{"id":52573,"date":"2026-08-07T08:30:00","date_gmt":"2026-08-07T04:30:00","guid":{"rendered":"https:\/\/edebiyyat-az.com\/?p=52573"},"modified":"2026-08-07T10:45:40","modified_gmt":"2026-08-07T06:45:40","slug":"seyran-s%c9%99xav%c9%99t-misralarinda-das-yaddasina-kocurulmus-ehdnam%c9%99-lutviyy%c9%99-esgerzade","status":"publish","type":"post","link":"https:\/\/edebiyyat-az.com\/?p=52573","title":{"rendered":"Seyran S\u0259xav\u0259t misralar\u0131nda da\u015f yadda\u015f\u0131na k\u00f6\u00e7\u00fcr\u00fclm\u00fc\u015f “\u018fhdnam\u0259”\u00a0– L\u00fctviyy\u0259 \u018fSG\u018fRZAD\u018f"},"content":{"rendered":"\n
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Az\u0259rbaycan n\u0259srinin \u0259n g\u00f6z\u0259l yarad\u0131c\u0131lar\u0131ndan biri olan  Seyran S\u0259xav\u0259t \u0259d\u0259biyyata 1962-ci ild\u0259 g\u0259lib, y\u0259ni m\u0259nim 2 ya\u015f\u0131m olanda. 15-16 ya\u015flar\u0131mdan d\u00f6vri m\u0259tbuatda rast g\u0259ldiyim \u015feirl\u0259rini, yaz\u0131lar\u0131n\u0131 sev\u0259-sev\u0259 oxudu\u011fum yaz\u0131\u00e7\u0131 haqq\u0131nda yazmaq m\u0259nim \u00fc\u00e7\u00fcn \u015f\u0259r\u0259fdir.<\/p>\n\n\n\n

Seyran S\u0259xav\u0259t \u0259d\u0259bi m\u00fchit\u0259 \u015feirl\u0259 g\u0259lib, sonradan nasir v\u0259 dramaturq kimi \u015f\u00f6hr\u0259t qazan\u0131b. N\u0259d\u0259n yaz\u0131bsa u\u011furlu yaz\u0131b, oxucular\u0131n\u0131 g\u00f6z\u0259l, d\u0259y\u0259rli \u0259s\u0259rl\u0259ri il\u0259 m\u00fckafatland\u0131r\u0131b. Biz d\u0259 ilk yaz\u0131m\u0131zda “\u018fd\u0259biyyata t\u0259z\u0259 g\u0259l\u0259nd\u0259 cavan \u015fairl\u0259rin g\u00f6z\u00fcn\u00fc qorxudan, Az\u0259rbaycan \u015fairl\u0259rinin xo\u015fb\u0259xtliyind\u0259n, Az\u0259rbaycan nasirl\u0259rinin b\u0259db\u0259xtliyind\u0259n poeziyadan n\u0259sr\u0259 ke\u00e7\u0259n” (R.R\u00f6v\u015f\u0259n) Seyran S\u0259xav\u0259tin poeziyas\u0131na n\u0259z\u0259r salma\u011fa \u00e7al\u0131\u015faca\u011f\u0131q.<\/p>\n\n\n\n

Seyran S\u0259xav\u0259tin m\u0259h\u0259bb\u0259t lirikas\u0131ndan b\u0259hs ed\u0259rk\u0259n, ilk n\u00f6vb\u0259d\u0259, onun \u015fair obraz\u0131n\u0131n sars\u0131lmaz b\u00fct\u00f6vl\u00fcy\u00fcn\u00fc g\u00f6rm\u0259m\u0259k m\u00fcmk\u00fcn deyil. \u015eairin yarad\u0131c\u0131l\u0131\u011f\u0131ndak\u0131 \u0259yilm\u0259zlik, \u0259slind\u0259 onun insani b\u00fct\u00f6vl\u00fcy\u00fcn\u00fcn poetik \u0259ksidir.<\/p>\n\n\n\n

Poeziyas\u0131n\u0131n ana x\u0259ttini s\u0259mimiyy\u0259t v\u0259 k\u00f6vr\u0259klik, daxili s\u00fckut v\u0259 insan taleyi v\u0259 m\u0259h\u0259bb\u0259t f\u0259ls\u0259f\u0259si t\u0259\u015fkil ed\u0259n \u015fairin 22 ya\u015f\u0131nda yazd\u0131\u011f\u0131 “Ay ilk m\u0259h\u0259bb\u0259tim, son m\u0259h\u0259bb\u0259tim” \u015feiri Az\u0259rbaycan poeziyas\u0131n\u0131n \u0259n g\u00f6z\u0259l, \u0259n s\u0259mimi v\u0259 dill\u0259r \u0259zb\u0259ri olan sevgi \u015feiridir. “Sevginin ali bir hiss kimi t\u0259qdim olundu\u011fu \u015feird\u0259ki bu \u00f6lm\u0259z misralar\u0131 m\u00fcxt\u0259lif aspektl\u0259rd\u0259n b\u0259nd-b\u0259nd t\u0259hlil etm\u0259kd\u0259 fayda var. Yanmaq v\u0259 k\u00fcl olmaq:<\/p>\n\n\n\n

S\u0259n n\u0259 ist\u0259yirdin, n\u0259l\u0259r itirdin?<\/em><\/p>\n\n\n\n

Qorxma k\u00fcl olmaqdan, yan, m\u0259h\u0259bb\u0259tim.<\/em><\/p>\n\n\n\n

S\u0259n m\u0259nim ba\u015f\u0131ma n\u0259l\u0259r g\u0259tirdin,<\/em><\/p>\n\n\n\n

Ay ilk m\u0259h\u0259bb\u0259tim, son m\u0259h\u0259bb\u0259tim.<\/em><\/p>\n\n\n\n

Sevgini at\u0259\u015fd\u0259 yanma\u011fa b\u0259nz\u0259d\u0259n \u015fair, yanma\u011f\u0131n sonunun k\u00fcl olmaqla bitdiyini d\u0259 bilir. Buna r\u0259\u011fm\u0259n, \u00fcr\u0259yin\u0259 h\u00f6km edir: “Qorxma k\u00fcl olmaqdan, yan, m\u0259h\u0259bb\u0259tim”. Sevm\u0259k – yanmaqd\u0131rsa, yanma\u011f\u0131n sonu k\u00fcl olmaqd\u0131r. “K\u00fcl olmaqdan qorxmamaq” g\u0259nc \u015fairin h\u00f6km\u00fcd\u00fcr. Bunu \u015fairin sevginin “odundan yanmaqdan v\u0259 k\u00fcl olmaqdan qorxmama\u011f\u0131n\u0131”, ali duy\u011fu \u00fc\u00e7\u00fcn insan\u0131n m\u0259rh\u0259l\u0259-m\u0259rh\u0259l\u0259 n\u0259l\u0259rd\u0259n ke\u00e7\u0259c\u0259yini v\u0259 ya ke\u00e7m\u0259li, bu yolda f\u0259dakarl\u0131q g\u00f6st\u0259rm\u0259li oldu\u011funu, sevginin ilahiliyini v\u0259 t\u0259kliyini vur\u011fulad\u0131\u011f\u0131 a\u015fa\u011f\u0131dak\u0131 b\u0259ndd\u0259 izl\u0259y\u0259k:<\/p>\n\n\n\n

O parlaq sevgimd\u0259n \u00e7ox utan\u0131b dan,<\/em><\/p>\n\n\n\n

Ulduzlar e\u015fqimd\u0259n q\u0131zart\u0131 d\u0259rmi\u015f.<\/em><\/p>\n\n\n\n

\u0130nsanlar bir d\u0259f\u0259 do\u011fuldu\u011fundan,<\/em><\/p>\n\n\n\n

El\u0259 bir d\u0259f\u0259 d\u0259 sev\u0259 bil\u0259rmi\u015f…<\/em><\/p>\n\n\n\n

Bu, \u015feirin \u0259n m\u0259\u015fhur b\u0259ndl\u0259rind\u0259ndir. S\u00f6zl\u0259r\u0259 f\u0259ls\u0259fi m\u0259na y\u00fckl\u0259y\u0259n \u015fair insanlar\u0131n d\u00fcnyaya g\u0259li\u015fi, sevm\u0259si v\u0259 h\u0259tta \u00f6lm\u0259si il\u0259 ba\u011f qurur. H\u0259qiq\u0259t\u0259n d\u0259, el\u0259 \u015feyl\u0259r var ki, insanlar \u00fc\u00e7\u00fcn fiziki olaraq bir d\u0259f\u0259 verilib, olum v\u0259 \u00f6l\u00fcm kimi. Olum v\u0259 \u00f6l\u00fcm h\u0259yat\u0131n f\u0259ls\u0259f\u0259si oldu\u011fu kimi, sevgi d\u0259 h\u0259yat\u0131n f\u0259ls\u0259f\u0259sidir. V\u0259 olum ilk, \u00f6l\u00fcm son oldu\u011fu kimi, “ilk m\u0259h\u0259bb\u0259t” d\u0259 “son m\u0259h\u0259bb\u0259t” olmal\u0131d\u0131r. \u0130nsan ya\u015fam\u0131nda bu f\u0259ls\u0259f\u0259ni izl\u0259m\u0259k \u00fc\u00e7\u00fcn f\u0259dakarl\u0131qla yana\u015f\u0131, sadiq olmal\u0131, g\u00f6zl\u0259rini sadiqliy\u0259 ke\u015fik\u00e7i etm\u0259lidir:<\/p>\n\n\n\n

M\u0259n\u0259m, milyard nax\u0131\u015f s\u0259pmi\u015f\u0259m g\u00f6y\u0259,<\/em><\/p>\n\n\n\n

De, varm\u0131 hesab\u0131 nax\u0131\u015flar\u0131m\u0131n?<\/em><\/p>\n\n\n\n

Kirpikl\u0259r \u00f6zg\u0259y\u0259 baxmay\u0131m dey\u0259,<\/em><\/p>\n\n\n\n

\u00c7\u0259kir ke\u015fiyini bax\u0131\u015flar\u0131m\u0131n…<\/em><\/p>\n\n\n\n

Bel\u0259 bir deyim var, “G\u00f6z g\u00f6rd\u00fc, k\u00f6n\u00fcl sevdi”. K\u00f6n\u00fcl sevgisin\u0259 sadiq qals\u0131n dey\u0259, – g\u00f6z bir ba\u015fqas\u0131na baxmamal\u0131d\u0131r. Lakin g\u00f6z\u00fcn missiyas\u0131 g\u00f6rm\u0259kdir. \u015eair g\u00f6zl\u0259rin \u00f6zg\u0259y\u0259 baxmamas\u0131 \u00fc\u00e7\u00fcn kirpikl\u0259rin bax\u0131\u015flar\u0131n\u0131n ke\u015fik\u00e7isi olmas\u0131n\u0131 ist\u0259yir, kirpikl\u0259r\u0259 ke\u015fik\u00e7i olmaq missiyas\u0131n\u0131 y\u00fckl\u0259yir. Dig\u0259r t\u0259r\u0259fd\u0259n d\u0259, dini inanc\u0131m\u0131zdak\u0131, “\u0130ki g\u00f6z iki g\u00f6z\u0259 halald\u0131r”, – fikrini, ilahi m\u0259hr\u0259mliyi xat\u0131rlad\u0131r. Bu ifad\u0259d\u0259ki “halall\u0131q” sad\u0259c\u0259 dini yox, daha \u00e7ox m\u0259n\u0259vi bir anlay\u0131\u015fd\u0131r. \u018fg\u0259r bir insan dig\u0259rin\u0259 qaya kimi sadiqdirs\u0259, onun bax\u0131\u015flar\u0131 ancaq qar\u015f\u0131 t\u0259r\u0259f\u0259 “halald\u0131r”. Bu, x\u0259yan\u0259td\u0259n v\u0259 saxtal\u0131qdan uzaq olan bir m\u0259h\u0259bb\u0259tin t\u0259sdiqidir. \u015eairin misralara p\u0131\u00e7\u0131ldad\u0131\u011f\u0131 t\u0259klik v\u0259 m\u0259h\u0259bb\u0259tsizlik qorxusunu izl\u0259y\u0259k:<\/p>\n\n\n\n

El\u0259 s\u0131z\u0131lday\u0131r q\u0259lbim tar kimi,<\/em><\/p>\n\n\n\n

S\u0259n kimin e\u015fqini da\u015f\u0131yacaqsan?<\/em><\/p>\n\n\n\n

B\u0259lk\u0259 d\u0259 divarlar, ma\u015f\u0131nlar kimi,<\/em><\/p>\n\n\n\n

S\u0259n d\u0259 m\u0259h\u0259bb\u0259tsiz ya\u015fayacaqsan…<\/em><\/p>\n\n\n\n

Ruhu olan insan sevgisiz ya\u015faya bilm\u0259z. \u015eair sevgisiz ya\u015fama\u011f\u0131 cans\u0131z \u0259\u015fyalara, divarlara, ma\u015f\u0131nlara b\u0259nz\u0259dir. Divar kimi, ma\u015f\u0131nlar kimi sevgisiz ya\u015famaqsa, ya\u015famaq deyil.  E\u015fq el\u0259 bir m\u00fcq\u0259dd\u0259s hiss, ilahid\u0259n verilmi\u015f bir nem\u0259tdir ki, b\u0259z\u0259n cans\u0131z da\u015f\u0131n da q\u0259lbind\u0259 \u00e7i\u00e7\u0259k a\u00e7d\u0131r\u0131r. Nizami G\u0259nc\u0259vi “Xosrov v\u0259 \u015eirin” poemas\u0131nda “E\u015fq d\u00fc\u015fs\u0259 da\u015f\u0131n da q\u0259lbin\u0259 \u0259g\u0259r, \/ G\u00f6vh\u0259rd\u0259n \u00f6z\u00fcn\u0259 m\u0259\u015fuq d\u00fcz\u0259ld\u0259r”, – yazaraq m\u0259h\u0259bb\u0259tin cans\u0131z varl\u0131qlara bel\u0259 t\u0259sir ed\u0259r\u0259k, onlar\u0131 canland\u0131ra bil\u0259c\u0259k q\u0259d\u0259r q\u00fcdr\u0259tli oldu\u011funu vur\u011fulay\u0131r. Seyran S\u0259xav\u0259t is\u0259 yaz\u0131r:<\/p>\n\n\n\n

S\u0259n bir soyuq ulduz, m\u0259n g\u00f6zl\u0259rin\u0259m,<\/em><\/p>\n\n\n\n

Eybi yox, m\u0259nim\u00e7\u00fcn h\u0259mi\u015f\u0259 varsan.<\/em><\/p>\n\n\n\n

S\u0131xma \u00fcr\u0259yimi, \u00fcr\u0259k c\u0259h\u0259nn\u0259m,<\/em><\/p>\n\n\n\n

Ax\u0131 s\u0259n ordasan, s\u0259n s\u0131x\u0131larsan…<\/em><\/p>\n\n\n\n

Seyran S\u0259xav\u0259tin g\u0259nclik e\u015fqi il\u0259 yazd\u0131\u011f\u0131 sevgi \u015feirl\u0259ri \u00f6z\u00fcn\u0259m\u0259xsusdur. \u015eairin m\u0259h\u0259bb\u0259tin \u0259n saf, \u0259n toxunulmam\u0131\u015f m\u0259rh\u0259l\u0259sini, “p\u0131\u00e7\u0131lt\u0131 v\u0259 bax\u0131\u015f” m\u0259rh\u0259l\u0259sini t\u0259svir etdiyi “Utancaq m\u0259h\u0259bb\u0259t” \u015feirind\u0259 izl\u0259m\u0259yimiz s\u00f6zl\u0259rimizi daha h\u00f6kml\u00fc ed\u0259r:<\/p>\n\n\n\n

G\u00fcnl\u0259rin bir g\u00fcn\u00fcnd\u0259<\/em><\/p>\n\n\n\n

Bir utancaq m\u0259h\u0259bb\u0259t<\/em><\/p>\n\n\n\n

Do\u011fulmu\u015fdu sin\u0259md\u0259.<\/em><\/p>\n\n\n\n

Bir g\u00f6z\u0259lin bax\u0131\u015f\u0131<\/em><\/p>\n\n\n\n

Ulduz-ulduz do\u011fran\u0131b<\/em><\/p>\n\n\n\n

Da\u011f\u0131lm\u0131\u015fd\u0131 sin\u0259md\u0259.<\/em><\/p>\n\n\n\n

Sevginin h\u0259l\u0259 dil\u0259 g\u0259lm\u0259y\u0259n, yaln\u0131z ruhun d\u0259rinliyind\u0259 titr\u0259y\u0259n hal\u0131n\u0131 “utancaq” adland\u0131ran \u015fair “Do\u011fulmu\u015fdu sin\u0259md\u0259”, – ifad\u0259si il\u0259 sevgini k\u0259nardan g\u0259l\u0259n bir hiss kimi deyil, daxild\u0259n, insan\u0131n \u00f6z b\u0259tnind\u0259n, \u00fcr\u0259yind\u0259n do\u011fan bir canl\u0131 varl\u0131q kimi t\u0259qdim edir. Buradak\u0131 “Bax\u0131\u015f\u0131n ulduz-ulduz do\u011franmas\u0131”, – ifad\u0259si m\u00fck\u0259mm\u0259l bir poetik tap\u0131nt\u0131d\u0131r. G\u00f6z\u0259lin bax\u0131\u015f\u0131 \u015fairin sin\u0259sin\u0259 sad\u0259c\u0259 d\u0259ymir, ora i\u015f\u0131q sa\u00e7araq daxil olur v\u0259 minl\u0259rl\u0259 par\u0131lt\u0131ya, ulduza b\u00f6l\u00fcn\u00fcr. Bu, insan\u0131n daxili d\u00fcnyas\u0131n\u0131n bir anda ayd\u0131nlanmas\u0131d\u0131r. “Da\u011f\u0131lm\u0131\u015fd\u0131 sin\u0259md\u0259”, – ifad\u0259sind\u0259 sevginin nizams\u0131z, co\u015fqun v\u0259 idar\u0259olunmaz bir g\u00fcc oldu\u011funu, o g\u00fcc\u00fcn bir n\u00f6qt\u0259d\u0259 durmad\u0131\u011f\u0131n\u0131, insan\u0131n b\u00fct\u00fcn varl\u0131\u011f\u0131na yay\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6st\u0259rir. Seyran S\u0259xav\u0259tin bu “utancaql\u0131\u011f\u0131” \u0259slind\u0259, \u0259n b\u00f6y\u00fck c\u0259sar\u0259tidir. “Ulduzlar\u0131n sin\u0259d\u0259 da\u011f\u0131lmas\u0131”na icaz\u0259 verm\u0259k, ruhun qap\u0131lar\u0131n\u0131 tam a\u00e7maqd\u0131r. B\u0259z\u0259n m\u0259hz bu “utancaq m\u0259h\u0259bb\u0259t” zaman ke\u00e7dikc\u0259 o “ilk v\u0259 son m\u0259h\u0259bb\u0259tin” g\u0259tirdiyi f\u0131rt\u0131naya \u00e7evrilir. B\u0259z\u0259n is\u0259 o “utancaq” m\u0259h\u0259bb\u0259t \u015fairi \u00e7ox \u015feyl\u0259r\u0259 h\u0259sr\u0259t qoyur. G\u00f6zl\u0259ri g\u00f6rs\u0259 d\u0259, \u00fcr\u0259yi baxma\u011f\u0131 qada\u011fan edir:<\/p>\n\n\n\n

G\u00f6zl\u0259rimin qaras\u0131<\/em><\/p>\n\n\n\n

H\u0259sr\u0259t qalm\u0131\u015f qapqara,<\/em><\/p>\n\n\n\n

\u015e\u0259v\u0259 kimi tell\u0259r\u0259.<\/em><\/p>\n\n\n\n

\u018fll\u0259rimin h\u0259sr\u0259ti<\/em><\/p>\n\n\n\n

H\u0259sr\u0259t dolu \u0259ll\u0259r\u0259.<\/em><\/p>\n\n\n\n

\u0130ll\u0259r s\u00fcr\u00fcn\u00fcb ke\u00e7ib,<\/em><\/p>\n\n\n\n

\u0130ll\u0259rimin \u00e7oxusu<\/em><\/p>\n\n\n\n

G\u00f6z\u00fcm\u0259 \u015fim\u015f\u0259k kimi<\/em><\/p>\n\n\n\n

Bir an g\u00f6r\u00fcn\u00fcb ke\u00e7ib.<\/em><\/p>\n\n\n\n

…\u0130st\u0259yir\u0259m birinin<\/em><\/p>\n\n\n\n

\u00dcr\u0259yin\u0259 ax\u0131m m\u0259n –<\/em><\/p>\n\n\n\n

Donur,<\/em><\/p>\n\n\n\n

axa bilmir\u0259m.<\/em><\/p>\n\n\n\n

\u0130st\u0259yir\u0259m birin\u0259<\/em><\/p>\n\n\n\n

O\u011frun-o\u011frun bax\u0131m m\u0259n,<\/em><\/p>\n\n\n\n

G\u00f6zl\u0259rim g\u00f6r\u0259-g\u00f6r\u0259<\/em><\/p>\n\n\n\n

Yen\u0259 baxa bilmir\u0259m.<\/em><\/p>\n\n\n\n

B\u00fct\u00f6vl\u00fckd\u0259, m\u00fctl\u0259q bir h\u0259sr\u0259t v\u0259 ruhun h\u0259r\u0259k\u0259tsizliyi \u00fcz\u0259rind\u0259 qurulan bu \u015feiri oxuduqca, “bu n\u0259 sevgidir, \u0130lahi?” – dem\u0259k ke\u00e7ir i\u00e7imd\u0259n. Misralarda  insan\u0131n daxili al\u0259mind\u0259ki “ist\u0259k” il\u0259 “imkan” aras\u0131ndak\u0131 d\u0259rin v\u0259 a\u011fr\u0131l\u0131 u\u00e7urum o q\u0259d\u0259r inc\u0259 bir ustal\u0131qla t\u0259svir edilir ki… <\/p>\n\n\n\n

M\u0259tni tamamil\u0259 f\u0259rdi bir rakursdan, r\u0259ngl\u0259rin v\u0259 hissl\u0259rin h\u0259sr\u0259ti \u00fcz\u0259rind\u0259n d\u0259 t\u0259hlil ed\u0259 bil\u0259rik. \u015eair “qara” r\u0259ngi (g\u00f6z\u00fcn qaras\u0131 v\u0259 \u015f\u0259v\u0259 tell\u0259r) bir-birin\u0259 qovu\u015fmayan iki sahil kimi t\u0259qdim edir. Burada “qapqara” ifad\u0259si k\u0259d\u0259ri yox, arzunun intensivliyini g\u00f6st\u0259rir. \u018fll\u0259rin h\u0259sr\u0259ti is\u0259 toxunma ehtiyac\u0131n\u0131n yoxlu\u011funu deyil, h\u0259min bo\u015flu\u011fun \u00f6z\u00fcn\u00fcn bir “\u0259\u015fyaya”, bir a\u011f\u0131rl\u0131\u011fa \u00e7evrilm\u0259sini ifad\u0259 edir. “\u0130ll\u0259rimin \u00e7oxusu g\u00f6z\u00fcm\u0259 \u015fim\u015f\u0259k kimi bir an g\u00f6r\u00fcn\u00fcb ke\u00e7ib”, – misras\u0131nda zaman\u0131n nisbiliyi izah edilir. \u0130nsan ac\u0131 \u00e7\u0259k\u0259nd\u0259 ill\u0259r “s\u00fcr\u00fcn\u00fcr”, amma d\u00f6n\u00fcb arxaya baxanda h\u0259min ill\u0259r sanki he\u00e7 ya\u015fanmam\u0131\u015f kimi, bir anl\u0131q i\u015f\u0131q par\u0131lt\u0131s\u0131t\u0259k parlay\u0131b yox olur. Bu, \u00f6mr\u00fcn s\u00fcr\u0259ti qar\u015f\u0131s\u0131nda ruhun ke\u00e7irdiyi d\u0259h\u015f\u0259tli bir heyr\u0259tdir. Bir insan\u0131n g\u00f6rd\u00fcy\u00fc halda baxa bilm\u0259m\u0259si, onun sevgisin\u0259 b\u00f6y\u00fck s\u0259daq\u0259ti v\u0259 f\u0259dakarl\u0131\u011f\u0131d\u0131r.<\/p>\n\n\n\n

Utancaq m\u0259h\u0259bb\u0259tim!<\/em><\/p>\n\n\n\n

He\u00e7 bilmir\u0259m, hardasan?!<\/em><\/p>\n\n\n\n

B\u0259lk\u0259 \u00f6zg\u0259 bax\u0131\u015flar<\/em><\/p>\n\n\n\n

Qollar\u0131n\u0131 ba\u011flay\u0131b,<\/em><\/p>\n\n\n\n

B\u0259lk\u0259 el\u0259 dardasan?!<\/em><\/p>\n\n\n\n

Utancaq m\u0259h\u0259bb\u0259tim!<\/em><\/p>\n\n\n\n

Bils\u0259m ki, ya\u015fay\u0131rsan  –<\/em><\/p>\n\n\n\n

Da\u011flar gizl\u0259dib s\u0259ni,<\/em><\/p>\n\n\n\n

O p\u0259hl\u0259van da\u011flar\u0131<\/em><\/p>\n\n\n\n

Yumru\u011fumla \u0259z\u0259r\u0259m.<\/em><\/p>\n\n\n\n

Bils\u0259m d\u0259nizl\u0259rd\u0259s\u0259n,<\/em><\/p>\n\n\n\n

M\u0259n b\u00fct\u00fcn d\u0259nizl\u0259ri<\/em><\/p>\n\n\n\n

Dal\u011fa-dal\u011fa g\u0259z\u0259r\u0259m.<\/em><\/p>\n\n\n\n

\u015eeirin bu hiss\u0259sind\u0259 o “donmu\u015f” v\u0259 “baxa bilm\u0259y\u0259n” lirik q\u0259hr\u0259man\u0131 bird\u0259n-bir\u0259 vulkanik bir enerjiy\u0259, mifik bir g\u00fcc\u0259 \u00e7evirir. Utancaql\u0131q yerini sars\u0131lmaz bir q\u0259tiyy\u0259t\u0259 verir. “Qollar\u0131n ba\u011flanmas\u0131” v\u0259 “Darl\u0131q” ehtimal\u0131” \u015fairin sevgisini uzaqlarda axtarark\u0259n, onun azad olmad\u0131\u011f\u0131 d\u00fc\u015f\u00fcnc\u0259sidir. “\u00d6zg\u0259 bax\u0131\u015flar\u0131n qollar\u0131 ba\u011flamas\u0131” istiar\u0259si (gizli t\u0259\u015fbeh) m\u00f6ht\u0259\u015f\u0259mdir. Bax\u0131\u015f burada sad\u0259c\u0259 g\u00f6rm\u0259k deyil, h\u0259m d\u0259 bir z\u0259ncirdir, m\u0259hdudiyy\u0259tdir. \u00d6z sevgisini “darl\u0131qda” (s\u0131x\u0131nt\u0131da) t\u0259s\u0259vv\u00fcr ed\u0259r\u0259k, m\u00fc\u0259llifin ona qar\u015f\u0131 b\u00f6y\u00fck bir m\u0259suliyy\u0259t v\u0259 \u015f\u0259fq\u0259t hissidir.<\/p>\n\n\n\n

\u015eair \u00fc\u00e7\u00fcn \u0259n b\u00f6y\u00fck motivasiya \u00fcmiddir. “Bils\u0259m ki, ya\u015fay\u0131rsan”, – ifad\u0259si  m\u0259n\u0259vi a\u00e7ar rolunu oynay\u0131r. \u015eair sevginin h\u0259l\u0259 d\u0259 diri oldu\u011funa \u0259min olsa, onun \u00fc\u00e7\u00fcn he\u00e7 bir mane\u0259 qalm\u0131r. “Bils\u0259m” k\u0259lm\u0259si burada b\u00fct\u00fcn m\u00fcmk\u00fcns\u00fczl\u00fcy\u00fc m\u00fcmk\u00fcn\u0259 \u00e7evirir. “Da\u011flar\u0131 \u0259zm\u0259k”, “D\u0259nizl\u0259ri g\u0259zm\u0259k” onun \u00fc\u00e7\u00fcn m\u00fcmk\u00fcns\u00fcz deyil. \u018fg\u0259r da\u011flar\u0131 \u0259zm\u0259k g\u00fccd\u00fcrs\u0259, d\u0259nizl\u0259ri g\u0259zm\u0259k s\u0259bir v\u0259 axtar\u0131\u015fd\u0131r. Dal\u011fa-dal\u011fa g\u0259zm\u0259k o dem\u0259kdir ki, \u015fair sevginin h\u0259r bir titr\u0259yi\u015fini, h\u0259r bir d\u0259rinliyini yorulmadan axtarma\u011fa haz\u0131rd\u0131r. “P\u0259hl\u0259van da\u011flar\u0131 yumru\u011fumla \u0259z\u0259r\u0259m”, – ifad\u0259sind\u0259 ruhun fiziki maddiyyat \u00fcz\u0259rind\u0259ki q\u0259l\u0259b\u0259si ifad\u0259 olunur. \u0130nsan sevgisi \u00fc\u00e7\u00fcn t\u0259bi\u0259tin \u0259n uca v\u0259 sars\u0131lmaz simvolu olan da\u011flar\u0131 bel\u0259 yox etm\u0259y\u0259 haz\u0131rd\u0131r. Art\u0131q \u015feirin \u0259vv\u0259lind\u0259ki o “utancaq m\u0259h\u0259bb\u0259t” da\u011flar\u0131 sars\u0131nt\u0131dan bir q\u00fcdr\u0259t\u0259 \u00e7evrilib. \u018fslind\u0259, daxilind\u0259 \u0259n b\u00f6y\u00fck f\u0131rt\u0131nalar\u0131 da\u015f\u0131yan \u0259n sakit v\u0259 s\u0259ssiz sevgil\u0259rdir. Burada \u015fairin utancaql\u0131\u011f\u0131 qorxaql\u0131q deyil, o b\u00f6y\u00fck g\u00fcc\u00fcn h\u0259l\u0259 ki “s\u00fckutda” olmas\u0131d\u0131r. \u015eeirin o k\u0259d\u0259rli v\u0259 sual dolu sonlu\u011funa boylanaq:<\/p>\n\n\n\n

Ay yana\u011f\u0131 q\u0131rm\u0131z\u0131,<\/em><\/p>\n\n\n\n

Utancaq m\u0259h\u0259bb\u0259tim!<\/em><\/p>\n\n\n\n

Bils\u0259ydim ki, g\u00fcll\u0259rin<\/em><\/p>\n\n\n\n

Qoxusunda g\u0259zirs\u0259n,<\/em><\/p>\n\n\n\n

\u018flimd\u0259 g\u00fcn\u0259\u015f boyda<\/em><\/p>\n\n\n\n

G\u00fcl d\u0259st\u0259si tutard\u0131m.<\/em><\/p>\n\n\n\n

Bils\u0259ydim insanlar\u0131n<\/em><\/p>\n\n\n\n

Yuxusunda g\u0259zirs\u0259n,<\/em><\/p>\n\n\n\n

B\u00fct\u00fcn b\u0259\u015f\u0259riyy\u0259tin<\/em><\/p>\n\n\n\n

\u018fv\u0259zin\u0259 yatard\u0131m…<\/em><\/p>\n\n\n\n

Misralarda pitoreks \u015feirinin x\u00fcsusiyy\u0259tl\u0259ri hiss olunur. M\u00fc\u0259llif yaln\u0131z \u015feir yazm\u0131r, h\u0259m d\u0259 r\u0259ngl\u0259rin vasit\u0259si il\u0259 ilk m\u0259h\u0259bb\u0259tinin r\u0259smini \u00e7\u0259kir. Q\u0259dim Roma \u015fairi Horas\u0131n  “\u015eeir d\u0259 r\u0259sm kimidir ” (Ut pictura poesis), – fikrinin t\u0259sdiqidir. Van Qoqun “Ulduzlu gec\u0259” tablosu s\u0259n\u0259t d\u00fcnyas\u0131nda f\u0131r\u00e7a il\u0259 yaz\u0131lm\u0131\u015f \u0259n b\u00f6y\u00fck lirik \u0259s\u0259rl\u0259rd\u0259n biri hesab olunur. Seyran S\u0259xav\u0259tin \u015feiri is\u0259 s\u00f6zl\u0259 \u00e7\u0259kilmi\u015f r\u0259sm \u0259s\u0259ridir.<\/p>\n\n\n\n

Bel\u0259likl\u0259, \u015feir ba\u015flad\u0131\u011f\u0131 kimi, “utancaq m\u0259h\u0259bb\u0259tim” m\u00fcraci\u0259ti il\u0259 bits\u0259 d\u0259, art\u0131q  utancaql\u0131q bir h\u00fczura, m\u00fctl\u0259q bir s\u00fckuta (yuxuya) \u00e7evrilib. Bu sevgi o q\u0259d\u0259r uca v\u0259 z\u0259rifdir ki, o, b\u0259lk\u0259 d\u0259 ancaq yuxular\u0131n v\u0259 \u0259tirl\u0259rin i\u00e7ind\u0259 ya\u015faya bil\u0259r. Sevgi insan\u0131 h\u0259m \u0259n z\u0259if g\u00f6r\u0259n, amma baxa bilm\u0259y\u0259n, h\u0259m d\u0259 \u0259n g\u00fccl\u00fc, da\u011flar\u0131 \u0259z\u0259n varl\u0131\u011fa \u00e7evir\u0259 bil\u0259r. Bu, insan\u0131n m\u0259n\u0259vi b\u00fct\u00f6vl\u00fcy\u00fcn\u00fcn g\u00f6st\u0259ricisidir.<\/p>\n\n\n\n

Seyran S\u0259xav\u0259t bu \u015feiri il\u0259 s\u00fcbut edir ki, \u0259sl m\u0259h\u0259bb\u0259t insan\u0131 f\u0259rdilikd\u0259n \u00e7\u0131xar\u0131b kainatla birl\u0259\u015fdirir. G\u00fcn\u0259\u015f boyda g\u00fcl tutmaq v\u0259 b\u0259\u015f\u0259riyy\u0259t \u0259v\u0259zin\u0259 yatmaq arzusu ruhun maddiyyat \u00fcz\u0259rind\u0259ki tam q\u0259l\u0259b\u0259sidir.<\/p>\n\n\n\n

Sevgini “m\u00fcv\u0259qq\u0259ti h\u0259v\u0259s” kimi deyil, “\u00f6m\u00fcrl\u00fck tale” (qaya kimi sabit) kimi g\u00f6r\u0259n “Seyran S\u0259xav\u0259tin m\u0259h\u0259bb\u0259t \u015feirl\u0259ri sad\u0259c\u0259 duy\u011fu ax\u0131n\u0131 deyil, uca bir qayan\u0131n k\u00f6ks\u00fcnd\u0259n s\u00fcz\u00fcl\u00fcb g\u0259l\u0259n b\u00fcllur bulaq kimidir. O, sevgini z\u0259iflik v\u0259 ya acizlik kimi deyil, bir qaya duru\u015fu q\u0259d\u0259r dik v\u0259 m\u0259\u011frur ya\u015fay\u0131r. Onun lirikas\u0131nda a\u015fiq obraz\u0131 \u0259yilm\u0259zdir; o, sevdiyinin qar\u015f\u0131s\u0131nda bel\u0259 \u00f6z insanl\u0131q v\u00fcqar\u0131n\u0131, da\u015fdan yonulmu\u015f irad\u0259sini qoruyub saxlay\u0131r.<\/p>\n\n\n\n

\u015eairin poeziyas\u0131nda Az\u0259rbaycan c\u0259miyy\u0259tini narahat ed\u0259n ger\u00e7\u0259klikd\u0259n do\u011fan probleml\u0259ri d\u0259 \u00f6z\u00fcnd\u0259 \u0259ks etdirir. Yazd\u0131qlar\u0131n\u0131n ham\u0131s\u0131n\u0131 “d\u00fcnyan\u0131n m\u0259n baxan t\u0259r\u0259fd\u0259n g\u00f6r\u00fcn\u0259n hiss\u0259sidir” – adland\u0131ran Seyran S\u0259xav\u0259t h\u0259yata bax\u0131\u015f\u0131, “dik” duru\u015fu, fikirl\u0259rinin orijinall\u0131\u011f\u0131, s\u00f6z\u0259 s\u0259daq\u0259ti v\u0259  toxundu\u011fu probleml\u0259rin aktuall\u0131\u011f\u0131 il\u0259 diqq\u0259ti \u00e7\u0259kir. \u015eairin “M\u00fcdrik” \u015feirin\u0259  n\u0259z\u0259r salaq:<\/p>\n\n\n\n

M\u0259n\u0259 deyirl\u0259r ki,<\/em><\/p>\n\n\n\n

H\u0259mi\u015f\u0259 dik-dik dan\u0131\u015f\u0131rsan –<\/em><\/p>\n\n\n\n

dik adamsan.<\/em><\/p>\n\n\n\n

M\u0259n\u0259 deyir\u0259r ki,<\/em><\/p>\n\n\n\n

M\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

\u015e\u0259h\u0259rd\u0259n ba\u015f g\u00f6t\u00fcr\u00fcb<\/em><\/p>\n\n\n\n

K\u0259nd\u0259 qa\u00e7d\u0131m –<\/em><\/p>\n\n\n\n

Dedil\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Ham\u0131 qa\u00e7\u0131rd\u0131,<\/em><\/p>\n\n\n\n

M\u0259n d\u0259 qa\u00e7d\u0131m –<\/em><\/p>\n\n\n\n

Dedil\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

C\u0131\u011f\u0131r a\u00e7m\u0131ram,<\/em><\/p>\n\n\n\n

Yol \u00e7\u0259kmir\u0259m,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

\u0130yirmi ildi<\/em><\/p>\n\n\n\n

Maa\u015f c\u0259dv\u0259lin\u0259<\/em><\/p>\n\n\n\n

Qol \u00e7\u0259kmir\u0259m –<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Seyran S\u0259xav\u0259t “M\u00fcdrik” \u015feiri il\u0259 c\u0259miyy\u0259td\u0259ki saxta d\u0259y\u0259rl\u0259r\u0259, “m\u00fcdriklik” maskas\u0131 alt\u0131nda gizl\u0259n\u0259n k\u00fctl\u0259vi d\u00fc\u015f\u00fcnc\u0259sizliy\u0259 v\u0259 insan\u0131n \u00f6z h\u0259qiq\u0259ti il\u0259 m\u00fchitin ona qoydu\u011fu ad aras\u0131ndak\u0131 u\u00e7uruma bir g\u00fczg\u00fc tutur. \u015eairin bu yana\u015fmas\u0131 c\u0259miyy\u0259timizd\u0259ki bir ba\u015fqa problemi, kimliyind\u0259n as\u0131l\u0131 olmadan h\u0259r k\u0259s\u0259 “m\u00fc\u0259llim” s\u00f6z\u00fc il\u0259 m\u00fcraci\u0259t olunmas\u0131n\u0131 yad\u0131m\u0131za sal\u0131r. \u018fslind\u0259, m\u00fc\u0259llim hans\u0131 ixtisas sahibi olmas\u0131ndan as\u0131l\u0131 olmayaraq, ham\u0131dan ba\u015fd\u0131r. \u00c7\u00fcnki m\u00fc\u0259llimin \u0259m\u0259yi insan\u0131n formala\u015fmas\u0131nda, h\u0259r hans\u0131 bir istiqam\u0259t\u0259 y\u00f6nl\u0259nm\u0259sind\u0259, t\u0259hsilind\u0259, t\u0259rbiy\u0259sind\u0259 dan\u0131lmazd\u0131r. Buna baxmayaraq b\u0259z\u0259n bu k\u0259lm\u0259 o q\u0259d\u0259r ucuzla\u015fd\u0131r\u0131l\u0131r ki, lap Seyran S\u0259xav\u0259tin “m\u00fcdrik adamsan” k\u0259lam\u0131 kimi…<\/p>\n\n\n\n

Seyran S\u0259xav\u0259t m\u00fcdrik insand\u0131r. Amma bu s\u00f6z yerli-yersiz h\u0259r k\u0259s\u0259 deyil\u0259nd\u0259, s\u00f6z \u00f6z d\u0259y\u0259rini itirir, g\u0259li\u015fig\u00f6z\u0259l s\u00f6z\u0259 \u00e7evrilir. N\u0259d\u0259ns\u0259, h\u0259r k\u0259si ad\u0131 v\u0259 layiq oldu\u011fu s\u00f6zl\u0259rl\u0259 anmaq ist\u0259mirik. M\u00fc\u0259llim\u0259 m\u00fc\u0259llim, m\u00fcdrik\u0259 m\u00fcdrik dem\u0259k bir \u0259rd\u0259mdir. Amma bu h\u0259r zaman bel\u0259 olmur. Bu bax\u0131mdan “M\u00fcdrik” \u015feirind\u0259ki ironiyaya toxunmadan ke\u00e7m\u0259k olmaz. \u015eair heyr\u0259td\u0259dir. Bu d\u0259f\u0259 f\u0259rqin\u0259 varmadan “m\u00fcdrik adamsan” s\u00f6z\u00fcn\u00fc s\u0259xav\u0259tl\u0259 paylayanlar \u00fc\u00e7\u00fcn bil\u0259r\u0259kd\u0259n s\u00f6zl\u0259ri sanki t\u0259rsind\u0259n oxuyur, astar\u0131 \u00fcz, \u00fcz\u00fc astara \u00e7evirir:  <\/p>\n\n\n\n

D\u0259r\u0259y\u0259 da\u011f deyir\u0259m,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Qat\u0131\u011fa a\u011f deyir\u0259m,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Allah\u0131m\u0131 danm\u0131ram,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

B\u0259z\u0259n he\u00e7 n\u0259 qanm\u0131ram,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Q\u0131\u015fda palto geyir\u0259m,<\/em><\/p>\n\n\n\n

B\u0131\u00e7a\u011fa balta deyir\u0259m,<\/em><\/p>\n\n\n\n

Boyunduru\u011fa xalta deyir\u0259m,<\/em><\/p>\n\n\n\n

N\u0259 deyir\u0259ms\u0259<\/em><\/p>\n\n\n\n

Alt-alta deyir\u0259m,<\/em><\/p>\n\n\n\n

Deyirl\u0259r, m\u00fcdrik adamsan.<\/em><\/p>\n\n\n\n

Sonda da Seyran S\u0259xav\u0259tin poeziyas\u0131nda da\u015f kimi sars\u0131lmaz v\u0259 eyni zamanda insan\u0131 daxil\u0259n sars\u0131dan o “da\u015f s\u0259mimiyy\u0259ti” il\u0259 yaz\u0131lm\u0131\u015f bu misralara n\u0259z\u0259r salaraq v\u0259 “kobud v\u0259 s\u0259mimi da\u015f” f\u0259ls\u0259f\u0259si il\u0259 t\u0259hlil ed\u0259r\u0259k bitirm\u0259k ist\u0259yirik. Bu \u015feir “hamar olmayan”, “s\u00fcrt\u00fclm\u0259mi\u015f” h\u0259qiq\u0259t axtar\u0131\u015f\u0131m\u0131z\u0131n poetik cavab\u0131d\u0131r:<\/p>\n\n\n\n

“M\u0259n kims\u0259y\u0259 dem\u0259dim ki, m\u0259n\u0259 inan,<\/em><\/p>\n\n\n\n

Kims\u0259y\u0259 dem\u0259dim ki, m\u0259n\u0259 inanma.<\/em><\/p>\n\n\n\n

M\u0259n bir da\u015f idim,<\/em><\/p>\n\n\n\n

\u00d6z d\u0259rdimd\u0259n \u00e7atlad\u0131m,<\/em><\/p>\n\n\n\n

\u00d6z daxilimd\u0259n partlad\u0131m.”<\/em><\/p>\n\n\n\n

Deyirl\u0259r ki, da\u015flar h\u0259r \u015feyi “yadda saxlay\u0131r”.  \u0130nsanlar da bel\u0259dir; b\u0259zi insanlar \u00e7\u0259kdiyi iztirablar\u0131 \u00fcz\u00fcnd\u0259ki q\u0131r\u0131\u015flarda, s\u0259rt xarakterind\u0259, s\u0259rt bax\u0131\u015f\u0131nda bir iz kimi da\u015f\u0131y\u0131r. Hamar, par\u0131lt\u0131l\u0131 insanlarda is\u0259 bu ya\u015fanm\u0131\u015fl\u0131qlar\u0131 g\u00f6rm\u0259k \u00e7\u0259tindir, \u00e7\u00fcnki onlar\u0131n h\u0259yat\u0131 sad\u0259c\u0259 bir vitrindir. \u015eair, par\u0131lt\u0131l\u0131 “m\u00fcdriklikl\u0259ri” yox, s\u0259rt v\u0259 ac\u0131 h\u0259qiq\u0259tl\u0259ri \u00fcst\u00fcn tutur. \u015eairin “dik” duru\u015funu, s\u0259rtliyini \u0259z\u0259m\u0259tli qayalarla m\u00fcqais\u0259 etm\u0259kd\u0259 m\u0259qs\u0259dimiz, Az\u0259rbaycan n\u0259srinin, poeziyas\u0131n\u0131n v\u0259 dramaturgiyas\u0131n\u0131n inki\u015faf\u0131nda b\u00f6y\u00fck xidm\u0259tl\u0259ri olan v\u0259 \u00f6z d\u0259sti-x\u0259tti il\u0259 se\u00e7il\u0259n Seyran S\u0259xav\u0259tin \u015f\u0259xsiyy\u0259t v\u0259 xarakter olaraq \u0259yilm\u0259zliyini, sars\u0131lmaz prinsipl\u0259rini, “dik” duru\u015funu qabartmaq idi. “Hamar da\u015flar”\u0131n bollu\u011funda \u00f6z k\u0259l\u0259-k\u00f6t\u00fcrl\u00fcy\u00fcn\u00fc, \u0259z\u0259m\u0259tini, s\u0259rtliyini, xarakterini, \u015f\u0259xsiyy\u0259tini, bir s\u00f6zl\u0259, prinsipl\u0259rini qorumaq Seyran S\u0259xav\u0259tin \u0259n b\u00f6y\u00fck q\u0259l\u0259b\u0259sidir.  Qaya m\u00fchit\u0259 ba\u015f \u0259ymir, o, m\u00fchiti \u00f6z varl\u0131\u011f\u0131 il\u0259 d\u0259yi\u015fir.<\/p>\n\n\n\n

Bu il \u015fair, yaz\u0131\u00e7\u0131, t\u0259rc\u00fcm\u0259\u00e7i v\u0259 dramaturq Seyran S\u0259xav\u0259tin 80 illiyi qeyd olunur. 80 ya\u015f\u0131n\u0131z m\u00fcbar\u0259k olsun, qaya kimi \u0259z\u0259m\u0259tli, s\u0259rt, bir o q\u0259d\u0259r d\u0259 h\u0259qiq\u0259t olan Seyran S\u0259xav\u0259t!!!<\/p>\n\n\n\n

M\u0259nb\u0259: https:\/\/edebiyyatqazeti.az\/<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Az\u0259rbaycan n\u0259srinin \u0259n g\u00f6z\u0259l yarad\u0131c\u0131lar\u0131ndan biri olan  Seyran S\u0259xav\u0259t \u0259d\u0259biyyata 1962-ci ild\u0259 g\u0259lib, y\u0259ni m\u0259nim 2 ya\u015f\u0131m olanda. 15-16 ya\u015flar\u0131mdan d\u00f6vri m\u0259tbuatda rast g\u0259ldiyim \u015feirl\u0259rini, yaz\u0131lar\u0131n\u0131 sev\u0259-sev\u0259 oxudu\u011fum yaz\u0131\u00e7\u0131 haqq\u0131nda yazmaq m\u0259nim \u00fc\u00e7\u00fcn \u015f\u0259r\u0259fdir. Seyran S\u0259xav\u0259t \u0259d\u0259bi m\u00fchit\u0259 \u015feirl\u0259 g\u0259lib, sonradan nasir v\u0259 dramaturq kimi \u015f\u00f6hr\u0259t qazan\u0131b. N\u0259d\u0259n yaz\u0131bsa u\u011furlu yaz\u0131b, oxucular\u0131n\u0131 g\u00f6z\u0259l, d\u0259y\u0259rli \u0259s\u0259rl\u0259ri … <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-52573","post","type-post","status-publish","format-standard","hentry","category-pub","latest_post"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52573"}],"version-history":[{"count":2,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52573\/revisions"}],"predecessor-version":[{"id":52602,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/52573\/revisions\/52602"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=52573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=52573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=52573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}