H\u0259yat\u0131<\/p>\n
H\u00fcseyn Abdulla o\u011flu Rasizad\u0259 (H\u00fcseyn Cavid) – Az\u0259rbaycan \u015fairi, dramaturq. Ruhani ail\u0259sind\u0259 do\u011fulmu\u015f, ibtidai t\u0259hsilini Nax\u00e7\u0131vanda molla m\u0259kt\u0259bind\u0259, orta t\u0259hsilini M.T.Sidqinin “M\u0259kt\u0259bi-t\u0259rbiy\u0259” adl\u0131 yeni \u00fcsullu m\u0259kt\u0259bind\u0259 alm\u0131\u015fd\u0131r (1894-1898).
\n1899-1903-c\u00fc ill\u0259rd\u0259 C\u0259nubi Az\u0259rbaycanda olmu\u015f, T\u0259brizin “Talibiyy\u0259” m\u0259dr\u0259s\u0259sind\u0259 t\u0259hsilini davam etdirmi\u015fdir. \u0130stanbul Universitetinin \u0259d\u0259biyyat \u015f\u00f6b\u0259sini bitirmi\u015f (1909), Nax\u00e7\u0131vanda, sonra is\u0259 G\u0259nc\u0259 v\u0259 Tiflisd\u0259, 1915-ci ild\u0259n is\u0259 Bak\u0131da m\u00fc\u0259llimlik etmi\u015fdir.
\nH\u00fcseyn Cavid klassik Az\u0259rbaycan \u0259d\u0259biyyat\u0131n\u0131n \u0259n yax\u015f\u0131 \u0259n\u0259n\u0259l\u0259rini inki\u015faf etdir\u0259n s\u0259n\u0259tkarlardand\u0131r. O, 20-ci \u0259sr Az\u0259rbaycan m\u00fct\u0259r\u0259qqi romantizminin banil\u0259rind\u0259n biri olmu\u015fdur. H\u00fcseyn Cavid s\u0259n\u0259ti janr v\u0259 forma c\u0259h\u0259td\u0259n z\u0259ngindir. O, lirik \u015ferl\u0259rin, lirik-epik, epik poemalar\u0131n, Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda ilk m\u0259nzum faci\u0259 v\u0259 dramlar\u0131n m\u00fc\u0259llifidir. “Ke\u00e7mi\u015f g\u00fcnl\u0259r” adl\u0131 ilk \u015fer kitab\u0131 1913-c\u00fc ild\u0259 \u00e7ap olunmu\u015fdur.
\nH\u00fcseyn Cavid daha \u00e7ox dramaturq kimi tan\u0131nm\u0131\u015fd\u0131r. Onun f\u0259ls\u0259fi v\u0259 tarixi faci\u0259l\u0259ri, ail\u0259-m\u0259i\u015f\u0259t dramlar\u0131 \u00fcslub, yaz\u0131 \u0259das\u0131 forma yeniliyi bax\u0131m\u0131ndan Az\u0259rbaycan dramaturgiyas\u0131nda yeni bir m\u0259rh\u0259l\u0259 yaratd\u0131\u011f\u0131 kimi, milli teatr m\u0259d\u0259niyy\u0259tinin inki\u015faf\u0131na da q\u00fcvv\u0259tli t\u0259sir g\u00f6st\u0259rmi\u015f, “Cavid teatr\u0131” kimi s\u0259ciyy\u0259l\u0259ndirilmi\u015fdir. Dramaturgiyas\u0131nda d\u00f6vr\u00fcn \u00fcmumb\u0259\u015f\u0259ri, b\u00f6y\u00fck ictimai-siyasi v\u0259 m\u0259d\u0259ni \u0259h\u0259miyy\u0259t\u0259 malik probleml\u0259ri \u0259ksini tapm\u0131\u015fd\u0131r. Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda ilk m\u0259nzum faci\u0259 olan “\u015eeyx S\u0259nan” (1914) \u0259s\u0259rind\u0259 xalqlar\u0131 bir-birin\u0259 qovu\u015fdurmaq \u00fc\u00e7\u00fcn \u00fcmumb\u0259\u015f\u0259ri din ideyas\u0131n\u0131 ortaya atm\u0131\u015fd\u0131r. H\u00fcseyn Cavid bu d\u00f6vrd\u0259 t\u0259dricl\u0259 “haq verilmir, al\u0131n\u0131r” ideyas\u0131na g\u0259lib \u00e7\u0131xm\u0131\u015fd\u0131r.
\nYarad\u0131c\u0131l\u0131\u011f\u0131nda m\u00fch\u00fcm yer tutan “\u0130blis” (1918) m\u0259nzum faci\u0259sind\u0259 d\u00f6vr\u00fcn b\u00fct\u00fcn m\u00fcrt\u0259ce q\u00fcvv\u0259l\u0259ri – “insan insana qurddur” f\u0259ls\u0259f\u0259sinin t\u0259r\u0259fdarlar\u0131, “iyirminci \u0259srin m\u0259d\u0259ni v\u0259h\u015fil\u0259ri” olan dair\u0259l\u0259ri \u0130blis sur\u0259tind\u0259 \u00fcmumil\u0259\u015fdirilmi\u015f, i\u015f\u011fal\u00e7\u0131 m\u00fcharib\u0259l\u0259r\u0259 l\u0259n\u0259t ya\u011fd\u0131r\u0131lm\u0131\u015fd\u0131r.
\n1926-c\u0131 ild\u0259 m\u00fcalic\u0259 \u00fc\u00e7\u00fcn Almaniyaya ged\u0259n v\u0259 7 ay Berlind\u0259 ya\u015fayan H\u00fcseyn Cavid oradan ziyal\u0131lar\u0131n m\u0259n\u0259vi iztirablar\u0131n\u0131 \u0259ks etdir\u0259n bir s\u0131ra siyasi-lirik v\u0259 lirik-epik \u015ferl\u0259rl\u0259 qay\u0131td\u0131.
\n20-30-cu ill\u0259rd\u0259 H\u00fcseyn Cavid bir s\u0131ra tarixi dramlar yazm\u0131\u015fd\u0131r. “Pey\u011f\u0259mb\u0259r” (1922) v\u0259 “Topal Teymur” (1925) \u0259s\u0259rl\u0259rind\u0259n sonra yazd\u0131\u011f\u0131 “S\u0259yavu\u015f” (1933), “X\u0259yyam” (1935) tarixi dramlar\u0131 H\u00fcseyn Cavidin tarix\u0259, tarixi \u015f\u0259xsiyy\u0259tl\u0259r\u0259 bax\u0131\u015f\u0131nda ciddi d\u00f6n\u00fc\u015f oldu. C\u0259nubi Az\u0259rbaycandak\u0131 az\u0259rbaycanl\u0131lar\u0131n “\u015fah\u0259n\u015fahl\u0131q” \u00fcsuli-idar\u0259si \u0259sar\u0259ti alt\u0131nda \u0259zab \u00e7\u0259km\u0259si, \u0259n adi insan h\u00fcquqlar\u0131ndan m\u0259hrum edilm\u0259si d\u0259 v\u0259t\u0259np\u0259rv\u0259r \u015fair kimi H\u00fcseyn Cavidi d\u00fc\u015f\u00fcnd\u00fcr\u00fcrd\u00fc (“Telli saz” dram\u0131, 1930; “Kor Neyz\u0259n” poemas\u0131, 1930). Sovetl\u0259r Birliyind\u0259 totalitarizmin d\u0259h\u015f\u0259tli d\u00f6vr\u00fcnd\u0259 H\u00fcseyn Cavid sosializmin “nailiyy\u0259tl\u0259r”ind\u0259n yazma\u011f\u0131 \u00f6z\u00fcn\u0259 r\u0259va bilm\u0259mi\u015f, Stalini, Az\u0259rbaycan a\u011falar\u0131n\u0131 m\u0259dh etm\u0259kd\u0259n q\u0259tiyy\u0259tl\u0259 boyun qa\u00e7\u0131rm\u0131\u015fd\u0131r. Ona g\u00f6r\u0259 d\u0259 bu m\u0259tin \u015f\u0259xsiyy\u0259t Sibir buzlaqlar\u0131na s\u00fcrg\u00fcn edilmi\u015f v\u0259 orada h\u0259lak olmu\u015fdur. (5.12.1941, \u0130rkutsk vilay\u0259ti)<\/p>\n","protected":false},"excerpt":{"rendered":"
H\u0259yat\u0131 H\u00fcseyn Abdulla o\u011flu Rasizad\u0259 (H\u00fcseyn Cavid) – Az\u0259rbaycan \u015fairi, dramaturq. Ruhani ail\u0259sind\u0259 do\u011fulmu\u015f, ibtidai t\u0259hsilini Nax\u00e7\u0131vanda molla m\u0259kt\u0259bind\u0259, orta t\u0259hsilini M.T.Sidqinin “M\u0259kt\u0259bi-t\u0259rbiy\u0259” adl\u0131 yeni \u00fcsullu m\u0259kt\u0259bind\u0259 alm\u0131\u015fd\u0131r (1894-1898). 1899-1903-c\u00fc ill\u0259rd\u0259 C\u0259nubi Az\u0259rbaycanda olmu\u015f, T\u0259brizin “Talibiyy\u0259” m\u0259dr\u0259s\u0259sind\u0259 t\u0259hsilini davam etdirmi\u015fdir. \u0130stanbul Universitetinin \u0259d\u0259biyyat \u015f\u00f6b\u0259sini bitirmi\u015f (1909), Nax\u00e7\u0131vanda, sonra is\u0259 G\u0259nc\u0259 v\u0259 Tiflisd\u0259, 1915-ci ild\u0259n is\u0259 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-90","post","type-post","status-publish","format-standard","hentry","category-edeb"],"_links":{"self":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/90","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=90"}],"version-history":[{"count":3,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/90\/revisions"}],"predecessor-version":[{"id":93,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=\/wp\/v2\/posts\/90\/revisions\/93"}],"wp:attachment":[{"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=90"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=90"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edebiyyat-az.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}