra dostlar, senin \u015fiirlerini yazd\u0131\u011f\u0131n Y\u0131ld\u0131z Da\u011f\u0131\u2019n\u0131n karl\u0131 zirvelerini Dani\u015fmend yaylalar\u0131ndan seyrederek,dostun Emrah\u2019\u0131n t\u00fcrbesinin kar\u015f\u0131s\u0131nda Abdullah Baba\u2019n\u0131n kuca\u011f\u0131nda, senin ince uzun yolunda an\u0131yor, ar\u0131yor.<\/p>\n

Tokat -K\u00fcmbet Dergisi
\nMart 1999<\/strong><\/p>\n


\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 T\u00dcRK HALK EDEB\u0130YATINDA VEYSEL \u201cDa\u011flar \u00e7i\u00e7ek a\u00e7ar,Veysel dert a\u00e7ar\u201d Halk\u0131 onun ba\u011fr\u0131ndan do\u011farak yeti\u015fenler yans\u0131t\u0131rlar.tarih ve edebiyat\u0131 inceledi\u011fimizde halk adam\u0131 h\u00fcviyeti ta\u015f\u0131yanlar\u0131n,halk\u0131n billur kaynaklar\u0131ndan ald\u0131klar\u0131 ham maddeyle tad\u0131na doyamad\u0131\u011f\u0131m\u0131z birer p\u0131nar olduklar\u0131n\u0131 g\u00f6r\u00fcr\u00fcz . Veysel,Sivas\u2019\u0131n dumanl\u0131 Tecer\u2019in ,Y\u0131ld\u0131z Da\u011f\u0131n\u0131n, yaylalar\u0131n yaz-k\u0131\u015f erimeyen karlar\u0131 aras\u0131nda Pir Sultan\u2019dan, Yunus Emre\u2019ye uzanan,21 Martlarda halk\u0131n\u0131n g\u00f6nl\u00fcnde solmayan […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-3430","post","type-post","status-publish","format-standard","hentry","category-turkiy-dbiyyati"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/3430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3430"}],"version-history":[{"count":2,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/3430\/revisions"}],"predecessor-version":[{"id":3433,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/3430\/revisions\/3433"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}