{"id":52100,"date":"2026-07-14T10:00:00","date_gmt":"2026-07-14T06:00:00","guid":{"rendered":"https:\/\/edebiyyat-az.com\/?p=52100"},"modified":"2026-07-14T12:48:23","modified_gmt":"2026-07-14T08:48:23","slug":"r%c9%99sad-mehdiyevin-eb%c9%99diyy%c9%99tin-s%c9%99si-%c9%99s%c9%99ri-susada-ucaldilib-video","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=52100","title":{"rendered":"R\u0259\u015fad Mehdiyevin \u201c\u018fb\u0259diyy\u0259tin s\u0259si\u201d \u0259s\u0259ri \u015eu\u015fada ucald\u0131l\u0131b\u00a0V\u0130DEO"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/azertag.az\/files\/2026\/2\/1200x630\/17839259642641338019_1200x630.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p>\u015eu\u015fan\u0131n m\u00fcq\u0259dd\u0259s m\u0259kan\u0131nda &#8211; Az\u0259rbaycan ruhunun qalas\u0131 v\u0259 T\u00fcrk d\u00fcnyas\u0131n\u0131n m\u0259d\u0259niyy\u0259t paytaxt\u0131nda \u201c\u018fb\u0259diyy\u0259tin s\u0259si\u201d adl\u0131 monumental heyk\u0259ltara\u015fl\u0131q kompozisiyas\u0131 ucald\u0131l\u0131b.<\/p>\n\n\n\n<p><a href=\"https:\/\/azertag.az\/\" target=\"_blank\" rel=\"noreferrer noopener\">AZ\u018fRTAC<\/a>&nbsp;x\u0259b\u0259r verir ki, bu \u0259z\u0259m\u0259tli abid\u0259 tar\u0131n &#8211; memarl\u0131\u011f\u0131 v\u0259 s\u0259si Az\u0259rbaycan mill\u0259tinin genetik yadda\u015f\u0131n\u0131n v\u0259 mental land\u015faft\u0131n\u0131n f\u00f6vq\u00fcnd\u0259 dayanan bir yarad\u0131c\u0131 al\u0259tin d\u0259rin plastik v\u0259 f\u0259ls\u0259fi d\u0259rkidir.<\/p>\n\n\n\n<p>B\u0259dii n\u00f6qteyi-n\u0259z\u0259rd\u0259n bu kompozisiya klassik monumentalizm, metamodernizm v\u0259 sehrli realizmin sinergiyas\u0131n\u0131n n\u00fcmun\u0259sidir. \u018fm\u0259kdar r\u0259ssam R\u0259\u015fad Mehdiyev birba\u015fa etnoqrafik n\u00fcsx\u0259l\u0259m\u0259d\u0259n uzaqla\u015faraq, h\u0259r bir q\u0131vr\u0131m\u0131n v\u0259 material\u0131n d\u0259rin semiotik y\u00fck da\u015f\u0131d\u0131\u011f\u0131 xalis konseptual forma m\u00fcst\u0259visin\u0259 ke\u00e7id edir.<\/p>\n\n\n\n<p>Monolit \u0259sasdan do\u011fan tar silueti statiklikd\u0259n uzaqd\u0131r. Onun z\u0259rif, d\u0259qiq \u00f6l\u00e7\u00fcl\u00fcb-bi\u00e7ilmi\u015f x\u0259tl\u0259ri r\u0259van \u015f\u0259kild\u0259 hava v\u0259 i\u015f\u0131qla dolu olan bo\u015f f\u0259zaya qovu\u015fur. Bu \u201cm\u0259nfi h\u0259cm\u201d (vakuumizm) priyomu \u015eu\u015fan\u0131n \u00f6z atmosferinin v\u0259 land\u015faft\u0131n\u0131n kompozisiyan\u0131n tamh\u00fcquqlu h\u0259mm\u00fc\u0259llifin\u0259 \u00e7evrilm\u0259sin\u0259 imkan yarad\u0131r.<\/p>\n\n\n\n<p>Al\u0259t s\u0259sin ilahi t\u0259bi\u0259tini v\u0259 kamil harmoniyas\u0131n\u0131 simvoliz\u0259 ed\u0259n n\u0259cib, ax\u0131c\u0131 bir plastikada h\u0259ll olunub. Kompozisiyan\u0131n \u0259ks q\u00fctb\u00fcnd\u0259 is\u0259 f\u0259za d\u0259hlizind\u0259n ke\u00e7\u0259n siml\u0259r a\u011fac tac\u0131n\u0131n ekspressiv, teksturlu memarl\u0131\u011f\u0131na transformasiya olunur. S\u0131nd\u0131r\u0131lm\u0131\u015f, qabar\u0131q \u015f\u0259kild\u0259 relyefli budaqlar g\u00f6y\u0259 ucalan titonik \u0259ll\u0259ri xat\u0131rlad\u0131r. Musiqi formas\u0131n\u0131n q\u00fcsursuz hamarl\u0131\u011f\u0131 il\u0259 a\u011fac\u0131n ekspressiv, dem\u0259k olar ki, barokko \u00fcslublu teksturu aras\u0131ndak\u0131 bu t\u0259zad, z\u0259f\u0259r dolu inki\u015faf\u0131n katarsisi il\u0259 n\u0259tic\u0259l\u0259n\u0259n g\u00fccl\u00fc vizual g\u0259rginlik yarad\u0131r.<\/p>\n\n\n\n<p>\u018fs\u0259rin f\u0259ls\u0259fi karkas\u0131 zaman, k\u0259silm\u0259zlik v\u0259 transsendentlik kateqoriyalar\u0131n\u0131 t\u0259dqiq edir. Tar burada cans\u0131z bir \u0259\u015fya kimi deyil, bir arxetip &#8211; m\u0259n\u0259vi enerjinin ilkin m\u0259nb\u0259yi kimi \u00e7\u0131x\u0131\u015f edir.<\/p>\n\n\n\n<p>Siml\u0259rin a\u011fac budaqlar\u0131na \u00e7evrilm\u0259si ruhun maddil\u0259\u015fm\u0259sinin g\u00fccl\u00fc metaforas\u0131d\u0131r. M\u00fc\u0259llifin ideyas\u0131na g\u00f6r\u0259, musiqi f\u0259zada yox olmur, o, k\u00f6k ata bil\u0259n, \u0259srl\u0259ri yar\u0131b ke\u00e7\u0259n v\u0259 reall\u0131\u011f\u0131 transformasiya etm\u0259k iqtidar\u0131nda olan bir s\u0131xl\u0131\u011fa malikdir. Bu, \u0259b\u0259di qay\u0131d\u0131\u015f v\u0259 yarad\u0131c\u0131 enerjinin fasil\u0259siz ax\u0131n\u0131 konsepsiyas\u0131n\u0131 vizual olaraq t\u0259c\u0259ss\u00fcm etdirir.<\/p>\n\n\n\n<p>Tar\u0131n \u00e7ana\u011f\u0131ndan boy ver\u0259n H\u0259yat a\u011fac\u0131 milli m\u0259d\u0259niyy\u0259tin Qaraba\u011f torpa\u011f\u0131nda q\u0259dim k\u00f6kl\u0259rin r\u0259mzidir. \u018fsrl\u0259r boyu \u015eu\u015fada do\u011fulmu\u015f mu\u011famlar v\u0259 melodiyalar xalq\u0131n ruhunu qidaland\u0131ran, h\u0259r hans\u0131 bir tarixi f\u0131rt\u0131nalar qar\u015f\u0131s\u0131nda ona ekzistensial d\u00f6z\u00fcml\u00fcl\u00fck b\u0259x\u015f ed\u0259n canl\u0131 arteriyalar kimi g\u00f6st\u0259rilib.<\/p>\n\n\n\n<p>Heyk\u0259l m\u00fcasir tar\u0131n taleyini k\u00f6k\u00fcnd\u0259n d\u0259yi\u015fdirmi\u015f islahat\u00e7\u0131 Mirz\u0259 Sad\u0131q Sad\u0131qcan\u0131n tamamil\u0259 yenid\u0259n qurulmu\u015f saray-muzeyinin h\u0259y\u0259tind\u0259 ucald\u0131l\u0131b.<\/p>\n\n\n\n<p>XIX \u0259srd\u0259 m\u0259hz Sad\u0131qcan inqilabi bir s\u0131\u00e7ray\u0131\u015f etdi: o, \u0259n\u0259n\u0259vi tar\u0131n strukturuna yenid\u0259n baxaraq siml\u0259rin say\u0131n\u0131 5-d\u0259n 11-\u0259 qald\u0131rd\u0131, g\u00f6vd\u0259ni yenid\u0259n qurdu v\u0259 al\u0259ti diz \u00fcst\u00fcnd\u0259n musiqi\u00e7inin sin\u0259sin\u0259 ucaltd\u0131, bununla da ona yeni, misilsiz d\u0259r\u0259c\u0259d\u0259 g\u00fccl\u00fc v\u0259 p\u0259rvazlanan bir s\u0259s b\u0259x\u015f etdi.<\/p>\n\n\n\n<p>Heyk\u0259ltara\u015fl\u0131q kompozisiyas\u0131 bu musiqi inqilab\u0131n\u0131n vizual abid\u0259sin\u0259 \u00e7evrilir. G\u00fccl\u00fc bir tac \u015f\u0259klind\u0259 g\u00f6y\u0259 do\u011fru \u015fax\u0259l\u0259n\u0259n siml\u0259r &#8211; Az\u0259rbaycan mu\u011fam\u0131n\u0131n inki\u015faf\u0131na t\u0259kan ver\u0259n plastik ekvivalentdir v\u0259 s\u00fcbut edir ki, \u0259sl novatorluq h\u0259r zaman \u0259b\u0259di klassikaya \u00e7evrilir.<\/p>\n\n\n\n<p>\u201c\u018fb\u0259diyy\u0259tin s\u0259si\u201d abid\u0259sinin ucald\u0131lmas\u0131 v\u0259 Sad\u0131qcan\u0131n m\u00fclk\u00fcn\u00fcn b\u0259rpas\u0131 sad\u0259c\u0259 ke\u00e7mi\u015f\u0259 ehtiram\u0131n ifad\u0259si deyil, \u00f6lk\u0259 r\u0259hb\u0259rliyinin Qaraba\u011f\u0131n m\u0259n\u0259vi v\u0259 fiziki intibah\u0131na y\u00f6n\u0259lmi\u015f irimiqyasl\u0131 strategiyas\u0131n\u0131n m\u0259rk\u0259zi m\u0259rh\u0259l\u0259l\u0259ridir.<\/p>\n\n\n\n<p>Prezident \u0130lham \u018fliyevin \u015eu\u015faya s\u0259f\u0259ri zaman\u0131 bu m\u00fch\u00fcm obyektin d\u00f6vl\u0259t ba\u015f\u00e7\u0131s\u0131na t\u0259qdim edilm\u0259si layih\u0259nin ali d\u00f6vl\u0259t statusunu vur\u011fulay\u0131r.<\/p>\n\n\n\n<p>D\u00f6vl\u0259t ba\u015f\u00e7\u0131s\u0131n\u0131n himay\u0259si il\u0259 \u015eu\u015fa, sad\u0259c\u0259 b\u0259rpa olunmur o, b\u00fct\u00fcn T\u00fcrk d\u00fcnyas\u0131n\u0131n qlobal m\u0259d\u0259niyy\u0259t m\u0259rk\u0259zi kimi t\u0259sdiql\u0259nir. Bu kontekstd\u0259 abid\u0259 g\u00fccl\u00fc ideoloji v\u0259 manifestar ismar\u0131\u015f da\u015f\u0131y\u0131r.<\/p>\n\n\n\n<p>Yenid\u0259n do\u011fulan \u015eu\u015fan\u0131n m\u0259rk\u0259zind\u0259 siml\u0259rd\u0259n boy atan a\u011fac &#8211; Az\u0259rbaycan r\u0259hb\u0259rliyinin azad olunmu\u015f torpaqlar\u0131n regenerasiyas\u0131 istiqam\u0259tind\u0259 g\u00f6st\u0259rdiyi titanik f\u0259aliyy\u0259tin birba\u015fa vizual sinonimidir. Bu, vandalizm\u0259 qalib g\u0259l\u0259n h\u0259yat\u0131n v\u0259 unudulma izl\u0259rini sil\u0259n quruculu\u011fun manifestidir.<\/p>\n\n\n\n<p>Prezidentin Qaraba\u011f\u0131n m\u0259d\u0259niyy\u0259t ocaqlar\u0131n\u0131n b\u0259rpas\u0131na g\u00f6st\u0259rdiyi \u015f\u0259xsi diqq\u0259t bir daha t\u0259sdiql\u0259yir ki, milli irs v\u0259 onun r\u0259mzl\u0259ri m\u00fcasir, dinamik inki\u015faf ed\u0259n Az\u0259rbaycan d\u00f6vl\u0259tinin suverenliyinin, q\u00fcrurunun v\u0259 g\u00fcc\u00fcn\u00fcn sars\u0131lmaz t\u0259m\u0259lidir.<\/p>\n\n\n\n<p><strong><strong>M\u0259nb\u0259: <a href=\"https:\/\/edebiyyatqazeti.az\/\">https:\/\/azertag.az\/<\/a><\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u015eu\u015fan\u0131n m\u00fcq\u0259dd\u0259s m\u0259kan\u0131nda &#8211; Az\u0259rbaycan ruhunun qalas\u0131 v\u0259 T\u00fcrk d\u00fcnyas\u0131n\u0131n m\u0259d\u0259niyy\u0259t paytaxt\u0131nda \u201c\u018fb\u0259diyy\u0259tin s\u0259si\u201d adl\u0131 monumental heyk\u0259ltara\u015fl\u0131q kompozisiyas\u0131 ucald\u0131l\u0131b. AZ\u018fRTAC&nbsp;x\u0259b\u0259r verir ki, bu \u0259z\u0259m\u0259tli abid\u0259 tar\u0131n &#8211; memarl\u0131\u011f\u0131 v\u0259 s\u0259si Az\u0259rbaycan mill\u0259tinin genetik yadda\u015f\u0131n\u0131n v\u0259 mental land\u015faft\u0131n\u0131n f\u00f6vq\u00fcnd\u0259 dayanan bir yarad\u0131c\u0131 al\u0259tin d\u0259rin plastik v\u0259 f\u0259ls\u0259fi d\u0259rkidir. B\u0259dii n\u00f6qteyi-n\u0259z\u0259rd\u0259n bu kompozisiya klassik monumentalizm, metamodernizm v\u0259 &hellip; <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49],"tags":[],"class_list":["post-52100","post","type-post","status-publish","format-standard","hentry","category-medeniyyat","latest_post"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52100"}],"version-history":[{"count":1,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52100\/revisions"}],"predecessor-version":[{"id":52106,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52100\/revisions\/52106"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}